Lee and Emerson introduce creative strategies for supervision guided by a "minimalist" perspective that is clear, simple, and well-grounded in systems theory. Throughout the volume there is appreciation for diversity, whether by way of gender, ethnicity, sexual orientation, ability, or strategy for providing guidances within supervisory systems. Chapters are written in a personal style that leaves the reader with images and stories that linger and are likely to be retrieved at appropriate moments in the reader's own work as a supervisor. This is a fine resource to turn to when supervisors feel "stuck" and in need of inspiration. [From the book jacket.]

This is a practical guide for beginning marital and family therapy supervisors. It contains clear guidance on how to get the process started, innovative ideas ideas for proceeding, and exercises to keep things moving along constructively.

Once more John Shirley gives a fascinating, riveting tale about 21st Century Fascism attempting to take hold in the United States and Western Europe, in the waning phases of a conventional war between the United States and the Soviet Union. Dissent and treachery are rife in the leadership of the Christian Fascist Second Alliance (SA) and its primary opposition, the New Resistance (NR). The SA's grip on Western Europe grows tighter as it bids to win control of FirStep, the orbiting space colony. A splendid tale filled with mesmerizing characters that is among the finest works of cyberpunk fiction.

A heavy, dramatic, science fictionish story about facism youth, old age, and propaganda. The second volume in the amazing Song Called Youth trillogy, with even more amazing charaters that the first volume, the stakes are higher, and it's even more crushing. Simply amazing. You should buy every John Shirley book you can find, but it's good if you can find this one.

Latessa takes her protagonist and her readers on a spiritual journey that involves history, geography, art, myth and much much more.

A reader from Washington, DC

A beautifully told tale of a woman coming of age as she grapples with life issues......written with elegant style, marvelous characters, and intelligent spiritual insight, the book delights the reader from beginning to end.

This is a beautifully written book, and very readable. Having read a lot about the history of the period I already knew how fiercely the widow Custer guarded her husband's reputation and how much she did to enhance it. Unlike many female authors might do, however, Leckie does not judge Libby by modern standards, but puts her in the context of her time. She also touches on the possibility that remaining Autie's widow may have been far more liberating for her, in her times, than it would have been to become Mrs. Someone else. During her husband's lifetime she lived in his shadow, but after his death she was able to use that connection to become an author and lecturer in her own right. She also left an estate valued at over $300,000, after her husband had managed only to put them into debt. Having read her memoirs like Boots and Saddles and Tenting on the Plains, it was clear that Mrs.Custer never gave much insite into her true feelings. Nothing seemed to upset her except a criticism of her husband. Inspite of this, though, Leckie does manage to make her into a real person. I found her epilogue truly moving, and I came away with an understanding of an historical character, whom up to this point, I hadn't much cared for.

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Sometimes, it's not how good you are, but how good your P.R. is that determines your reputation. And in the case of the (in)famous U.S. cavalry commander George Armstrong Custer, the P.R. was definitely good. Immediately after Custer's death (along with 200+ of his troops in what was, and arguably still is, the worst battle loss ever suffered by U.S. forces), his widow, Libbie Bacon Custer, began a propaganda campaign designed to secure her beloved husband's place in history. Unfortunately for history, she succeeded far too well. This book, a biography of Custer's widow, gives real insight into how she manipulated the media available to her in order to glorify her husband--or to be more accurate, to glorify her idealized portrait of her husband. Had Libbie not done her work so well, Custer would have been only a footnote in American History. In addition to providing a valuable supplement to the historical record concerning Custer, Ms. Leckie's book paints a masterly portrait of an exceptional woman, which is well worth the time of readers with little interest in Custer

This volume is a fine translation of Spinoza's _Ethics_ together with some other writings that help to illuminate it -- namely, the _Treatise on the Emendation of the Intellect_ and some well-chosen passages from Spinoza's correspondence.

