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Isaac Newton was a piece of work. A scientist, but also a student of biblical prophecy; a chemist, but also an alchemist; a public figure as well as something of a recluse; a fountain of learning who refused to publish. Isaac Newton was a man of his times, and Mr. Gleick points out the very interesting paradox that Newton lived in a pre-Newtonian world. Of course he would be filled with contradictions. Even so, Gottfried Wilhelm Leibniz, Newton's contemporary and a philosopher/mathematician in his own right who found himself at odds with Newton by independently inventing differential and integral calculus, told the Queen of Prussia that "in mathematics there was all previous history, from the beginning of the world, and then there was Newton; and that Newton's was the better half."
If you would like a better understanding of the laws of nature we take for granted, and an understanding of the life and times of the complicated man who formulated them for us, then I recommend this highly readable (and mathematically understandable) biography.
Maybe you would like to see what creates the observations described by Newton in his famous laws. Perhaps you have been sometimes puzzled by the enigmatic meaning of your life. Then you should read also Eugene Savov's Theory of Interaction the Simplest Explanation of Everything, James Gleick's Faster and Sync: The Emerging Science of Spontaneous Order by Steven Strogatz. The explorations and discoveries presented in these three books show a path toward a new knowledge in which the laws of Newton and his genius shine even brighter.
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The lines are certainly blurred between the real Tokyo and the hyper-kinetic, overly neon pink, city of all things cute and quirky Tokyo as written by Adamson in Hokkaido Popsicle.
Some would take exception to this book as being "insensitive" to Japanese and Japan by stereotyping. My thoughts are, if you can't make caricatures of teen beat journalists, yakuza bosses and henchmen, strippers, self absored rock stars, or cops with chips on their shoulders then who can you make caricatures of?
This book is a romp from beginning to end. The dialogue and narration is inspired and genuinely funny throughout. The plot is quite well conceived and pulled off. And each and every character is unique, interesting, and given their moment to shine at one point or other during the story.
Billy Chaka, the protagonist, is a great launching pad for a slew of follups to Adamson's Tokyo Suckerpunch and the, in my opinion, better 2nd book, Hokkaido Popsicle. Adamson has created a character you love to love and hate through all of his bumbling, fetishistic adventures.
Chaka is irreverant and driven in his pursuit for the truth, whether it be in his spiritual calling to write bubblegum articles for teenagers in Youth in Asia magazine, or his next murder mystery investigation he gets drawn to like a moth to a flame.
Adamson has developed as a writer since his initial Billy Chaka adventure. There's less exposition, explanation, or asking of permission in the narration where Billy Chaka's wisecracks are concerned, so now you either get Chaka or you don't. Sometimes things can be obtuse, but if you give in to Chaka's mannerisms and thought patterns, it all falls into place naturally and is much more enjoyable.
Adamson has gone all out in crafting the dialogue this time around so that every line is interesting in phrasing and context, making it more rich than his work in his first book, Tokyo Suckerpunch. And it pays off in spaids! Tokyo Suckerpunch gives the reader a nod to what can be done with these characters in this setting, Hokkaido Popsicle takes it and runs!
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The Slave is basically the story of a Jew man stranded somewhere in 18th century Poland by the diaspora. On his own living in a Christian village, our protagonist desperately tries to hold on to his religion by reciting psalms and performing all the rituals to the letter so as to not forget them and offend god. He says that the only way someone could tell he was a Jew was his circumcision - he had none of the garments, scriptures and objects that could point that out. He even would engrave on a stone all that he could remember from the Holy books.
He eventually leaves the village and runs across a number of people of different backgrounds and meets and falls in love with a gentile women. He takes her with him in search of his people and eventually runs into a very "proper" Jewish community. They did everything "by the book", showing immense respect and doing all the right things to be "good". But he soon realizes that so many people were filled with hypocrisy, spite, and deception that you wouldn't expect from such "quality" folk. Of course, he must hide the true former religion (she converts for him) of his wife for it was nearly impossible to convert in those days. And while she is the kindest person, she is soon despised by the community... So even though these people looked perfect on the outside were not nearly as good to the higher being that they supposedly worshipped while the woman that had nothing to do with the community was the kindest person.
Singer, who writes in Yiddish and then supervises the translation, writes a very powerful book that really transcends religion. One might think that this is very "Jewish". Sure it is, but that's not the point. It will make many people look at themselves and make them realize that doing everything "by the book", whether it be religion or just life, doesn't mean that you are inherently a good person. The Slave is a fantastic novel that is fantastically written that I highly recommend.
If you are taking algebra for the first time or brushing up some rusty math skills, this is a great book to have. You'll definitely come away having learned a thing or two. If you are a publisher, please resurrect this book. It deserves to be in print. (There are used copies out there for (dollar amount), but an alternative book is Algebra Unplugged by Ken Amdahl. That one is more basic, but still very good.)