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In Greek mythology it was well established that Heracles "died" on a funeral pyre: as a demi-god he could not truly die, so the fire burned away his mortal side. But in the hands of Sophocles the tale takes a certain twist. Heracles demands that Hyllus marry Iole. Sophocles presents this not as an act of repentance, but rather as a last attempt to keep Iole, using his son as a surrogate. Ultimately the question Sophocles poses is whether Heracles deserves transfiguration. In this regard it is similar to his play "Ajax," although I do not think the verdict is as clear or as positive in this play, which was performed sometime after 458 B.C. While the psychology of the characters is certainly what we expect from Sophocles, there is a touch of the cynicism we usually associated with Euripides.
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The new Euthanatos book is excellent; it's treatment of history and factions in the Death-Mages is incrementally better than it's predacessor. I enjoyed the greater detail given to the functional groups within the Euthanatoi-- the Golden Chalice, Wheel Keepers, and Albirerans.
Also, slightly more thought is put into the european and greek branches than previously, and there's brand-new material on the resurgence of the african euthanatotics of Great Zimbabwe, and details on the Aided, the celtic Euthanatoi.
The author of Revised Euthanatos also makes insightful, needful comments about what it really means to be a Thanatotic, and the distinction between playing an easy, gleeful killer, and the real challenge of playing a character who accepts, or at least tries to accept, death itself.
Mention is made of Euthanatos' dealings with wraiths, there's info on how Euthanatoi are adapting to the unpopular Avatar Storm, info on the new, ominious big movement in the Tradition (READ CLOSE, because it's in the fiction) and several pages of exciting new rotes and so forth, for those of you who're metaplot or mechanics junkies.
For those of you who buy Game Books because what you really want to read Mage novels, the Euthanatos book also should be very satisfying. The fiction is good, even if it is a perrenial idiocy to ruin good game books with excessive fiction. As usual, real game information is as usual being blurred into the fiction.
Despite this, and the awful turns in development Mage has taken since Brucato, there *have* been a few books worth buying in the line, and this is definitely one of them.
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Otway, like Dryden, is something of an exception. Though not adhering to the Aristotean rules of tragedy that Dryden practiced, Otway shows in Venice Preserved a great deal of dramatic skill and competence. The plot elements may seem a bit contrived, particularly in comparison to the Greek model, but the dialogue doesn't sink into the sort of heroic, declamatory mode that characterizes so many plays of the period and that sound so laughable to a modern audience. The play was well received in its time, as was his other famous work, The Orphan. Unfortunately for Otway, playwights were not often well compensated in that era, and he like Savage, lived a life of penury.
Venice Preserved is still well regarded enough that it is still taught in many college courses that cover Restoratiion theater. Though modern productions are extremely rare, is is a work that retains power and its pathos.
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