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Verdun 1916 consists of twenty short chapters, beginning with sections covering background to the battle and opposing preparations. The account of the battle itself is fairly succinct at only 118 pages and readers will get just the basic facts, with little embellishment or analysis. Indeed, the lack of any detail concerning the underground fighting in Fort Vaux or the seesaw battles in the villages around the fort are serious omissions. Certainly the greatest weakness of the book is the presence of only a single map - and a map that does not depict important villages like Fleurus, where thousands of troops died. Military readers will also note that few specific units are mentioned, that there is little or no mention of the corps and division level leaders on either side, and that few specific dates are given; as military history, this lack of specific detail just doesn't cut it. On the plus side, there are eighty photographs in the book, some of which depict interesting sidelights, such as the effect of shelling upon the city of Verdun. Scholarly readers will note the brevity of the bibliography and the over-reliance on English language sources; apparently the author made little effort to utilize French or German archival material.
The first half of Verdun 1916 covers the initial dramatic stages of the battle pretty much as Horne did, with the emphasis on the capture of Fort Douamont and Fort Vaux. Compared to Horne's dramatic prose, Brown is sparing in detail and seems intent to invoke a somber pathos. However, Brown does a wonderful job weaving together eyewitness accounts from both sides that put the battle into a better human context than Horne delivered. Whereas Horne focused on dramatic individuals at dramatic moments, in Brown's version of Verdun we read more about the fears of ordinary men expecting to be blasted into bloody pulp at any moment. One could even say that there are no heroes in this account, only victims.
At the mid-point of the book, Brown inserts a considerable amount of fresh material and perspectives on neglected aspects of the battle, such as medical units and civilians. Of particular interest is the British Urgency Cases Hospital at Revigny, which handled many of the French wounded from Verdun, and which was an early forerunner of modern combat surgical hospitals. Brown's discussion of the effect of the German bombardment upon the city of Verdun (some spots, like the Cathedral, were almost untouched) and the involvement in the battle of American pilots from the Lafayette squadron are also quite interesting.
One recent American revisionist historian, John Mosier, claims that the Germans won the battle of Verdun. Brown's book helps to dispute such assertions by demonstrating that the French army did better at Verdun that is frequently portrayed. Certainly the greatest French success was their ability to sustain their defense by means of a motorized logistic pipeline along the "Sacred Way." Indeed, Brown asks, "the success of the Sacred Way raises an important question. Why did the Germans let it happen?" Brown notes that, "the Germans had three squadrons [of aircraft] for bombing, each capable of dropping a 200-pound bomb. But they used them with little imagination." Furthermore, "not one of the thirty-four bridges in the area was destroyed by bombing...and they never troubled the Sacred Way." Thus, the German inability to seriously interfere with the French lines of communication was a major mistake. Brown also notes that while the Germans introduced some tactical innovations at Verdun - like small storm trooper units, flamethrowers and phosgene gas - that most of the ordinary German infantry still attacked in conventional battalion-size masses.
The other major French success at Verdun was their ability to recover lost ground in set-piece battles. In a one-week period in the fall of 1916, the French recaptured Fort Douamont and Fort Vaux at relatively low cost. The French army was able to mount these successful attacks after months of bloody attritional fighting, proving that the Germans had failed to achieve their objective of smashing the French fighting spirit. Brown's conclusions that there were "no winners, only victims" at Verdun glosses over the importance of the French army's ability to absorb the worst that the Germans could throw at them, and survive to launch counterattacks.
While being filled with photographs and excellent battlescene plates painted by Howard Gerrard, the book lacks analysis of the battles and most details concerning the battles in and around Verdun, which would be a dissapointment to Great War historians and miniature wargamers alike.
Still, it is a good read and should be bought as a supplement to other works on the Battle (or should I say Slaughter?) of Verdun, most notably Horne's classic account, The Price of Glory.
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I found this book concise and clear (this man knows how to teach). It sure doesn't explain everything about the subject, but it gives the big picture, with an impressive number of details too.
Ideal to start working in small time.
NOTE about who is this book for:
As title state, this book teaches how to use the XML features of SQL Server 2000, not how to use SQL2000, so if you don't know SQL Server you better read something else first.
From the XML XSL XPath X... side, this book is also for novices as it has a very good appendix that teaches all you need to understand the book.
