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It is not often that an author can find sympathy for both Jackie Kennedy and Rose Kennedy (the 2 women had conflicts and were quite different!), but Leamer allows both to be understood in new light. My favorite parts were the ones that introduced the reader to JFK's ill fated sister, Kathleen ("Kick") Kennedy. She is truly a fascinating woman who has been largely forgotten.
This is a true page turner that manages to be both fun and scholarly! It is easily one of the best Kennedy books on the market today!
The Kennedy Women is a virtual feast for Kennedy lovers. The book could serve as a university course on the life of the family, chronicling five matrilineal generations in our nation's foremost political dynasty. It provides a poetic panorama of the history of American womanhood, as we are taken from the life of Bridget Murphy Kennedy, who arrived steerage class on an immigrant vessel to work as a servant in the slums of Boston, to the presentation of Joseph Kennedy's daughters to the Queen of England, to John F. Kennedy's White House, through discussions of the future Kennedy matriarchs Caroline Kennedy Scholossberg, Maria Shriver Schwartzenegger, Kathleen Kennedy Townsend, & Rory Kennedy.
Wonderful, in-depth portraits with much new material are given of all the Kennedy women, particularly the ubiquitous Jackie, Ethel, & Eunice, & the mentally challenged Rosemary, whose story in all its horror & duplicity is revealed in detail.
It isn't often that one mourns coming to the end of a book. Although The Kennedy Women covers 933 pages, I was saddened to find myself on the last page.
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Kim C.
Bergreen shows us the shameful racism of the South (and North), and how Louis' exuberant personality and music helped transcend it. The Armstrong we come to know is humble, humorous, brimming with the energy of jazz itself. We learn how Armstrong invented solos and scat singing, and how his jazz went beyond even music. That is, he mesmerized America with a personality that brought rich and poor, black and white, hip and square together.
Armstrong's blowing and singing, his restless amiable spirit, is a bracing ode to being alive. Bergreen's meticulous empathy lets us share the extravagance.
The impact of Louis Armstrong is still felt on several levels in our society. While Armstrong did not have a hand in inventing jazz, he was instrumental in pushing it artistically. With a minimum of formal instruction, he revolutionized the trumpet as well as singing in Jazz and popular music. He was also instrumental as one of the early African-American celebrities, in breaking down racial barriers.
Laurence Begreen does a fine job of illustrating the joys and struggles that Armstrong encountered. The devatating poverty and harsh socail environment of Louis youth are keenly detailed. He shows how these obstacles are overcome by Armstong's love of music and of life. He also shows the prejudice and mob intimidation that Louis had to endure on his road to stardom.
All in all, this book is an inspiring work and testimonial to the life and music of one of the greatest trumpet players and entertainers to grace this planet. I would seriously recommend this to anyone with an interest in music, especially jazz.
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Highly recommended!
I particularly enjoyed the Hawaiian setting for the story. It's nice to be take away to a far off place, educated and entertained all at the same time. This was a great story. I would strongly recommend it to all my fellow readers, who are constant search for a bright new author.
Martha
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G. I. Gurdjieff - a difficult subject. He was a Russian/Turkistani/Armenian/Ousbeck (they didn't really have countries there when he lived) mystic - but a rather hard nosed one, lived 1880 - 1947, I believe. Started a movement called "The Work". best intro - "In Search of the Miraculous" by his student PD Ouspensky, Uspenski, Ouspenskj, Ospenski (depending on how they translate the Russian), who had a photographic memory. If you get and read this book it WILL change your life. Truely profound. Mr G's ideas, presented by Ouspensky, are nothing less than the central idea behind all religions. The essence, when you throw away the bull...waste, superstition and the outer trappings, the unifying spiritual essence behind the mystical traditions of all religions. Christainity, Kaballa (Judaism), Vedanta, Sufiism, Taoism, Buddhism etc.
Unfortunately, Mr G got fed up with his bonehead students and didn't tell all he knew...(pay particular attention to the subtitle)
Having said that, those who have EYES will SEE, those who don't, will scoff.
