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Chief among these are two Val Lewton horror films, Cat People and The Seventh Victim. It is nice to see someone discussing Lewton from a film noir perspective. Also, Christopher left me burning to see Breakdown, a 1965 film dealing with a scientist's mental crisis that he makes sound fascinating.
He also does a good job talking about more famous noirs, particularly Criss Cross, which he examines from the Dan Dureyea character's perspective. That brings a fresh approach to his discussion of this classic film noir.
This should not be anyone's first book on film noir, but it takes interesting positions and makes the reader look at things differently. Recommended for the person deeply into noir.
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The projects largely accomplish simple, well-established processing tasks but use circuits that are overly component-heavy, and you'll often find obscure parts that require mail-ordering. Many projects require wall-wart power supplies of varying current and voltage when a design COULD have been made with a 9v battery and "standard" components in mind.
There is an interesting section on effects theory, for those that wish to make their own designs from scratch, but I don't find it superior to the information widely available on the better homebrew FX builders' pages.
A few slight adjustments or added explanatory sections, and this book could have been perfectly suitable for beginners, which would make this book seem a lot more relevant-- after all, most advanced builders are likely to have already built several basic distortions, compressors, and the like, which is the majority of what he offers here.
Overall, beginners would be much better off starting with anything from Craig Anderton, while the advanced users should stick to the homebrew pages. For thirty bucks, this book is a real disappointment.
Canned effects live with limits imposed by retail viability. Building from scratch breaks those limits, and that's what this book is about. The text is written at the level of those who understand basic electronics, and who have mastered the skills needed to build intermediate to advanced projects. ... Beginners would profit from building simpler projects than these.
As a retired engineer my biases lean to just this approach. Yet some persons might not share my slant, so let's catalog the facts.
The book contains plans for 38 projects, 35 of them effects or processors, or accessories such as splitters and mixers. They break down as: distortion boxes (6), tremolos (6), vibrato (1), phase (1), compressors (2), sustainers (2), tone/EQ (4), axe-based effects (2), and miscellaneous (11, including noise gate, companding system, envelope-driven filter, transformer isolation circuit, several others). The remaining three projects are a power supply, an audio burst generator, and a ramp generator.
The book presents the projects in a uniform style that includes a circuit description, schematic, parts list, printed circuit pattern, and a parts placement and wiring diagram. Most projects add a photo of the soldered prototype. Many projects include photos of oscilloscope waveforms that shed light on the workings of the circuit. The projects use parts available through well known mailorder suppliers.
Some projects take a conventional approach, while others leave the beaten path. For example, the SSM2120 dynamic control chip has been the subject of several do-it-yourself compressors and noise gates over the past decade. This book takes the SSM2120's control path outside the chip, giving the player command of attack, decay, threshold, and ratio. Some of its '2120 projects incorporate program-responsive attack and decay, and soft- knee compression. Speaking as someone who's followed electronics for nearly five decades, these features represent firsts for do-it-yourselfers. Throw in several effects that are gated or internally companded and, yes, this work qualifies as advanced.
Besides projects, the book dishes up a generous serving of what it calls "ingredients"--circuit blocks that perform specific audio or control functions, the stated end being to equip the builder to create new effects. The ingredients are divided into dynamic processors, distortion, tone control, tremolo, vibrato & phase, noise reduction, and delay modes, plus several minor categories and a chapter on tube sound. The book includes a particularly rich treatment of placing stompbox functions under voltage control, and a lucid essay on compression.
The book boasts a lavish complement of photos and diagrams, most conveying useful information. It concludes with a brief discussion of troubleshooting, and a robust reference list for those inclined to dig deeper.
Boscorelli's writing is concise and clear, occasionally stylish, and largely devoid of hyperbole.
Soft spots? Little on wah effects, less on frequency dividers, and only the most basic treatment of ring modulators. But what this book takes on it renders with breadth and depth.
I'm tempted to judge The Stompbox Cookbook by its target audience and stated objectives, in which case it rates 9.9 out of 10. But reviews ultimately prove their worth by how well they inform prospective buyers. This book's content speaks for itself. Prospective buyers should weigh whether that content is likely to meet their needs. Novices will find frustration, for the book speaks electronic jargon and doesn't stop to teach fundamentals. But for adept builders looking to devise their own effects, or wishing to learn in some detail how stompboxes work, nothing else in print delivers what this book does.
