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It turns out that my next screenplay involves Shakespeare, and before I started writing, I needed to do some research on the bloke and his works. At the local library, I found "Shakespeare for Dummies." I scanned the book, then nearly choked on swallowing a dollop of pride as I toted the book through the checkout.
It's not easy to be expert at something and at the same time to be able to explain it clearly to beginners (or dummies). These authors definitely do have that talent.
Open the cover, and first thing, there's a listing of all of the dude's plays with a one or two sentence summary -- the lay of the land!
The book goes on to cover the life and times of William; explanations of his brand of English, the theatrical world he worked in, etc. Deeper into the book, there are two- to three-page summaries of each play, with recommendations for videos of each play.
The authors' wholistic approach is very informative, and they take a good-natured approach to a topic that could be oh-so-scholarly.
My screenplay, by the way, is titled Learning Shakespeare. The irony of it all.
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Also it clearly explains how to use the latest Java Based XML Parsers like Xerces, Xalan and more. Friends if you need to get upto date with all the latest Java Based Parsers and different XML API, then this Book is really the Best one.
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I highly recommend this biography for the causal reader and the serious scholar, which certainly ranks among the best bios of Sam Houston to date.
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The book opens with a brief and useful historical overview of the Navy's presence in the Gulf and the run up to Iraq's invasion of Kuwait. While the story of how the US Military arrived at its plan to fight the war is interesting, the account of the logistics of the buildup is somewhat tedious. I realize logistics are the backbone of any military operation; but it just wasn't that interesting except as part of an official history.
The authors deserve credit for addressing the problems the Navy faced: a lack of integration with the other services, infighting among the Generals (Army and USAF) and Admirals, and an ill-conceived mine laying operations that cost two pilots their lives, for example. It avoids being "whiney" about slights during the air campaign from an Air Force dominated air warfare command structure, yet is somewhat bogged down in details about tasking orders and control systems.
This book will probably only be interesting to the more die hard Naval historian and students of Joint Military Operations for lessons learned. For a good account of modern Naval Warfare, I would be more inclined to recommend Admiral Sandy Woodward's "One Hundred Days" about the Falklands War.
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As an enyclopedia it certainly does not make the grade. Obviously nobody with a botanical background was involved here. On page 20 is a remark about 'apetalous' trees that if ever I decide to award a price for the most-nonsensical-botanical-statement-ever will be a strong contender. The writers failed to pursue a consistent way of writing botanical names. Glancing through the book I note various errors in the history of the use of wood.
In addition the wood pictures, although of the same general size that is cute in "Identifying_Wood" by Aidan Walker (see there), a book derived from this, are pretty smallish on this big page size. I feel uncomfortable about some of the pictures which appear hardly typical of the woods they supposedly represent, and indeed some were replaced in the little book. As "Identifying_Wood" is not a bad book but unsuited for identifying wood, so is this "Encyclopedia_of_Wood" unsuited as a reference.
I don't want to give the impression that it is riddled with errors (I have seen much worse), but it falls well short of the level of, say, "The_International_Book_of_Wood" (1976) let alone of an encyclopedia.
P.S. I do hate the clumsy square shape. Obviously it was not meant to ever come off that coffee table: it decidedly would sit awkward on a shelf among real reference works.
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Numerical solutions are given to about half of the chapters problems.
Additionally, the authors have went to the trouble of tracing the origin and development of the subjects, and explaining the motivations and difficulties that the pioneers faced, when possible.
It is true there is too much material to be covered in a single year...but I think this just adds to the value since it can be used as a reference as well as text.
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I would say that the verbosity of this book is excellent for people who like to get all the details clear. Readers with much faster brain processors, those who can't wait to learn more of QM or those who understands much of the fundamental physics and math behind QM might be bored by this book.
Summary:
Pros: 1. Clear Explanations 2. attention to thorough and detailed explanation 3. some excellent diagrams!!!!
Cons: 1. Too verbose for some 2. rather heavy to carry around!!!
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... 3 editions of Henry VIII at this time: (1) Hardback edited by Gordon McMullar published in November 2000 (2) Paperback edited by Jay L. Halio published in September 2000 (3) Paperback edited by R. A. Foakes published in February 1998
Their editorial reviews describe ALL 3 of these editions as "This is the first fully annotated modern-spelling edition of King Henry VIII to appear for over a decade and includes up-to-date scholarship on all aspects of the play, including dating authorship, printing, sources and stage history." I don't think so! The reader reviews don't distinguish the editions but they are the same reviews posted for the different books. I wish I could contribute the answer but I am still trying to figure it out -- in the meantime, purchase cautiously or you may be disappointed.
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Scholars have disputed Pauline authorship of the Pastoral Epistles (I and II Timothy, Titus). Barclay's introduction covers the issues involved well. He takes a middle position where a later teacher expanded genuine Pauline fragments. Unfortunately, he does not expound this view in the commentary itself; he is silent about which sections are genuine and which are later. Since "we are still hearing the voice of Paul" (13), it probably did not occur to him to make the distinctions. Barclay's introduction to Philemon includes an interesting if speculative account of how this short letter became included in the New Testament.
The commentary itself is best described as expository. Barclay does not only analyze the Greek text. Using exhortation, anecdotal stories, and other sources, he also suggests what these texts might mean today. From a strictly academic viewpoint, this commentary will seem superficial. For the popular audience for whom Barclay has intended this work, it should serve as a springboard for further study. Barclay provides a list for further reading for this purpose.
