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Having been written in the era in which it was set,1880, I felt made it more realistic.
The story centers around a widow, Mrs. Winstanley, and her 3 daughters. They have the lineage to be "ladies" but not the financial means.
In 1880 England, the "new woman" was just emerging--women who wanted other options than marrying for security.
Mrs. Winstanley and two of her daughters, Thomasina and Eva, however, are bent on finding security the old customary way--by marriage to "suitable" gentlemen, foregoing love on the part of the young women.
Perdita, however, is the rebel of the family, she wants to have something useful to do in the way of an occupation until true love appears. Perdita's clumsy honesty threatens her mother, Mrs. Winstanley's carefully laid plans and leds to considerable dissension between this middle daughter, her mother & her two sisters.
The oddest thing about the book, to me, was the fact that Deborah T. Meem, who edited and I assume had a great deal to do with bringing it back into print--severely critiques the author, Eliza Lynn Linton. Ms. Meem claims Ms. Linton did not understand herself. Perhaps Linton didn't understand herself, but I don't think Ms. Meem understood Linton either.
The opinion I garnered was that Eliza Lynn Linton was not necessarily the hypocite and foe of women's rights Ms. Meem accuses her of being, but rather that Ms. Linton did not approve of radicalism, and believed marriage should be based on love.
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Some of Jackson's plot points really make little sense to me. While it often seems that Jackson intends to introduce such confusing elements into her fiction, I find it very likely that I am just not understanding the immense subtleties and hidden clues of a masterful writer. This novel is especially hard to comprehend. The cast of characters is quite large, consisting of a number of families. Jackson constantly moves back and forth between the men, women, and children, which makes it hard to really "know" each character. The task of keeping track of who is who is made even more difficult by the fact that many of the girls' names all start with H and that two of the boys have the same initials. There came a point when I just had to stop flipping back through the story trying to exactly remember each character in turn. Perhaps it was a deliberate tactic by Jackson to indicate that all of the characters are basically the same. One family surprisingly moves away right in the middle of the book, much to my surprise, and the family that moves into their rental home seems far less important that the book's back cover led me to expect. The reader should take nothing for granted when reading Shirley Jackson.
All in all, this is a wonderful if idiosyncratic read. The plot is amazingly complex for an author's first published novel. I wish I could talk about the ending, if for no other reason than to pose the questions I have about it. Once you permit yourself to enter Shirley Jackson mode, you may well be lured into a level of comfort, expecting the novel to simply end without any climax or conclusion. I can pretty much assure you that the conclusion is one you will not soon forget.
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