Aside from its presentation of Samuel Shirley's clear and readable translation, this volume includes two additional helpful features. Seymour Feldman's workmanlike twenty-page introduction provides an overview of Spinoza's thought and of the main themes of the _Ethics_; and a translator's preface includes a list of twenty-four possibly confusing features of Spinoza's terminology with short explanations/clarifications. The TIE is of interest in its own right, and the items from Spinoza's correspondence are well selected to illustrate or elaborate some of the features of his more formal wriitngs.

Invaluable are the Introduction by Seymour Feldman and also, the Translator's Preface by Translator Samuel Shirley which gives lucid explanations of key Spinoza termsone of which is:

From Page 23, Note 5 G-D(Deus)

"Although Spinoza gives repeated warnings that his "Deus" is far from the anthropomorphic conception of God prevalent in the theology of his time, the reader will find it difficult to bear this constantly in mind. It is not until Ethics 1, Prop.14, that God, by definition, is shown to be identical with the infinite, all-inclusive, unique Substance, and thereafter it is all too easy to lose sight of this, as the religious overtones of the word "God" keep asserting themselves. So Spinoza's frequent use of the phrase "Deus sive Natura"God, or Natureis intended as a salutary corrective. For Spinoza God is all Being, all Reality, in all its aspects and in all its infinite richness."

This book makes one think of how God loves us all the same.I admire this author for her other books too that always portray the importance of God's presence in our lives.

I got this entertaining book for my birthday from a dear friend. It brought me closer to God.I also enjoyed two other novels by this same author. (Hip Boots) and (Three Loves of Adam and Eva)

The beautiful Shirley Eaton has written an impressive, fascinating autobiography that tells you everything you ever wanted to know about her life and about the classic James Bond film, "Goldfinger." Miss Eaton played the "golden girl" who was suffocated to death by gold paint early in the film -- her playful scenes with Sean Connery are among the best in the whole series of Bond films, and the image of her covered in gold paint is one of the icons of '60s cinema (landing her on the cover of Life magazine in '64). Miss Eaton tells all the behind-the-scenes stories of that film, making this book a must-have for Bond fans. What's more, she chronicles her own life and long career in witty, intelligent fashion, proving herself to be not just a lovely, talented actress but an inspiration for others. Especially fun are her reviews of other actresses -- Miss Eaton's critiques are insightful and on the money. If you don't know much about Shirley Eaton, you should, and this book is the best way to see what she's really like.

Actress Shirley Eaton examines her career and film history from the 1950s-60s, blending her memoirs with an insider's examination of the changing film industry and its many complications. Chapters do more than provide reviews of Eaton's experiences in film; they consider changing images of glamour and stars, and provide insights on fellow actors. Black and white photos pepper this coverage.

It's here. The perfect gift book for anyone who likes a good movie musical. This isn't the weird, obscure, only-a-show-queen-would-know stage musical or the fluff "name the year of blah blah blah" trivia. This is complete coverage; from stats through awards, to fun dirt on ten of everyone's favorite movies. Kurtti just picked his personal favorites to delve into, but who doesn't love "Mary Poppins" and want to know more?

The trivia begins with the MGM Musicals of "The Wizard of Oz" and "Singin' in the Rain" and covers the spectrum from "My Fair Lady" to "Willy Wonka and the Chocolate Factory," to "Hello, Dolly!" and even to the animated "Beauty and the Beast." Each of the ten musicals has questions divided into three categories. The easiest questions are about the story and the characters, followed by the medium, not so easy questions, concerning actors, artists, and others. Finally, the hard category, with no easy stuff, Kurtti appropriately labels the minutia and obscuria. While the book is set up to be read as simple Q and A, the fun comes with Jeff's researched follow-up stories after the answer. The questions are used as springboards to delicious little secrets about stars, sets, Munchkins, and mistakes. An example of a brief but interesting medium rated question and answer for "The Wizard of Oz," reads as follows:

