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When reading this,one can feel the degradation he endured and
the pain of the family that had to helplessly stand by as he
sunk deeper and deeper into a hell from which he was unable to
escape.This book is recommended reading for anyone whose life may have been touched by alcoholism and a reminder that there is a person inside if we take a closer look.
It was a very thought provoking piece!
We are taken deep into the troubled life of a man hopelessly stricken by the horrible effects of alcohol addiction. While full of life and talent as a remarkable dancer and entertaining, loving human being, he could not shake the inner demons that haunted him. The narrator takes us through the chapters of Grady's life including the hopes and dreams he had for himself and those his family and friends had for him. The author uses a fitting parallel of a stranger on the street as a reference point for the prototype lost soul, in search of peace and happiness that seems ultimately elusive.
Like Kafka and Dostoevsky, MS. Ware explores the psychology of the troubled soul in gripping detail, documenting every nuance and facet to demonstrate the harsh realities of the character's ordeal. We learn to relate to the basic quandary of choosing between a long life of enduring satisfaction versus a "live fast and die young" approach that sucks many in. It begs the question: which is the better path? When the void is calling what determines the various paths we take? Is it free will or ordained by other more powerful forces of determination?
We gain such insights as, "he was a prisoner to his addiction, and those who suffer from addictions often find themselves being used by the strong," when referring to Grady working for his brother for "peanuts."
Another line that struck a chord in me:
"The strong indeed do survive, but they cannot survive without preying on the meek."
I found it fascinating and illuminating to discover different theories about society's role in fostering addiction and the unusual battles of one who goes against the norm and throws all caution and prudence to the wind.
The reader will become endeared to Grady and feels the narrator's pain in pulling for his ultimate victory.
This is a tear-jerker - an absorbing analysis of the struggle of the human soul.
MS. Ware is an insightful, eloquent writer who brings tangible life to her characters and a fresh perspective to the subject of addiction. I know Grady would be proud, for he gained immortality through MS. Ware's work.
A novel well-done.
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In the process, she challenges such old-line interpretations of southern experience as that of W.J. Cash, who claimed the poor Scots-Irish immigrants who stepped off crowded ships at Charleston and Philadelphia fled inland in search of land that would permit them to become part of the English-American slave-holding, plantation-owning power structure of the Southern colonies. Nothing could be farther from the truth, Abbott argues convincingly: their experience had instilled in the Scots-Irish an abiding hatred of all things English, including the political and economic institutions the English established in centers like Charleston. These new immigrants preferred the terrifying, unexplored baclwoods, where they were free of English domination and what they conceived to be English decadence. The pioneer experience, reinforced by continuing poverty, a civil war, and the depredations of a occupying army only reinforced the pride and self-confidence these people brought with them to America.
In a well conceived study driven by her desire to place and understand her own poor, white, rural, and proud forebears, Abbott produces an elegant combination of memoir and cultural history. Her crystalline two-page account of the Scots-Irish trail to America is in itself worth the price of the book. And the memorable descriptions of the homes, tables, and characters of her Arkansas kinspeople demonstrate the consequences of that migration. For anyone wishing to understand Southern culture and southern women in particular, this small volume is a must-read. It takes the reader beyond stereotypes to a realistic picture of people whose lives are far more inspiring than that of any Belle, Sweet Potato Queen, or YaYa. I have spent my lifetime in the South and in the study of its literature and culture. Yet, I came away from this book with a deeper undersanding of the region and my own personal history in it.
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Max, the main character, begins as a soap opera star whose ennui drives him to quit his TV role playing. He accepts the larger task of unraveling the role concealed within his being. The Angel with TV Eyes changes Max's perspective of his dream like visions describing a concealed world. At an earlier date Lord Greymark had been dissolved into pure information and implanted in the womb of Max's mother. Max's pursuit of a larger than life role triggers his revelation as Lord Greymark, a 12 foot entity concealed within the jaded actor's soul. Lord Greymark possesses great power that he uses to extinguish the fires of Thanatos, a character representing death and vowing destruction of all that is good in man.
