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Good Luck and never stop learning.
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I fell in love with the Little Women at a young age and I hope to read this book to my children as they get older... This is a great book for teaching these things to children.
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Ms Jackson is a phenomenally talented writer. You know immediately that there is something wrong with the simple village lottery, and the suspense and horror builds with every word. That this can be achieved in the space of a short story is amazing - we have a very lttle time before we are faced with the shocking truth.
"The Lottery" is the finest short story of its genre, and stands alone as one of the greatest stories ever written. Shirley Jackson is a master, and her novels "The Haunting of Hill House" and "We Have Always Lived in the Castle" are also engrossing reads. But "The Lottery"? Well, you will never forget the twist in the tale.
The rest of the stories in the collection are uniformly excellent, as well, although I would recommend saving "The Lottery" for last. It's by far the most horrific in the collection, but Jackson's satire can be just as brutal as her horror, and there is more than a little of the horror of everyday life sprinkled throughout the rest of these tales. A must-buy!
However, as I read through the rest of the stories in the book I was amazed at the range, depth, and general brilliance of Jackson's storytelling. Many of her stories tend to center around basic human cruelty (a theme made all the more powerful by the fact that the characters are mostly genteel females) and insanity. Jackson wrings plenty of drama out of these concepts, to be sure (many of the stories are downright chilling), but she's equally capable of playing them for laughs--in "My Life With R.H. Macy," a hilarious account of working in retail, and the "Come Dance With Me In Ireland," a perfect illustration of the pessimistic axiom, "No good deed goes unpunished."
"The Lottery and Other Stories" is an outstanding body of work from a woman who's clearly one of the best short-storytellers of the past century. It's going on my shelf right next to Raymond Carver's "Where I'm Calling From," and if you knew my reading habits, you'd know that's probably the finest compliment I could give a book.
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This book is frequently quite funny, and very enjoyable for the most part; yet it is chilling too. There's the mob scene, for one thing, and then, of course, the book is about murder. Who did put arsenic in the sugar? The answer is disturbing, and so too the resolution (there is none). Then again, the narrator, Merricat, is very likeable--at least she seems so at first; after a while what first seemed like harmless idiosyncracies begin to seem symptoms of something sinister. Again, there is no resolution of this problem. Jackson presents us with her story, but makes no judgements; she writes entertainingly, then destroys the reader's enjoyment, but doesn't fix, explain, or replace it--she just leaves things hanging.
This is a complex novel. It is not for everyone. It is a difficult read, because if you aren't into the book, then you won't understand what's going on. It reminds me of J.D. Salinger's. His books, especially if you've read his short stories, are to be puzzled over, yet never completely understood.
The story is about Merricat and Constance, two sisters who live isolated on the edge of town at Blackwood Manor. They seldom venture out of their home, and when they do are subjected to abuse at the hands of the villagers, who particularly enjoy throwing rocks at Merricat and calling her names. Readers come onto the scene of the story years after a poisoning during supper at Blackwood Manor, which killed most of the family. For years Merricat, their uncle, and Merricat's older sister Constance have lived in solitude until Charles, a distant cousin, comes calling. He plays upon Constance's desire for a normal life, telling her how unnatural her life is at Blackwood Manor, while at the same time displaying to the reader a strong interest in the family fortune. Merricat sees him as a threat to her lifestyle of comfort and solitude, away from those who revile her and her family. Merricat is also disturbed by the way Charles seems to be tantalizing Constance with visions of how her life could be if they left Blackwood Manor. Suddenly everything important to her is threatened.
I felt particular sympathy for the character of Constance. She was locked in a world she couldn't get out of. She loved her sister Merricat, (even though Merricat was strange and a bit crazy) and didn't want to desert her, but at the same time, as demonstrated by her quickness to come around to Charles's way of thinking, she wished to have a normal life. She didn't want Merricat to be so wild, and she strove for normalcy at every turn. She was constantly doing motherly activities like baking and cleaning, and generally taking care of everyone around her.
What I liked most about the book was that it left me with the same feeling I got from reading Jackson's famed story "The Lottery". It leaves you with that kind of horror at humanity "The Lottery" did with such deftness.
All this book needs is someone who is willing when he or she sits down with it to take the time to figure out what's REALLY going on here, and to understand the characters and their plights. If you read this book, go into it with an open mind. You will be rewarded for it.
This novel is not for everyone. But it may be for you.
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The NG is a heavier book than the Eastern Peterson, perhaps because it shows birds from both the Eastern and Western areas of the country, but the Peterson maps show the full range of "Eastern" birds--even if a range extends to the West. Both books show ranges that extend into Canada. The NG book is nifty because the little maps that appear in the back of the Petersen books are on the same page as the bird illustrations.
The birds illustrated in both books are clustered by category. For example, Petersen shows male and female Downey, Hairy, Northern Three-toed, and Black-backed woodpeckers together, as does the NG. The Petersen guide has little arrows that point to distinguishing marks, but NG does not. I find these indicator arrows very helpful when I am trying to tell two closely marked birds apart. The NG does show a tiny row of variants across the bottom of the page (For example, the woodpecker page = fasciatus, dosalis, orius, etc.)
The bird colors are less differentiated in the Peterson than the NG illustrations. For example, stripes on the Peterson Three-toed woodpecker's belly are less articulated than those shown on the NG bird. I don't think this matters as one seldom gets close enough to see the mottling. The Peterson birds are hand drawn and relatively flat, while the NG birds are more rounded, i.e. modeled. The Petersen birds look like the Audubon paintings. The NG illustrations remind me of digital photos of taxidermist stuffed birds (probably why the colors are so differentiated).
Both books provide measurements and Latin names. The Peterson book provides text that describes birds that might prove confusing with your bird of interest. The NG book provides text that describes the attributes of regional variants. This latter feature won't help you in the field since you almost never see regional variants in the same location.
If you are a serious bird watcher you will probably want both books and the Audubon and Smithsonian books as well. If you can only afford one book, I recommend the Peterson book. I have used my Peterson book for so long it just falls open when I hold it in one hand, so I am probably prejudiced.
The only other way I can endorse this book is to say that I have quite a few other guides and reference books and when going out birding with my family and I say "bring the field guides" this is usually the first one grabbed.