Q: Who was originally cast as the Wicked Witch? A: An early casting memo shows both Edna Mae Oliver and Fanny Brice as potential "witches" (their ethical orientation is not discussed, wicked or otherwise, but it's not hard to guess the casting). Finally, on August 20, 1938, Gale Sondergaard was announced for the role-a beautiful villain in the style of the evil queen in Disney's "Snow White and the Seven Dwarfs" (q.v.) She did tests for the picture during the last weeks of September 1938, but left by mutual agreement with the producers in early October,! when it was decided that the beautiful witch was not acceptable and attempts to hide Sondergaard's beauty in "ugly" make-up seemed ridiculous. The next year she would have the part of Tylette the Cat in "The Blue Bird."

The stories range from brief paragraphs to full pages of bizarre information that Kurtti has uncovered through years of curious collecting and inside information at major studios. The book ignores all the obvious and targets the truly tasty fresh facts one can't resist. Juice combined with Jeff's witty personal commentary, make the book a great summer dessert sprinkled with photographs. This becomes the only drawback of the book, beginning with the colorful candy cover, it grabs you and you can't quit nibbling.

This movie musical trivia book has a delightful introduction by Shirley Jones, who sums up the book nicely: "If you're a fan of the celluloid musical, got ready you are about to have one terrific time.' -- William Christopher

Jeff Kurtti's "The Great Movie Musical Trivia Book" perhaps surprisingly doesn't include "The Sound of Music," but does feature chapters about "The Wizard of Oz," "Singin' in the Rain," "Guys and Dolls," "My Fair Lady," "Mary Poppins," "Willy Wonka and the Chocolate Factory," "The Music Man," "Hello, Dolly!," "Snow White and the Seven Dwarfs," and "Beauty and the Beast," each a classic in its own right.

Each chapter opens with brief paragraphs about the featured film, followed by three difficulty levels of questions and answers. Kurtti deserves credit for not making the first level, "The Easy Stuff," either condescending or too easy, such as the "Mary Poppins" question, "Who 'gets stuck with the children with no nanny in the 'ouse!'," The answer (no, I'm not going to tell) includes a career rundown of the performer who played the character that made the statement in the film, imparting information beyond just answering the question. "Not So Easy" and "No Easy Stuff" questions test the reader's knowledge, such as who was the associate producer of "Hello, Dolly!" and who is the famous father of the animator of The Beast. These too lead into mini-essays, providing interesting facts with which trivia buffs will be able to astound their friends. Each chapter includes an assortment of photos related to the film covered, and concludes with its screen credits. Highly entertaining, the book may well provide new information even for those who think they already know all the answers.

Books like these are precious and few. It's the true story of a family living the dream of homesteading in the Alaska wilderness. It's not filled with all the evil, adversarial images of today's adventure books. It is kind, heartfelt and the kind of book to read to your children on a rainy day. These are the kind of people I want my children to emulate, and they show a way of life that we can all only benefit by experiencing. Don't miss this diamond!

As this is the true story of my wife, Dawn and her brother, Lanny, I found it most interesting. The story of their lives growing up in the heart of Alaska is almost unbelievable. This is a great book to read to your children. If you have always longed to visit Alaska, here is your chance - through the eyes of true homesteaders...

So why is it out of print? (Had no trouble getting one though.) This book is based on a series of magazine articles for Old Home Journal, so the style is informal. The carefully chosen color pictures set it apart from its competition, A Field Guide to American Houses, by the other husband and wife team. But mostly it's the authors' ability to explain in simple language the events that caused the rise and fall of the various styles: the switch to stud framing, the widely circulated pattern books, the Arts and Craft movement, World War I and the various European styles brought home by the soldiers, etc.

House Styles in America is a well constructed collection of american houses dating back to the old Ironworks houses, Like the Turner house and Bacons Castle,but this book also contains modern houses, like Phillip Johnson's glass house. This book is a great addition to anyones growing architecture library.