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Oh, there are robot detectives here all right. Asimov's famous human and robot detective team of Lije Baley and R. Daneel Olivaw are here for their only short story appearance, "Mirror Image." The murderous mobile law enforcer of Ron Goulart's "Into the Shop" captures the same criminal -- again and again. A robotic Sherlock Holmes, his Cockney-rhyming robot dog, and a Watson of mysterious origins investigate the case of a possibly mad industrialist on a future greenhouse Earth in Edward Wellen's "Voiceover".
Wellen also gives us an interesting, proto-cyberpunk story, "Finger of Fate", with its hard-boiled, if immobile, computer who prowls databases and public records to solve his cases. The machines of Harry Harrison's "Arm of the Law" and Harlan Ellison's and Ben Bova's "Brillo" are not exactly detectives but robot cops, and each must deal with police corruption and the difference between theoretical law enforcement and carrying a badge in the real world of humans. "Brillo" also deals with bluecollar fears of being replaced by machines. The tin stars of Larry Niven's famous "Cloak of Anarchy" supervise a Free Park where anything except physical violence goes -- until an artist decides to put his political ideas into effect and disable them. Stephen R. Donaldson's "Animal Lover" is a cyborg federal cop sent to investigate a hunting preserve with an oddly high body count of hunters.
Stories that don't feature robotic investigators and law enforcers are Christopher Anvil's tedious "The King's Legions", a tale of political machinations and a nearly-magical, sentient spaceship. Technological innovations since its original publication date of 1963 make Larry Eisenberg's "The Fastest Draw" a fully realistic story. In it, a man obsessively tries to make his fast draw competitions with a gunfighter simulcra more realistic. Harry Harrison's "The Powers of Observation" is a predictable but involving tale of espionage and androids in a Cold War Yugoslavia. "Faithfully Yours" by Lou Tabakow, about a convict fleeing some implacable retribution, is flawed by an irrelevant beginning and an ending that stops at the point where things get interesting. The strength of Donald Wismer's "Safe Harbor" is undercut by the rather unbelievable motivation of a central character who opts out of a world largely automated and administered with the help of "bugs", skull implants that monitor health and track their users in case they need emergency aid. Henry Slesar's "Examination Day" is famous but doesn't really work. Its surprise ending is probably there to make a satirical point but about what, exactly, is unclear.
Robert Sheckley's "The Cruel Equations", though, is a clever and funny story about an inflexible guard robot and the man who has forgotten his password but must pass by it -- or die on a desert world.
Not every story is perfect but, with the exception of Slesar's and Anvil's, they're all worth reading, and readers should, especially with the Wellen stories, find some overlooked gems here.
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Unfortunately, this book sparsely documented and is rather jingoistic. This is not an academic work, but one meant for mass consumption.
Finally, certain subjects have inaccuracies. The section on the Khazars, for instance, is based on outdated research. The authors would have done well to read DM Dunlop's research.
I hope that this book is reprinted so that more people can read it. I also hope that someone does more serious academic work on this forgotten subject.
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The authors did a good job of using examples from real firms, which, I think, makes it more interesting. I've decided to keep this book after the course for a reference.
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I am presently a student of the Hebrew language, and I would definitely recommend this book to any serious student or truth-seeking scholar.
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Tom Sullivan's "The Mickey Mouse Olympics" and Nicholas V. Yermakov's "A Glint of Gold" both feature Soviet and American Olympic athletes genetically modified for their events. Sullivan plays the notion for genuine laughs. Yermakov's story is much more serious and shows the price the competitors pay as propaganda pawns. He also works in a defection subplot.
Walter F. Moudy's "The Survivor" abandons all together the notion of mere symbolic combat in the Olympics. In his future, the USSR and USA each put 100 man combat teams into the arena, and they don't come out till one side is annihilated. It's all televised, of course. Moudy is not content to just do a story of future gladiatorial matches. He also delves into what the combat conditioning does to the soldier, what kind of person it produces. It isn't idle speculation, either, because all the survivors of an Olympic War Game get to do whatever they want with no legal sanctions. It's one of the highpoints of the anthology.
Not all of the stories deal with future Olympics; the general theme is competition.
In the case of the dentist in Piers Anthony "Getting Through University", basis for his novel PROSTHO PLUS, the competition is to get accepted to galactic University, School of Dentistry. Anthony creates an entertaining story out of the complexities of dentistry on the galaxy's aliens.
Other highpoints are Norman Spinrad's "The National Pastime", "The Wind from the Sun" by Arthur C. Clarke, and "Prose Bowl" from the team of Bill Pronzini and Barry N. Malzberg. Spinrad's story tells of the invention of Combat Football and its fans very violent enthusiasm for it. It's a 1973 story but hasn't dated that much, especially since wrestling promoters now talk of starting their own football league. Clarke's story combines hard science and melancholy in a solar sail race. Also titled "Sunjammer", it was probably the first story to use the idea of solar sails. "Prose Bowl" makes hack writing into an hilarious spectator sport, but it also says some serious things about writers and their audiences.
On the decidely low end of the anthology are Jack Vance's "The Kokod Warriors", about aliens who fight elaborate combats and the humans who bet on them, and Charles Nuetzel's "A Day for Dying", one of those stories with a decadent society of televised bloodsports and an unconvincing revolution to topple it. George Alec Effinger's "From Downtown at the Buzzer", about some aliens fascination with basketball, is marred by a vague ending.
In the entertaining-but-nothing-special category are the rest of the anthology's works. George R.R. Martin's "Run to Starlight" has aliens playing football against humans. The aliens turn out to have a more realistic view of the games' ultimate significance than the humans. Bob Shaw's "Dream Fighter" is another one of those stories where combatants assault each other mentally with horrifying symbols. Suzette Haden Elgin's "For the Sake of Grace" is a feminist story about a poetry contest on a world with an Arab-type culture and the young girl who dares to enter it despite the horrifying consequences of failing. Robert Sheckley's "The People Trap" is a witty, grim tale of a race for land in an overpopulated world. "Why Johnny Can't Speed" by Alan Dean Foster is another combat on the highways story. It was possibly a response to Harlan Ellison's classic "Along the Scenic Route". "Nothing in the Rules" by L. Sprague de Camp is about the chaos caused by a mermaid entering a swimming match. "The Olympians" by Mike Resnick is not, despite the title, a future Olympics tale. The Olympians are an elite group of humans who specialize in humiliating aliens in athletic competitions.
There are enough good stories here to justify taking a look at this anthology.