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Still, there are some interesting moments. The students' tradition of stealing the cigar store indian was a nice touch and made the protagonist's relationship to the community all nice and warm and fuzzy. Really. A good touch.
But the plot is predictable and so much attention is paid to what kind of cigar goes with what meal or drink, that it;s hard to take MURDER seriously.
Give me some tough hardboiled guys with broken bottles and brass knuckles over this kind of timid crime novel any day.
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Another love story by the author of MESSAGE IN A BOTTLE and other tragedy-laden romances, NIGHTS IN RODANTHE recalls an older woman's memories of a love lost, but not forgotten.
Adrienne Willis is 60 years old and is trying to help her daughter Amanda deal with the recent death of her young husband. Amanda does not seem to be able to cope with the death, ignoring her young children's needs and falling apart before them all. Adrienne decides to tell Amanda the story of a man she loved many years ago, but due to circumstances that kept them apart, they did not have a "happily ever after". She hopes that this story will help Amanda with her own loss.
Fourteen years ago, three years after Adrienne's husband Jack had left her for another woman, Adrienne honors a request to help take care of a friend's Bed and Breakfast Inn while her friend goes away on vacation. Adrienne has yet to move on with her life since the divorce, and time spent at the Inn may be what Adrienne needs. There is only one guest that weekend, and it is Paul Flanner, a surgeon who is going through his own nightmare of a past, and happens to stay at the Inn while he conducts some business in town.
Adrienne and Paul connect and as they get to know each other, they fall in love. Paul, however, has already committed to spending time in South America and be with his son, who also happened to be a doctor. He tells Adrienne that as soon as his work is done there, he will come back for her and they would have plenty of time to be together.
Obviously, things did not work out for Adrienne and Paul, since Adrienne was sitting in her kitchen with her recently widowed daughter. What happens after that week in Rodanthe is Adrienne's story to her daughter, and what Amanda learns from her mother helps bring her back to the world of the living.
This was yet another heartbreaking story by Nicholas Sparks and I highly enjoyed it. I have read all of his books, and I still come back for more. What I find interesting is that people he knows inspire him to write most of his books, and this book was no exception. Inspired by his own courtship with his wife, Sparks yet again has written a winning book.
This is an encouraging novel for grown-ups who have lost the hope of falling in love once again.
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An observation: I have long been a student/collector of all things relating to Marie Antoinette and I have read Ms. Erickson's book TO THE SCAFFOLD. I was surprised she did not make the connections between Antoinette and Alexandra - for surely there were many. Both women were vilified by their husband's subjects. Antoinette was called the Austrian Whore, Alexandra the German Whore. Both women attempted to learn French - and both women struggled with the language. Both women responded to criticism in childish ways (Antoinette, in leading a frivilous life, thereby lending credence to the pamphleteers charges. Alexandra, by drawing spiteful portraits). Perhaps Ms. Erickson would consider writing a book titled: The Shared Traits of Tragic Queens - Josephine, Antoinette, Alexandra
My only negative comment would be that Ms. Erickson seemed to provide little original information. A perusal of her FOOTNOTES shows that she relied heavily on previously written biographies.
Still, all in all, a fabulously enthralling read.
Also contradicting a below review, I definitely feel that Erickson's book has brought out at least two major new contributions to the scholarly work about the Romanovs. Namely, bringing to light the fixation of Nicholas and Alexandra with the French mystic, Phillippe Vachot, one time butcher then hypnotist and charlatan to the aristocracy. Their reliance on his judgements and spiritual healing so early in their marriage and reign is incredibly predictive of their later dependency on Rasputin, down to their referring to Vachot as "our friend" in correspondance to one another. The fact that Vachot stated prior to his death that he would be reincarnated in another man who would come to give them spiritual guidance, all but cemented the later easy acceptance of Rasputin. The second of Erickson's contribution centers around a more detailed account of Alexandra's ongoing health problems (someone with chronic leg pain is going to hate balls and receptions involving hours spent on her feet, regardless of her shyness) many of them mental in nature. Also, how easily accepted drugs of their period (barbituates and cocaine) were used by both Nicholas and Alexandra as little was known of side effects by physicians of the time. This drug use (which occurs right around WWI and the downfall of the monarchy) could only have greatly infuenced decisions made in a completely autocratic government.
An excellent work and one worthy of reading by any Russian scholar interested in the time period and Romanov dynasty.
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