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This is the first Ramage novel based substantially on true (if minor) historical events. Maybe for that reason there are fewer daring action scenes here than in the previous four novels. Ramage is assigned another thankless and politically dangerous mystery to solve, loses his fourth ship in 5 books, faces his second mutiny and second privateer, upsets the Admiralty again, requires an Act of Parliament to be passed, and is still a Lieutenant. We learn such things as the British mail packet-boat system (when surface mail was faster to the Caribbean than it is today!). Also, how to fiddle insurers, the loading of guns, detecting wood rot, rules of neutrality, the giving of parole, and the origin of mahonnaise, among other bits of nautical lore. Pope seems to give Ramage expert knowledges that such a young man might not have known. Pope can write evocatively of the seas and seacapes when he turns his mind to it.
Don't read this until you have read the first four books of the Lord Ramage Novels by Dudley Pope.
For more historical information on history of ships of the Royal Navy, read SHIPS OF THE OLD NAVY by Michael Phillips.
Lord Ramage Novels
Book 1: Ramage
Book 2: Ramage and the Drumbeat
Book 3: Ramage and the Freebooters
Book 4: Governor Ramage RN
Book 5: Ramage's Prize *
Book 6: Ramage and the Guillotine
Book 7: Ramage's Diamonds
Book 8: Ramage's Mutiny
Order them all, because you won't want to stop. The action is fast and furious.
This is fifth in a series of historical fiction by Dudley Pope. All of these are fictional novels based on British Admiralty records of the Napoleonic era. Written in the best tradition of Forester and O'Brien, these books will capture your imagination. And if you haven't read the Hornblower series by Forester, or the Aubrey/Maturin series by O'Brien, be sure to try them also. All of these are excellent books that you will treasure and reread. I particularly like these books by Pope. I recommend that you buy them all at once and read them in order. That is what I am doing.
If you enjoy reading accurate descriptions of naval maneuvers in the age of sail, or simply a good adventure yarn, Dudley Pope delivers. Pope conveys how the best of the best, handle emergency situations. He portrays these situations with realism and authenticity.
Review of this book:
Ramage, is given the task of determining why Post Office packets, delivering mail from England to the Caribbean and back are disappearing. This story was based on true events. Post office packet brigs were surrendered to French privateers in the manner described because of "ventures", insurance policies, carried by treacherous officers and crews, and a Post Office packet was ransomed at the neutral Portuguese port of Lisbon in the same circumstances and difficulties as the Lady Arabella of the story.
In the age of Nelson it took 45 days for mail to be delivered from England to the Caribbean. Today, surface mail from England, takes 60 to 90 days to reach various islands in the Caribbean.
Buy the series in the hard cover--worth keeping and handing down.
A good yarn. Buy them all. I starting reading the next one last night. Conrad B. Senior S/V Echo
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But the underlying Nazi menace is only a part of the suspenseful undertone in this book. The various heart-wrenching stories of the brave souls who tried to protect and salvage the many works of art (on both sides surprisingly) are what give this account a real kick. To me the accounts on the Soviet front were especially remarkable.
My only complaint is that since I am not, as I suspect the majority of the readers are not, art historians, the significance of many of these works directly mentioned is lost. I would like to have seen more pictures of the art work in question. (I have uncovered a documentary in the works based on this book which might allieviate some of this problem, but until then...)
For those interested in the history of World War II and who might have exhausted the typical military accounts, I highly recommend this alternate angle into Nazi repression and its effect on those who lived through it. Heck, I recommend this for anyone who enjoys history.
*** The appropriation of great works of art may not be a crime equal to the holocaust of human lives, but we can begin to grasp the progression of tyranny in stolen property and the systematic imposition on everyday lives. It is a story that doesn't have complete resolution. Even today, works of art remain missing or await return to their rightful owners. Many treasures were destroyed, however, and will never return. It is a haunting echo of other, more heinous war crimes.
It may sound like a bizarre comparison, but the "Grinch" of Dr. Seuss fame came to mind while reading. The fictional character like his Nazi counterparts attempted to wipe out a culture by taking everything. The list of names of Artists includes every Master that ever painted, sculpted, drew, or any artisan who created a work of beauty. Nothing was overlooked; imagine having to return over 5,000 bells stolen from all over Europe. Yes, bells, as I said they took everything.
The book has some great photographs. There is a photo of one of the Goering residences and the Art he had stolen. It may sound bizarre but it looks like a bad yard sale. Any taste he had was in his mouth. It's quite a feat to amass priceless objects, and then display them in such a way and in such numbers, that the result is a garage sale. The picture also illustrates what the whole theft was about, the desire to have stuff, all the stuff you could steal. Happily they lost, or the world's great art would have become the personal property of the artistically challenged moral degenerates of the Third Reich.
Much more intriguing was Ms. Nicholas's treatment of how so much art was preserved, hidden, and protected. A photograph of DaVinci's "Last Supper", or better said the protective covering, is simply amazing. So too are the photos of American Soldiers casually posing with a Goya, or standing with The Ghent Altarpiece. Aerial photographs of destroyed cities where virtually all that was saved was the Art.
There are also troubling events after the War that remain to the present. So much art was stolen yet again by the Victors, some has reappeared, and much has not. Even the custody that was taken of many works after the War by this Country, and displayed at our National Galleries is an event I would hope we would never again repeat. The value of these objects, the tons of precious metals, and other items are beyond calculation. Hopefully with the changes in Europe and the Former Soviet Union more art will find it's way back to where it originally resided.
In the end all the effort the Nazis expended on their desire to feed there egos probably saved many, many pieces of art. I am in no way suggesting what they did was correct. If they thought they were saving art for future generations of people and not their superior race of automatons, they would have destroyed it. And the Corporal's fondness for Paris didn't hurt either.
A very well written and interesting book for the art lover, or for fans of well crafted History.
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Graphs of the distributions are shown with varying parameter values in most cases.
The book should be seen purely as a handbook on statistical distributions, not as a theoretical reference. The book is ideal for those who make use of statistical distributions in other fields, and who are not necessarily statisticians themselves. I have no formal statistics training, but use distributions extensively in my own work, and found this book very easy to understand. I have been using Johnson and Kotz monographs fairly extensively as references for the distributions in which I am interested, but find this book a much simpler reference for the basic facts of the distributions. In addition, its consistent use of notation across the chapters makes it much easier for the reader to cross reference.
I refrain from giving 5 stars to the book because of a few weaknesses, primarily omissions. Firstly, as an earlier reviewer pointed out, the lack of an index is a little annoying sometimes. Secondly, the bibliography is very slim, and so the reader interested in finding further details, proofs etc., is given very little direction. Thirdly, there are a few obvious omissions, such as the cumulative distribution function for the chi-squared distribution. Fourthly, random number generation is described only when the generation is relatively simple (for example, a method for generating random variates from a gamma distribution is described only for special cases). Finally, I would like to have seen more guidance provided in the sections on parameter estimation, such as first and second derivatives of log-likelihood functions when the estimates have to be derived iteratively.
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Pursuing Gelis, Nicholas has to find out if the child is finally born and what sex it is. Once he finds out, Gelis hides once more from him. They travel to Cairo, the Sinai Desert and end up in Cyprus once more. The book closes on the Carnival in Venice and a new discovery for Nicholas.
In this book we are newly introduced to Dorothy Dunnett's best: Scotland. She can present the atmosphere and living customs of the time with incredible clarity and knowledge. The people, the rulers, the history, the places, everything is depicted with accuracy and made very interesting.
I have also enjoyed and learned a lot by this book. Be it about European history as well as middle eastern.
I am on my way to reading the sixth book...
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