This is a recursive book. It cannot be understood with one reading. It's ideas will only reveal themselves gradually with many readings , preferably with the help of a local "Work" group, who, it is rumoured, can give you exercises. Reading the book will change your essence, changing your essence will allow you to understand more, next time you read!
This has nothing whatsoever to do with drugs, LSD, (as stated below) it is the opposite of drugs. One of the central idea is that we are all asleep. When you are asleep and you dream that you are awake, you cannot understand this. This book points the way to becoming awake.
Gurdjieff's lectures and answers are recorded in the 'Fragments' so exactly that when Madame Ouspensky showed the book to Gurdjieff he said: 'I can hear myself speaking' and gave permission to publish the book, but insisted that his own book 'Beelzebub's Tales' must come out first. 'Beelzebub's Tales' was eventually also published first time in 1950.
The contents of the 'Fragments' were delivered in meetings in Moscow and Petrograd (earlier St. Petersburg, later Leningrad and now again St. Petersburg) in 1915 - 1918, in other words just before, during and just after the October revolution, in conditions G. described as favourable for 'picking up ideas'.
The 'Fragments' has the whole theory of Gurdjieff's teaching, often known as the Fourth Way, and moreover presented in such clear way that the book is easy reading taking into account the difficulty of the subject.
To get to know what Gurdjieff's teaching is can be found out by reading the book. To put it in just a few words is not really possible, but Ouspensky writes about it like this:
"G. began the next talk as follows:
"Man's possibilities are very great. You cannot conceive even a shadow of what man is capable of attaining. But nothing can be attained in sleep. In the consiousness of a sleeping man his illusions, his 'dreams' are mixed with reality. He lives in a subjective world and he can never escape from it. An this is the reason why he can never make use of all the powers he possesses and why he always lives in only a small part of himself."
Laura Lippman has surrounded Tess with a charming assortment of friends and family members. Their obvious affection for Tess makes her more compelling to the reader. As Tess steps more and more deeply into danger, you'll find yourself turning the pages faster and faster. The mystery is well crafted and Lippman dangles clues, one by one, leaving the reader like Tess certain that there is a way of connecting them without actually able to do it.
This book is especially popular in Maryland which is great--as a longtime resident of Maryland I felt at home reading it--but it is far to good to be missed out on by the rest of us.
THE SUGAR HOUSE may be the best mystery you read this year.
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Having said all this, it's not a bad book at all. It's simple, the layout is engaging. You can read a few pages and come back later. You can flip around easily, the index is ample so you can quickly find what you need. So it may be a bit schizophrenic, and it could seriously use some re-organization in the next edition, but it's not too bad at all.
Although the latter part of this book includes information on english, banking, and drills, it never really educates the reader on how to look for cluster combinations, throw combinations, multi-ball caroms, etc. which come up frequently in other games besides eight-ball. This book only teaches the theory and leaves it up to the reader to work out much more than the book explains.
For a beginner I will definitely recommend this book, but for the intermediate or more advanced player I can't honestly say this book will help them other than providing them with a few drills and trick shots. Like the title says, it's a "Complete Idiot's Guide" and will help the "complete idiot," but for someone who has already read some other books and already knows about draw, follow, and english, this book won't provide any more insight into the game.
The book's scope is ambitious. The authors give essential information on all the equipment you need, everything from choosing a cue to play with when you go to play at your local pool hall to setting up a billiard room at home. The critical aspects of pool etiquette are also covered. The book gives detailed instructions on how to develop the fundamentals of the game, from the rules (which are explained clearly) to how to hold the cue, stand at the table, and so forth.
Furthermore, for an experienced player who may have a handle on the fundamentals, the book explains the principles of position play, English, and even explains several trick shots, not to mention important tips on how to spot a hustle.
The book is exceptionally well-written and I can't recommend it highly enough for anyone interested in billiards. For the beginner, it provides easy-to-follow instructions on the fundamentals of the game. For the accomplished player, it can help you get to the next level.
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