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The Judaica section, where it talks about Jewish history/genealogy?
The Etymology section, with its fascinating secrets revealed about common Jewish surnames?
The Various Country Biographies?
The Jewish Genealogical Societies, complete with short biographies and research tips?
Or is it the massive Surname index in the back- over 3,000 names, I believe?
No, I think the best thing about this book is summed up in the introduction. It's a book FOR US. For Jews, about Jews, explaining the History of Jews in Europe and other places, and how we can find out about them.
So nu, buy a copy! It's worth it!
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I love this book, it's a wonderful gift to anyone who loves that amazing and magical place known as the Vieux Carre.
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This is a very appropriate book for the construction series of McGraw Hill, in that it not only reads well but also explains many items related to geomembranes and the expansive soils in a simple language without any equations.
As a Civil Engineer, but not in the field of geotechnical engineering, it was refreshing for this reviewer to read a book on the subject after a long experience in concrete and structural engineering that may be impacted on all the world's continents by these expansive soils. I enjoyed it very much from the practical perspective rather than theoretical one and was very much impressed with the contents.
As an academician teaching for over 25 years, I enjoyed the simple style of writing by Mr. Steinberg and would recommend it as a supplemental reading for a Senior, who wants to get overall information on expansive soil as well as the geomembranes and their applications. Particular joy was to see a chapter on Do's and Don'ts, which will be useful for younger engineers. I wish we had such a book during our undergraduate studies. As a consulting engineer, I liked this book since it provides practical solutions using geomembranes to control expansive soils.
In India, this type of soil has been known as Black Cotton soil, characteristic for its excellent assistance to growing one of the best cottons in the world, but not good for constructing roads due to its properties in wet conditions. It was refreshing to know that it can be used in constructing roadways and other structures as well with proper techniques.
In short, I am happy to see Mr. Steinberg's persistence and a thorough follow up on this venture and producing such a quality book.
Reviewed by: Gajanan M. Sabnis, Ph.D., P.E. Professor of Civil Engineering, Howard University; also, Consultant, Silver Spring, Maryland
As a Civil Engineer, but not in the field of geotechnical engineering, it was refreshing for this reviewer to read a book on the subject after a long experience in concrete and structural engineering that may be impacted on all the world's continents by these expansive soils. I enjoyed it very much from the practical perspective rather than theoretical one and was very much impressed with the contents.
As an academician teaching for over 25 years, I enjoyed the simple style of writing by Mr. Steinberg and would recommend it as a supplemental reading for a Senior, who wants to get overall information on expansive soil as well as the geomembranes and their applications. Particular joy was to see a chapter on Do's and Don'ts, which will be useful for younger engineers. I wish we had such a book during our undergraduate studies. As a consulting engineer, I liked this book since it provides practical solutions using geomembranes to control expansive soils.
In India, this type of soil has been known as Black Cotton soil, characteristic for its excellent assistance to growing one of the best cottons in the world, but not good for constructing roads due to its properties in wet conditions. It was refreshing to know that it can be used in constructing roadways and other structures as well with proper techniques.
In short, I am happy to see Mr. Steinberg's persistence and a thorough follow up on this venture and producing such a quality book.
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GURPS Goblins is surprisingly inexpensive for a book printed throughout on slick paper with (hilarious) full-color illustrations. The society and biology of the goblins (which are seamlessly tied together) are fascinating as well as funny--these may vaguely resemble the standard fantasy RPG goblins, but they stand out as one of the most unique races to be developed for any setting, fantasy or science fiction. The style of writing is less that of a game supplement and more of a travel guide to 1830s London--except there are no humans, just goblins! It's a very entertaining commentary on human nature, using the goblins to soften the blow a bit. And it's a game-within-a-game, as the whole point of goblin existence is to climb socially (due to their biology, virtually all goblins start in the gutter, no matter who their parents were), so there are very full setting-specific rules for social climbing that can be applied to other settings.
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The book begins in the early eighteenth century, with a minute dissection of the notebooks and 'Lives' by Vertue, Walpole and Cunningham. Baker manages to unlock a surprising wealth of information from these difficult, often opaque texts, by looking for new ways of approaching, reading and understanding their cryptic use of language. This sets the tone of the book, and in the following chapters, Baker continues to glean information from the most unexpected sources. Always approaching his subjects obliquely, the book brings to light aspects of sculpture that often remain unseen, unnoticed, and unexamined.
The first half of the book explores interconnections between sculpture and the luxury trades, the classifying of genres, and the public and private expectations of commissioned subjects, by looking at the conditions under which sculpture was designed and made. The second half links the development of the sculpture gallery with the emergence of aesthetic theory and the growing interest in the effect of the display and 'staging' of sculpture. The final chapter arrives at a very recent event: the controversial, drawn-out, and extraordinarily public affair of 'saving' Canova's Three Graces for the nation. Baker raises pertinent issues about the making, viewing and assimilation of sculpture into the public arena.
Although clearly addressing a specialist subject, the book is much more than a historical study of eighteenth century sculpture. Weaving together close readings of contemporary texts and modern interpretations of individual artists and studio-practice, the author compels his readers to question their preconceptions about sculpture. In Baker's own words, what he does in this book is 'to relate a narrative about changing notions of history and changing ways of perceiving and understanding objects'. Always moving between specific cases and their broader relevance, Baker embraces issues of continuing importance to the understanding of sculpture. Using the historical context as a framework for his arguments, the author questions the development of modern attitudes and ideas.
In a sense, the book could be described as an analysis of the evolution of histories of sculpture. It reveals as much about the eighteenth century as it does about our modern understandings, and (mis-)conceptions, of sculpture. This is an important contribution to the study of sculpture, and is essential reading for anyone with a serious interest in sculptural aesthetics.