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I have a background in technical education and it looks to me like Jamie Pratt knows how to educate his students.
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Suitable for professional with pre-concepts of OO.
The writing is just to the point for a professional beginner. But it must be updated to include the coming release of JDK 1.2, especially about the Java UI and Security which have got substantial enhancements.
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Why did I pick it up? Piers Anthony supposedly can write a decent standalone novel, I really liked the early books in all his adult series, I am fond of "end of the world" stories...the book was thin. I had hope. That was my fatal mistake.
All six people are dysfunctional - Zera is whiny, annoying and takes forever to catch on. Gus is pathetic - hydrophobic, lazy, lacking in social skills and constantly leering at the women. Gordan/Gloria is another fine example of Anthony's misogyny - Gloria is only good at girly things, Gordon is great at manly things. By the end of the book, I hated them all and hoped they'd just die.
The interactions between all of them are immature and in many places, just plain unrealistic. The storyline was dull and uninteresting, the ending, disappointing, and the writing was very clunky and amateurish.
Rings of Ice, while not as "edgy" as much of the literature of the New Wave, is a fine example of the form -- thoughtful, character-driven, often intensely moving. The characters are deftly and realistically drawn, the action gripping but plausible.
With everything else Anthony has ever written, edited or used to prop up a rickety table filling the shelves at all the major bookstore chains, it's astonishing that Rings of Ice has remained out of print for so long. Seek it out.
Being a 1st edition, it has a few mistakes. There is a couple of noticeable equation typos and some numerical errors in a few of the many examples (the programmer will quickly discover these). There is probably undue emphasis on some minor topics, and likewise a few important concepts are sometimes briefly mentioned without clarity. Being so broad in scope, the reader is sometimes required to go from chapter to chapter to get the big picture or gather all the details. While this may be distracting at times, most of the needed information is there - few astrodynamics textbooks can claim to be as complete.
An engineer or computer programmer who needs to solve problems in this field will immediately discover that this title serves to fill a large void in the academic literature on non-relativistic astrodynamics. Those wanting a purer treatise of fundamental theory might find a text on analytical celestial mechanics or dynamical astronomy will help supplement this text for self-study.
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Serious drawing books can be pricey but they can often be found at a good price if you buy an older edition--here are some really worth having: A Guide to Drawing (Daniel Mendelowitz), Art of Responsive Drawing (Nathan Goldstein), Art of Drawing (Bernard Chaet).
But here's what really upset me. Certain masters of drawing like Delacroix and Burne-Jones are completely missing. Nor are the selected drawings of Raphael included here the best examples, in my opinion.
I had the pleasure of visiting a sculptor friend and nearly tripping in the entrance of her house as I caught the sight of a fantastic little pencil drawing out of the corner of my eye. "Yes," she smiled "we think it is a Burne-Jones, even though it isn't signed." She has since passed on and donated her work and art collection to her alma mater. While I think that was a wonderful thing to do, that drawing may well end up in an archive and never be seen by the public, ever. So these books are sometimes the only way one ever gets to see masterful drawings, and to leave out some of the best artists makes me pretty sad. Save your money unless you need another drawing reference book and this contains what you are looking for.
The one thing I learn from this book is that it is NOT what you draw WITH, but it is more of WHAT you draw and HOW you draw that matters.
Remember when you were a little boy (or girl), you would love to draw on the snow, especially on the first snow of the season, smooth and fresh? Remember when you were a little boy, you would love to draw on the sand at the beach... standing; and the wave would wash it off? But I digress. The point is that this little book has taught me so many things in art and life that I cannot tell you all, but a few.
First off, it is a collection of beautiful drawings done by some of the Great Masters and draftsmen, such as Leonardo da Vinci, Michelangelo Buonarroti, Raphael, Rubens, Du:rer, and Rembrandt, to name a few. Most of the works were done in pencil, crayon, or pen and ink. The genres covered include perhaps almost if not all of the important genres existing in fine arts, such as portraiture, figure (aka nudes), landscape, and even animals.
Secondly, art students and professional artists alike will find this book a valuable addition to their library collection. The treatment of line and mass drawing, brushstroke, cross-hatching, edge, composition, and such, are skillfully done. One would make a better artist simply by copying these drawings and learn to recreate the effects shown in them using the techniques mentioned. What a great number of valuable lessons in drawing for artists who believe in good draftsmanship and drawing skills.
Last but not least, what strikes me most perhaps is the figure drawing. Sensual, respectable (for crying out loud in this time and age!), beautiful posing, and masterful rendition. What a gem!
One second-to-final little note: As revealed in these drawings, and as we all know it, the figures of these old-time ladies are healthy, well-fed and attractive in their own right; attractive in the sense not only of being a beautiful creature to look at, but also a healthy and fertile mother-to-be!
As a final little note, for folks who would like to see anything with their analytical "artist's eyes", here is one for you to judge: Look at the drawing of "Lady-in-waiting to the Infanta Isabella" by Peter Paul Rubens (a flemish artist, 1577-1640) on the front cover (this drawing is Plate 58 in the book) and compare that with a picture of Alley McBeal (i.e. actress Calister Flockhart) to see for yourself. For a picture of Alley McBeal go to my "About You Area" for a book list about Alley McBeal, or one of the two books (both available at amazon.com): a) Ally McBeal: The Official Guide and b) David E. Kelley : The Man Behind Ally McBeal.
The reader will need to buy "Credit Derivatives and Synthetic Structures" by Tavakoli to get insight into these products.
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PS: My students cheered when I announced at the end of the semester that I would be using a different text in the future.
For instance, chapters 9 and 10 are very confusing. He explains that Conquest and Gradual Settlement Models of Israel fairly well, but he does not explain the retribalizing. I was asking myself questions such as "who is retribalising?" Thankfully, I have a prof that explained this fairly well.
If, like me, you have to read this book, I wish you the best if luck in your course. To others, forget this book and get another one.
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Its hard to follow the plot when you've not been allowed to get to know any of the characters.
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Instead of reading the chapters I would recommend going straight to the tables and grids provided because the author does not do a good job of getting to the point. I also found that the grids and tables were a good source of what each chapter actually summed up.
I would, however, have to credit the authors for doing a thorough job of covering the various aspects of globalization- from patterns of global finance to global trade and markets to military globalization. Best chapter is the one that deals with migration-otherwise don't bother with this book- you would probably be better of with another book that covers globalization.
For a more literary, bizarre, and stimulating take on the contemporary global condition, check out Hardt and Negri's Empire.