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These clocks were made during the 1830 to 1930 period, and they fall into my definition of an investment antique. They were expensive when new, still useful, and won't be made again. Yet they seem undervalued in the market. Thorpe discusses the aesthetic, historical, and practical aspects of these behemoths. Much of the book is a simple, practical course in cleaning and restoring these cases and movements. It is directed at the LAYMAN, not the expert. If you have never repaired a clock, if you are reasonably handy you can follow Thorpe's directions and do it right.
Even if you only own one French marble clock, you should have this book. Whether it's a petite boudoir timepiece or a fireplace mantel juggernaut, your understanding and enjoyment will be enhanced by this book.
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Blechman is the art director of the New York Times Op-Ed section, and met the other two through his self-published political 'zone, Nozone-samples from which constitute about a fifth of the book. Neimann is German a freelance illustrator for a number of well-known magazines, and a teacher at the School of Visual Arts. His samples have a slightly quirky and offbeat amusing air concealed in their simplicity. Sahre is a well known book cover designer and postermaker, and his samples tend to be more outrightly commercial and graphically appealing than the others.
The book is a quick read, you can probably absorb it in about two hours, and well worth it for those interested in how graphic designers work and arrive at solutions. My own favorite part was the brief "killed work" section, where the three designers discuss work of theirs that was rejected and why. I'll definitely try to track down Fresh Dialogue 2, which covers the next year's lecture.
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