Just as the pictures on a TV are converted from unseen waves, the vision of the Angel with TV Eyes flows via holowaves from within the quantum realm. This posits a reality which few can either detect or receive on their vision screen. By personalizing a character with TV eyes John Shirley creates an entity directed from within this hidden reality. A story that begins with a cast of bud-like human characters soon blossoms into a bouquet of revealed Spirits constructed of plastic, metal and electronic switches. As the evolution of man is expressed through DNA, so the Spirits evolve by means of vibratory packets-a non genetic form of evolutionary record keeping. Thus the author posits another method the unseen Spirits are using to throw the evolutionary dice. What the Spirits seek is the same as what man seeks-companionship.
"...And the Angel with Television Eyes" has an unbelievably fast-paced plot, some cool narrative gimmicks (just look at the chapter titles) and also profits from its author's insider knowledge of the media business. Definitely some hell of a ride.
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This was one of the first historical fiction novels I read as a child, and since then I have read many more. This is a short beautiful work that I would recommend to anyone of any age although it is aimed at young adults. Ms. Climo has a talent and I am glad she wasn't afraid to share.
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"Nostalgically Yours, Shirley" is a history of the Bragg family, penned by the oldest living sibling who is seeking answers about her past. The writing mechanics and word usage were frequently weak, making this a difficult read. But the tale is straight from a feminine heart, using both the broken shards and pieces that managed to stay intact. My sentimental nature propelled me on to the last page.
Besides being a biography, this book is an honest portrayal of a depression-era family and its struggles to survive. An amiable alcoholic father and a passive-aggressive mother attempted to feed, clothe and love nine children. For the most part, they failed miserably and the family unit fell apart.
Rather than being a solid base where the children could feel secure and grounded, the Bragg family splintered. And like a splinter in one's finger, the family festered and became a source of pain for all involved. Its members were left to survive, wounds and all.
Another reason "Nostalgically Yours, Shirley" was a challenge to read was because of events transpiring in my own life at the time. My mother was dying and the author's memories of the hurtfulness inflicted on others by her mother flowed into similar memories of my past.
Even though the author's parents were married 21 years, the children were rarely together under one roof. It was an eye-opener for me in the respect that I did not realize people in the 30s and 40s did things like sleep with the babysitter, abandon their children for years or allow a step parent to molest their daughters while they themselves remained silent about the whole thing.
Yet, it is the shocking revelations by the author that give this book its universal appeal. Centuries later, people will nod in understanding while reading the book due to the commonality of dysfunctional families, no matter the generation.
Writing a family biography is a brave thing to do, if you're going to do it honestly. Shirley Bragg Farley did it honestly. It's a lot like laying out your entire wardrobe on your front lawn for the neighbors to see. Some items are frayed beyond respectability, others are gaudy and tasteless, but a few are normal and nice.
The author laid out her family story much in the same manner, with much the same results.
An example of the content: the first theme is Families, and the five featured books are 'A Baby Sister for Frances', 'Me Too!', 'Whose Mouse Are You?', 'Five Minutes' Peace', and 'Titch'. For 'Titch', story stretcher activities are: decorating t-shirts; listening to a tape of the story and turning the pages; counting to three; watching plants grow; making a pinwheel. Other themes include Friendship, Feelings, Colors, Counting, and Transportation.
As someone interested in homeschooling one child, I found that quite a few of these activities were inappropriate for me, but some were adaptable and others were as applicable to one child as to many.
An appendix instructs one in binding a book, constructing a rebus chart and making art dough. Separate indices list authors and illustrators; book titles (both featured and recommended); activities organized by type; and terms (objects, concepts and techniques used in the activities).
Strengths: nice book selection; well-organized and presented.
Weaknesses: activities are not consistently relevant or creative; no information is given about appropriate age or reading levels for the books or activities.
Overall, I would say this is a valuable resource, particularly if you are working with a group of children and don't have the time or the knack for coming up with ideas of your own to expand on reading material.