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In the Foreward, Trevor McDonal, OBE, writes: "The sudden and tragic death of Diana, Princess of Wales affected the people of Britain and the world as perhaps no other event in modern times.
"...Her death seemed to touch the chord that unites us all as people, as members of the vast and disparate human race, as partners in the great of nations. I have come to believe that there are several reasons why this is so. Diana had become, by the time of her death, an international superstar like no other before her. Although she was no longer married to the Prince of Wales, the heir to the throne, her superstar status was underpinned by her royal connections. To all intent and purposes she was regarded by her millions of admirers as fully royal, touched by thr indescribable regal magic. Another reason is that she was stunningly beautiful, In an age when technology enables pictures to flatter their subject unashamedly, Diana's good looks outdid the photographer's art. As Shakespeare's Cleopatra was described, Diana's entrance into a room 'beggared all description.'...
"Many of us in the media knew the Princess well. She had a great sense of humor, laughed easily and was unfailingly charming. But she could also be wilful and manipulative and was always ambivalent about how much of her royal status she wanted to use and when. Diana was no saint. She made silly mistakes and even grosser misjudgements. She was not infallible. But then niether are we. Part of her charm was her vulnerability. She was very human and it is now obvious from her many tributes to her, that she was capable of showing great humanity. When it was clear that she would never be Queen of England, Diana said, with what seems like wonderful prescience, that she wanted to be Queen of People's Hearts, The People's Princess. The response by the pepople to her death suggests that she achieved, in overwhelming measure, everything that she wanted to be.
"The undoubted value of this book lies in the simple fact that the images it contains will never die...the pictures of the glamous Princess; the pictures of her with her boys, the young Princes, who she loved so much. And then there are those forever haunting images of her coffin arriving back from Paris and the panorama of scenes of her funeral on the day an entire nation stopped to pay its respects. These will be pointed at and talked about long into the twenty-first century.
"They show that in her short life, marked by pinnacles of joy and depths of despair, Diana, Princess of Wales, became an icon who captured the world's imagination as no other public figure of our time."
The above quote sums up this book. It is beautifully written and contains pictures both in color and in black and white. Anyone who collects books on Diana, Princess of Wales, will certainly want this book
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Interesting to me were new insights into why Jefferson continued to serve in politics when he found it repugnant, his observations about the the French Revolution and Napolean, and his great affection and fatherly advice on health, education, and character building found in the letters to his daughters, and some grandchildren. In one instance, he discusses raising chickens. He also describes the pain of losing his wife and child, and a grandchild, to Abigail Adams.
Puts a little more flesh on the events, and on a giant of the 19th century. Good book to read in spirts.
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That is where this book comes in. The novels provide tantalizing glimpses into a rich and complex world; the Companion allows the interested reader to pursue these glimpses into the labyrinthine world of Renaissance life and politics. The Companion (and what I say here applies to both Volumes I and II) is organized alphabetically and makes it possible for the reader who wants to do so to learn more about the multitude of historical figures who are so beautifully woven into the novels.
The Companion also provides the means for tracking down the quotations and other rhetorical devices that appear in the novels. The Companion carefully provides enough information to educate the reader, but not so much as to give away any of the plots of the novels. This is a delicate task, but is accomplished beautifully.
We all miss Dorothy Dunnett. May her novels long survive in print, and may the number of her fans continue to grow. Books like the Companion will help to make sure that both of these exhortations remain reality.
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This fanciful tale with its Picasso-like art is a must for every concerned person's library.
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It is not written in an overly accessible style. When I say--truthfully--that it will enrich your spiritual life, I do not mean that Lash has written a set of meditations on which it would be easy to focus in worship or prayer. I mean that the ideas he elaborates are profoundly important. Drawing on the thought of Karl Rahner, he offers a powerful critique of dualistic spiritualities--he focuses on William James in particular--that equate "experience of God" with a particular range of conscious feelings. He rejects the view that God can be isolated to a narrow district of experience, suggesting instead that Easter happens in the ordinary. The book is a marvelous trip through recent theology, full of useful insights. (Because it isn't especially reader-friendly, it might be worth spending time with the parallel essay in the author's 1986 collection, Theology on the Way to Emmaus.)
Buy this book!