Though this book is a good introductory work overall, the reader should be aware of a couple points. The first relates to these epistles' stances on women and slavery. Any casual reading of the letters will strike the reader as bordering on misogyny and condoning slavery. Barclay places these tests in the situation of the Roman/Greek world in which Paul wrote them. He makes a valid point that doing almost anything else would be scandalous (with women) or even dangerous (with slaves). To his credit, he says those circumstances no longer apply. However,considering the history in which these texts were and are used, I have to think he soft-pedaled these issues. After all Christianity is supposed to be "light for the world" (Matt. 5:14, NJB).
The other issue concerns Barclay's treatment of other religions. When Barclay mentions them, he almost invariably creates straw men of them. He makes at least one anti-Semitic accusation without evidence. Against these straw men, Barclay over idealizes Christianity. Even granting this work is now more than twenty-five years old, Barclay should have been above that.
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Where Barclay's strength lies is in the meticulous analysis of the text. Paul tends to pack a lot in his sentences; Barclay picks the sentence apart and brings things into clearer view. While he does an admirable job discussing Paul's world in the light of the times (when slaves outnumbered free men, when women were neither to be seen nor heard, etc.); how Paul's words can be applied to a modern, slave-free, woman-respecting society; and spends a great deal of time analyzing Christian conduct.
While the commentary is generally good, it wasn't much that I hadn't heard or read before. It can be argued that this was Barclay's intention. Since he translated the entire text from the original Greek, quoted many other Bible verses and Paul's pagan contemporaries (to illustrate the thinking of the day), etc., he could have written a pretty good commentary series intended for Biblical scholars. Instead, he wrote one for the regular chruch-goers.
I do have to throw in one comment concerning the inerrancy of the Bible. Barclay speculates that Paul may not have written the entire epistle, but rather that someone found one of Paul's old letters and re-wrote it to address the Gnostic heresy in the Church. This speculation is dangerous as it encourages one to pick apart the Bible and throw away the parts that he/she doens't like. It makes the Bible subjective ("I don't like that part about no murder. I don't believe the Holy Spirit wrote that, so I'll ignore it."). The Holy Spirit doesn't need an editor; It will have what it wants in the Bible and make sure that any "false teachings" are not included.
In all, this is a pretty good commentary. It gives a thorough, Biblical analysis of the conduct of Christian pastors and lay-people. It also gives a healthy view of the historical period in which these letters were written.
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The first section contains pieces from "Star Wars: A New Hope." These are as follows: "Star Wars (Main Theme)," "Cantina Band," "Ben's Death/TIE Fighter Attack," "Princess Leia's Theme," and "The Throne Room." Of those probably the main theme is the easiest to play, but I still enjoyed it. "The Throne Room" sounds very majestic on the piano, and I'm glad it was included.
The second section is from "The Empire Strikes Back" and includes: "Han Solo and the Princess," "The Imperial March," "Yoda's Theme," and "May the Force be With You." The "Han Solo and the Princess" theme can be reasonably grasped by a novice player, and it sounds very nice on the piano. The same can be said for "Yoda's Theme."
The third section is from "Return of the Jedi" and includes: "Luke and Leia," "Parade of the Ewoks," "The Emperor Arrives," "Victory Celebration," and "Jedi Rocks." Of those I particularly liked "The Emperor Arrives" and "Victory Celebration."
This book has 60 pages of music plus a few pages of photos and a fold-out poster. I could have done without the pictures and poster if it meant having a couple of more songs in there for the same price (I hope the publishers read this). But their inclusion was not excessive (as I have seen with other movie music books).
I enjoyed this book very much. Of course, these pieces are not nearly as memorable on the piano as were the original soundtracks, but for piano-playing "Star Wars" enthusiasts, the book is worth buying.
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Good: This is an easy read and for a short volume seems to cover all the basics of UU well. The experiences of the authors are particularly helpful. A good example is that of Buehrens' marriage to an Episcopal priest. He says, "The truth is that most of our debates are rather more mundane: the unholy trinity of checkbook, chores, and children, not the holy one."
Bad: The authors sometimes contradict themselves by proclaiming the virtues of being all-inclusive, and then highlighting their perceived inadequacies of orthodox Christian understandings. For example, Church writes that "[James Freeman] Clarke and [Jenkin Lloyd] Jones helped to expand Unitarianism beyond a liberal Christian faith to a faith that might best be described not as non-Christian, but as more than Christian." To most of us in other religions, Christian or otherwise, the UU faith is not "more than" anything but a hodge-podge collection of bits and pieces that fails to embrace the fullness of any of the world's religions. Opinion: A quote from William Schulz in the introduction sums up the essence of Unitarian Universalism: "Born Catholic, Jewish, Protestant, Muslim, or into a secular or 'mixed' household, when it came time for us to affiliate with a religious institution we sought one that fit our own thinking, not one that imposed its thinking on us." To those of us who view religious discipleship as letting go of our own ways of thinking in order to grow closer to God, this view is inadequate. It does not do us well to create a god in our own image.
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The authors' recommendations about films and editions are too succinct or limited to be of much help. (Only the Arden Complete Edition is recommended, an edition with numerous problems.) And there's the question of just how much justice you can do the Bard with language that, unlike his, is unremittingly "flip." But if you enjoy this style, I'd recommend reading first the section on Shakespeare in *An Incomplete Education* to get a better sense of which readings are truly indispensable and most worthy of a reader's time. And if you want more detailed summaries of plays, try SparkNotes, the website created by Harvard students.