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It's definitely pitched to a pretty narrow audience though. You've got to have patience to wade through pages of explanations of their unique statistics. If all you want to do is read comments on players because you're in a Rotisserie league, this isn't the book for you.
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I love reading novels with an archeological theme so the premise of THE GOSPEL OF JUDAS was certainy intriguing---a newly discovered Dead Sea scroll may reveal an eyewitness account of Jesus' life and death (unlike the gospels of Matthew, Mark, Luke and John which were written after the fact) and the information in the scroll supposedly could rock the foundation of the Church. I enthusiastically jumped in, only to be disappointed.
The reader has to wait far too long to get to the mystery of what's in the scroll and what it means to the Church. In the meantime, the reader has to wade through two mildly interesting subplots (either could be a separate novel). The first subplot is fine--the love story between Father Leo, the priest who is called in to examine and verify the scroll, and Madeleine, the wife of a diplomat. The second subplot though is thoroughly uninteresting and dramatically useless---it's a continuing flashback story of Leo's mother's tragic love affair in wartime Rome. It slows the forward movement of the plot as it keeps pulling the reader from the drama of the main story.
When we finally get to the what's in the scroll, it's too little payoff, delivered far too late. Not recommended for readers who love the well-told, well-paced archeologically themed story.
Leo quickly realizes that the document the Church sent him to inspect apparently contains the Gospel accordance to Judas Iscariot. Instead of supporting the other Gospels, this scroll denies much of what has been claimed. Leo begins to comprehend how Judas felt when he condemned his best friend to death.
THE GOSPEL OF JUDAS is an insightful look at the Judas betrayal but in a modern text and through Leo's break in faith. The story line is fast-paced especially in an allegorical manner that compares Leo to Judas. The flashbacks to World War II are cleverly written, but the story belongs to the Leo-Judas relationship that, in turn, proves how talented Simon Mawer truly is.
Harriet Klausner
This book's marketing can create some confusion: is it a dialectic about faith, a thriller, a love story? It is each of these, and more. Simon Mawer has managed - artfully, gracefully - to ensnare the reader into entertaining even enjoying the questions (and some answers) that transcend our individual lives.
*The Gospel of Judas* is, quite simply, an astounding novel - perhaps the best novel I have read in several years! Admittedly, it does include ALL of the topics and issues that *I* find so thrilling: faith, religion, history, and language. Mawer's love of language mimics his love for the quotidian, and allows him to tell a tale for all.
But don't take my word for it, on faith; check it out for yourself. You must see, smell, feel, and read this novel, to believe it. Highest recommendation.
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His understanding of standard startup accounting principles is pretty weak -- my SBA advisor (a retired accountant) laughed at some of the startup cost itemizations.
Overall, I *did* learn some good info from this book, but I was happy I bought it used on Amazon, rather than paying the ridiculous list price of this one.
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Glad I borrowed this one from the library...
Although "Marrying Off Mother" has much of the same wonderful timing & wit that's in other Durrell books, it seems to be missing their soul. This is a cynical book, and the timing & wit (that in earlier books shows Durrell's innonence and passion) conveys smugness and superiority in "Marrying off Mother". This attitude wears thin pretty quickly.
If you're interested in reading Durrell, I strongly recommend "My Family and Other Animals". But not this book.
Yes there are flashes of the Durell humour, but the quality of the writing is sometimes strained - especially apparant in 'Marrying Off Mother' where information about things and people ate given in terse little bites that do not have the charm of a more full-bodied development. Also some of the stories are too improbable for suspension of disbelief, ie. the story of the gambling nun. 'The Jury' is like something out of 'Tales of the Unexpected' or 'Tales from the Dark side', and bears some resemblence to Somerset Maugham's darker tales of Malaya. Also some of the world-weary author comes through in the stories, which means the wry and humourous 'voice' of ten year old Durell, created so beautifully in 'My Family and Other Animals' is merely imitated. The only place it fully succeeds is in Antoine's little speech in 'Marrying Off Mother' - which is worth reading the whole book for!
Perhaps I am being grossly unfair in expecting something like 'My Family and Other Animals' - each book and story should stand on its own. It is worth reading just to get a taste of what other things interested Durell. Some of the stories do not actually have animals in them!