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The dialogue in the Camomile Lawn is nearly always unrealistic, the characters cartoonish, and the atmosphere / setting overly fussed over. In prewar Britain, the embarassingly good, upper class protagonists go on and on about their simpathy with the Jews (so politically correct now, simply not such an important part of upper crust 1930's Anglo Saxon sensibility), the sexy lovers dish out measured amounts of sauce and swear words... it's just an embarassing mess of an attempt to be raw and real.
I never got past the first hundred pages, and I will not seek out Wesley's other works. I really wasted my time, rolling around in a little bit more than just camomile blossoms.
The above synopsis might suggest that this is a lengthy novel; in fact, it is quite a short one (in my edition only 330 pages), and in my view it is the shortness of the novel which is its major problem. Miss Wesley has set herself the task of telling the stories of a large group of people, but has not allowed herself adequate space in which to perform that task. As a result, the complex story is told in insufficient detail, which means that the characters fail to come alive.
The major theme of the novel is the challenge posed to conventional ideas of morality by the changed conditions of wartime. (Most of the characters either form adulterous liaisons or indulge in casual promiscuity). This theme could have been an interesting one, but unfortunately the characters are under-developed and lack any sense of an inner life. It is therefore difficult to understand their motivation or the reasons for their behaviour, and the oportunity to develop this major theme is lost. Most of the main characters, in fact, simply come across as self-centred and lacking in feeling. Even those described as being in love are frequently unfaithful to each other. This would not matter if Miss Wesley's aim had been to create a portrait of a cold, selfish group of people, but I was left with the strong impression that she wanted to make many of them sympathetic or attractively unconventional and failed to do so. This is not a book I could recommend.
I noticed a few factual errors in the book. I will not go through them all, but I must say that, contrary to what Miss Wesley states, the conductor Wilhelm Furtwangler was not "very pro-Hitler".
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So it always surprises me when I have finished a mediocre book that I read based on someone else's glowing review. One such book is "Cat-Eyed Trouble" by Robert E. Skinner. In the past three months, I have read no fewer than 7 raves about this book (although I tend to discount Harriet Klausner's reviews, as she does not review a book as much as summarize it, then tell you whether she liked it or not), but my experience was less than glowing.
This book represented the worst of what I call "Dungeons and Dragons" mystery writing. IN D&D, characters explore a room and may find clues that point them off to a different room. In "Cat-Eyed Trouble", Wesley Farrell, the quasi-criminal, half-white, half-black proprietor of Le Tristesse spends the entire novel knocking informants around. None of them knows anything at first, but after a few pokes in the snoot, each one has a single piece of information that adds to the whole story. That single lead is always a good one and Wesley is off to the next "room". It seems odd to me that no one lies, no one knows more than one piece of the puzzle and no one bests the hero.
Iz Daggett is a black cop who is just returning from a stint in Angola prison after having been framed for the murder of Junior Obregon. The entire cast of baddies is thrown into an uproar because they think that Iz will somehow figure out who actually committed the murder. All of the book's action hinges on this fear, yet it leads me to one question: why didn't one of these turkeys pay to have Daggett hit while he was still in prison rather than wait until he was out wandering the streets?
Another source of irritation is the solution to Obregon's murder. I won't reveal the name here, but the one person in the entire book who acts contrarily to expectation is the murderer. Skinner telegraphs the answer so loudly the book becomes less of a "Whodunnit?" than a "Whyamistillreadingthis?"
Finally, and this is a minor one, Skinner seems obsessed with the kinds of alcohol each character drinks. The book is so filled with lists of name-brand liquors that the action is broken because you find yourself asking "Did they really have Peter Dawson scotch in the thirties?
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In the second book, Earth has learned the terrible secret of the tenth planet. Not content merely to defend themselves against the rapacious Malmuria, Earth breaks out it's stock of antiquated nuclear weapons and prepares to take the battle to the Malmurians on their home turf.
If you enjoyed this series then you will probably like the Heritage Trilogy by Ian Douglas, which is far better written.
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Furthermore, it misses the mark by representing OO design as ontology under the disguise of UML diagrams. I was disappointed and expected more from a book that is published in the Object Technology Series.
UML can certainly improve on this and more, but beware, it is not a panacea as it is only a way to express situations. There are still a bunch of loopholes like uniform B-IT patterns that have to be developed (in-house).
So, yes indeed, this book gives you more than a few kicks in the butt, but we still have to walk a long walk.
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Read additional Watergate material for a broader view and better picture. The lesson here is that you can't always believe the story which appears, at first glance, to be the most convincing.
Anyone who gives this book a bad ranking is a government operative, seeking to hide information from the populace.
*A*
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Through close reading of this textbook, I was able to fully understand economic terms and the graphing of economic forces (supply/demand curves, GDP curves, aggregate supply/demand curves, etc.) Parkin's explanation of each graph facilitated a true understanding of economics.
With excellent, easy-to-understand writing and extensive use of graphs, Parkin's guide served as an Economics bible, and I did not need any supplementary reading for the course. Although a little confusing in certain areas such as growth theory, as a whole, Parkin's text is undoubtedly the only textbook you'll ever need.
Parkin's graphs and explanations are generally excellent and well worth reading.
To Parkin's credit, he clearly distinguishes between positive and normative conclusions of economics. Many introductory textbooks become dogmatic regarding the author's conclusions.
Some readers apparently do not like the additional information and text boxes that Parkin includes in this book. These criticisms appear to be misguided. One of this book's greatest strengths is that it is not afraid to admit that it is introductory. In many ways the best introductory texts are survey-type books that allow you to learn the language and primary concerns of that field of study. Further courses in price theory, public choice, welfare economics, antitrust, money & banking all rely on a strong conceptual understanding of basic economics. After reading Parkin the careful reader will be able to comprehend the primary considerations of economics and communicate with more advanced scholars in this field.
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It is true that this book is a tour de force of the performance analysis of CDMA. However, I would not describe it as readable. Maybe, not that Viterbi has made his hundreds of millions of dollars, he take time out to write a second edition that is done right.