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Gerardus Mercator was by no means born into greatness. On the contrary, the Flemish born genius was of very humble origins. As Crane reminds us, humble at the time meant barely living. Every day was a struggle. Luckily, the bright young boy that would give so much to mankind had a fairly prosperous uncle who funded his education at the Church academy at Leuvren, Belgium. I considered this part of the book to be the best. Crane does a very good outline of the emerging world of western intellectualism that was taking hold in the Low Countries. The Church and its allies, at least in certain areas, were taking fairly enlightened stances, letting non-churchmen hold ecumenical exclusive positions. This resulted in a great flourishing of ideas, especially in the field of cartography and theoretical mathematics. At first, Mercator was more of a simple student, but he soon fell in love with math and its mystical promises. Rapidly, his genius would be fully engaged with the image of the world.
Unfortunately, that image was not agreed upon by some important people. Leaders did not like to see the representations of their own land reduced in any way. Nor did the Vatican like certain new features added that seemed to cast doubt on certain church doctrines. Mercator, like many other intellectuals of the era was caught up in the net of the Inquisition. However, he lived through that experience, and we are all the better for it. Crane goes very indepth into Mercators methods and mindset. The reader gets a full understanding of the calculations and stakes involved. I felt Crane gets bogged down sometimes in minutiae, that does not really help the story, but the book is very good overall. It just brings a sense of awe to the reader that the western world could produce men such as Mercator, it truly is a credit to our civilization and the ideals we all aspire to.
Well, lo and behold, Mercator was a person, Gerardus Mercator, not just a projection.
This is a terrific book for anyone interested in history that goes beyond the ordinary. In fact, there have been a lot of books about scientific history and this is a worthy addition to the genre.
Mercator was born in poverty in the Low Countries and lived to become the preeminent geographer of his time when drawing an accurate map involved doing the best you could from limited resources. Starting with globes he created the conventional way of putting a map on a flat surface with minimal distortion.
This is not the easiest book to read, but it was excellent. I recommend it to anyone who wants to deal with history beyond the usual political history.
Mercator was born as Gerard Kremer to poor parents (his father was a cobbler) in Flanders in 1512. He was fortunate in being helped in his education, and became an apprentice to a maker of instruments and globes. His engraving into copperplate was beautiful and influential. In 1537, Mercator published his first map, a portrait of the Holy Land. Four years later, he made his first terrestrial globe, and Crane makes understandable how huge such a project was. Making the lens-shaped map papers to glue onto the sphere may have inspired Mercator to calculate his projection, a map that was to be an aid to navigators ever after. Mercator lived in a tumultuous time, and his moderate views, shared with the humanists, about such things as faith in Christ being more important than ritualistic ceremony, were considered heretical by others. In 1544, he was actually imprisoned for seven months for alleged Lutheran sympathies (charged with "_lutherye_"). He remained busy until the end of his long life, during the final three decades of which he worked on a book of maps of lands all over the world which was only completed by his grandsons. There had been other such books, but Mercator's was more comprehensive. It was also more influential; he named it after a Titan of Roman mythology, and ever since, any book of maps has been called an atlas.
We are less surprised by maps than those in Mercator's time; we have instantaneous satellite pictures of the world, whenever we want them, and _terra incognita_ continues to dwindle. Everyone recognizes the true silhouettes of continents. There was a time when such knowledge was still new, and tentative. Crane has written about the many influences on his subject within this complicated historical period, and has produced a remarkably full portrait. Mercator assimilated information and made a new picture of the world, a picture now familiar to us all. His influence is not even confined to the Earth he served so well; when the Mariner missions mapped Mars, the resultant charts were Mercator projections.
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Josh V.
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There's a really good reason why books by the Dalai Lama are so popular. He presents himself as an equal., He conducts himself as a servant of humanity. And his explanation of Buddhist concepts is logical, intelligent, and persuasive. However, the Dalai Lama's most alluring quality is his personal willingness to "walk the talk." This book is a demonstration of his deeply personal commitment to lessening the suffering of the world.
This book received a score of 8.250 on a scale of 1(low) to 10 (high) from the spiritual reviewer. A score of 8 or higher designates the book as "a classic."
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This book definitely has merit, but it isn't right for beginners or the mainstream investment community. The best audience would be investors with highly specialized investing methods.
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Having had a long friendship with the lead chemist to one of the teams, the late Roger Burgus, led even more enjoyment to this book.
Over the years, Elizabeth marries and has children with her spouse, but never forgets her first love for Paul nor her abandonment of their child. With her marriage over and her nest empty, Elizabeth finally returns to Vermont for the first time in a quarter of a century. She meets Paul and hesitantly they try to regain what they lost.
OLD SCORES is an intriguing modern day retelling of the classic Abelard and Heloise tale. The story line works, especially the subplot occurring in 1969, due to the genuine feel of the interrelationships between the characters. Although not quite as masterful as WHAT REMAINS, Nicholas Delbanco provides a complex, intelligent tale centering on the difficulty of forging a relationship even when love ties the players together.
Harriet Klausner
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This Elizabethan mystery is the story of Nicholas Bracewell, the bookholder of an Elizabethan theater company, who seeks justice when Will Fowler, one of the actors and a good friend, is murdered in a lowly tavern. Although this 1989 American release novel does not give its readers any red herrings, it is captivating entertainment that takes place during one of England's most colorful periods of history.
On the dying request of Fowler, Bracewell searches the unseemly streets, boozers, and brothels of London for the mysterious, violent red-bearded man who ran the victim through with a sword. During his investigation of Fowler's unwarranted murder, Bracewell finds Fowler's daring lifestyle disguised his more latent proclivities. In the meantime, Bracewell also has to deal with the pulsating, on-going problems of day-to-day working in the busy Lord Westfield's Men theater company, which frequently plays at The Queen's Head Inn.
Marston brings the crowded, busy atmosphere of Elizabethan London to life. The affecting ramifications of the Queen of Scots's execution, Philip II's impending invasion, and the subsequent defeat of the Spanish Armada on English society bring even more life to the historical background. His knowledge of Elizabethan theater is thorough, successfully transporting his readers into another place and time.
The colorful mixture of characters bring about some hilarious and ironic situations. Lawrence Firethorn, the leading actor and manager of Lord Westfield's Men, does his darndest to keep peace at home with his wife despite taking a fancy to one of his more distinguished female punters. Edmund Hoode, the company's resident poet, decides it has been too long since he was last romantically involved, then pursues the daughter of the protective landlord. The youngest and most promising apprentice, Richard Honeydew, yearns to be accepted by the other three who constantly make him the butt of their practical jokes. Meanwhile, someone else has more sinister plans for him.
Readers are not kept abreast of everything Bracewell knows in this mystery, but humor and suspense still abound in THE QUEEN'S HEAD. Any reader looking for a fun mystery can quickly overlook this story's shortcomings.