Madonna is a much better musician than an actress, but credit is due for perseverence.
"Swept Away" is another great film by Guy Ritchie...edgy and too the point. Madonna isnt all too bad either.
The first half of the film she is a little over the top with her bold bitchiness...but the later part of the film she softens and her character becomes believable.
The ending was a total surprise and a very un-Hollywood romantic ending.
You may not have seen it at the theatre, but its worth seeing on DVD/video.
Plus Madonna looks great!
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Some good titles coming out soon. Let's hope.
-Nathan
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A minute to learn, a lifetime to get all the jokes.
Seriously, folks, it's a fun little game, even though the pieces go all over the place when you're trying to play it on the plane.
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Some of the material here is quite hard to find in other computer texts. For instance, there are chapters that discuss the theory behind Abstract Data Types, exception handling, the client/supplier relationship, and polymorphism in much greater depth than one will find in about 95% of the OO texts on the shelves.
No matter what the language in which you program, you owe it to yourself to read this book. And while you're at it, pick up a copy of Meyer's Object Oriented Software Construction 2nd ed.
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This is an "as told to" story of a fundamentalist Christian father who takes away his 11-year-old diabetic son's insulin in order to demonstrate his faith that God will heal the child. (Never for a moment thinking that by making insulin available, God has already healed the child.)
Over the next three days, as the child rapidly deteriorates and then dies, the family and friends gather and pray louder and louder for God to overcome Satan's lies about the child's healing (Satan's lies being the child's vital signs). Nobody calls a doctor; someone does call the police but only after it's too late.
The rest of the book is concerned with the trial, and with the Mistakes that the couple eventually realizes that they made.
The couple are arrested. They go to jail and wallow in self-pity. The jailers are MEAN to them. People are SARCASTIC. Even other Christians don't UNDERSTAND.
On the other hand, the narrator finds much to be smug about. The prosecutor shows up for their preliminary hearing drunk, which shows what kind of person he is. The reporters and court room observers are rude and ill-behaved. Of course, none of these people has offed a child, but hey. Christians aren't perfect, just forgiven.
The jury hands in a verdict of guilty, and the sentence is the proverbial slap on the wrist: five years' probation, as punishment for the death of an eleven-year-old child. God is good!
You keep hoping this is all going to end with the narrator experiencing an epiphany and realizing that God isn't Santa Claus and that faith doesn't excuse humans from thought and action and responsibility. But he doesn't. He comes up with a flurry of bible quotations, several pages long, all of which go to prove that he and his wife chose the wrong TIME to stop giving their son insulin; they should have waited for God to effect the healing. At no time do they realize that the insulin itself is God's healing; that many diabetics don't have access to this life-saving treatment.
Another point of view that is utterly missing from the book is that of the victim. The narrator whines constantly about what he and his wife had to endure: the censure of the community and even of their own church, the hostility of the prosecutors, the humiliation of prison (for a whole week). But he never mentions his son's suffering --except as one more thing he and his wife had to endure-- or sees the child's death as a loss to the child, his life as something that was unjustly taken from him.
This book is pretty near the worst perversion of Christianity since the Salem witch trials.
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Kort seems very sympathetic to Lewis; he is less sympathetic with typical Lewis fans (although he is unfailingly polite in expressing that lack of sympathy). Kort makes sure to use the shibboleths of political correctness--"racism", "sexism", and "homophobia"--without taking the time to define their meaning or to justify their use.
The book's concluding chapter is the most interesting and the most controversial. Kort seems to think that the most important way to continue the Lewis legacy is not to appreciate and propagate Lewis's ideas but to do the work in our day and society that would be analogous to the work Lewis did in his day and society. So, what would be analogous? Kort writes that "[o]ne advantage that our own time and place give us over Lewis is that we will not be tempted, as perhaps he was, by nostalgia for a Christian culture", and he proposes the celebration of diversity as a major thrust of a proper modern Lewisian project. Kort's description of a C.S. Lewis for our times, makes me less interested in awaiting his appearance and more interested in reading the writings of the old one.