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The aim of this book is to instruct how to conduct an effective counseling and provide numbers of applicable examples. If possible, I recommend you to read Basil Fearrington's "The New Way to Learn Astrology" before reading this book. The author of "The New Way-" is a Mr. Tyl's student, who explains Mr. Tyl's theory very clearly. If you read this book first, you can understand easily theoretical background of "The Creative Astrologer~."
In his creative counseling, Mr. Tyl emphasizes the importance of thinking deeper into parental influences and persistent tendencies that one have been continuing from childhood. In this sense, he takes much of the effects of transiting Saturn's aspects to Angles and to Saturn (7,14,28-30, 35, 42-45, 60 years old) in the natal chart. Also, he put weight on Moon due to its importance in developmental stage. In the late chapter is like a cookbook filled with his "creative" connections among planets and houses.
Although I am not so much interested in the main parts of this book, i.e., case studies of a siingle session and his advice, this book can be of great use for practical use of astrology.
Best of all, Noel Tyl never stops learning and growing, and he has shared the fruits of that ongoing growth in the nearly two dozen books he has authored or edited. In his newest book, The Creative Astrologer, he has expanded his vision of relevant personal astrology to a new, incredibly fulfilling level-- astrology, in his eyes, can immeasurably enrich people's lives as a single-session counseling approach that provides "insight study for self-help assistance," provided that the astrologer approaches this important work with consciousness, compassion, and creativity.
In The Creative Astrologer, Tyl not only presents a convincing case for his view of astrology as a therapeutic tool for personal empowerment; he also provides detailed, step-by-step insights into the counseling process, dramatically illustrating his writing with case studies that make the theory a living reality on the page. There's much in this book on the nuances of communication in an astrological counseling session, with specific guidance on questioning techniques, presentation skills, objectification, creative listening, disclosure, and the like. There are solid, sensible tips on relating to client expressions of anger and depression; on discerning needs, feelings, and coping mechanisms; and on doing the necessary astrological preparation prior to meeting the client.
Above all, this book is a call for astrologers to make creative connections (hence its title!) with clients and their horoscopes. Tyl notes that "the creative astrologer feels good about life, feels that there is a purpose for developmental tension" and can "relate the horoscope to the life being lived by the client." He admonishes astrologers "to look beyond the obvious; to play astro-detective." And throughout his book, he encourages astrologers to be sensitive in paying attention to their clients, to be competent and ethical, and above all, to think. "Together," Tyl says, "astrologer and client achieve insight, rebalance judgment and values, and affect change. And it feels good."
The Creative Astrologer is an important book. It brings clarity, insight, and life-supporting energy to the practice of person-centered astrology. It's a book with a lot of heart. If you're an astrologer, you certainly don't want to pass this one up.
But even if you're not an astrologer yourself, if you personally know or work with an astrologer, don't waste any time. Buy a copy of The Creative Astrologer immediately and then give it to the astrologer of your acquaintance. Your gift will benefit both of you immeasurably!
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I loved the little girls. Lalla, the highly privileged daughter of two figure skating champions, whose aunt is so determined that Lalla, too, will be a champion that she sent the poor girl to daily lessons at the age of three, is valued only for her skating ability. She is not allowed to have a personality outside skating. Through her friendship with Harriet, she begins to learn about the world outside of competition. Harriet, for her part, has been largely overshadowed by her family, and skating gives her a chance to develop a passion and a talent of her own.
It's a sweet story. I loved it when I was little.
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The writing style is very nice, the author has done some fine efforts in keeping his threads of thought clear and easy to follow.
For people who already know C, this is also good as a quick reference and is something concise to quickly refer to, in small issues. They could also just use it to quickly refresh their knowledge of C every once in a while.
It doesn't cover any advanced topics, but it does what it promises to do, so there's nothing serious to put this book down.
This book could have helped me greatly when I was just starting to learn C programming, but it didn't... Just because I only bought it too late, at the end of my C programming days!
-Mokhtar M. Khorshid
Admittedly, if you're new to programming in general, then this book may seem a little difficult. For instance the first chapter launches straight into a discussion of C idioms: keywords, variables, operators etc. If these are foreign to you I would recommend you also buy an introductory programming text, then return to this book when you understand these concepts.
These assumptions aside, Kalicharan clearly and concisely discusses control structures and arrays, functions, character handling, data types, input/output and more. The concepts of each chapter are thoroughly explained and incorporated into numerous programming examples.
Indeed this is one of the strongest points of the book. In particular I liked the way Kalicharan introduces the three programming constructs; conditional execution, looping and iteration first, BEFORE discussing for example, the printf statement like most other C books do - which can be highly confusing to the novice C programmer. (Kalicharan leaves it until chapter 9). Thus a strong grounding in the fundamentals of programming is emphasised from the very start and is a consistent theme revisted throughout the book.
Unlike other C books, Kalicharan gives a brilliant discussion of pointers. What is dismissed as "too hard" in other texts is covered with ease and again, numerous examples to illustrate. For this chapter alone, one should buy this book.
Following the chapter on pointers is a good introduction to "advanced" data structures, linked lists and binary trees. These are left out of most other C books, bar those dealing with data structures specifically (university texts etc) but it is here that the power of the C language becomes apparent.
Topping off the book is a chapter in file handling. Text and binary files are discussed.
The range of topics, clarity of expression and *working* examples (I compiled every program in the book without error...) makes this book an essential addition to any C programmer's library. I hope another book from this talented author is on the way soon! (How about Java or C++?)
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Saki, in his own way, was a pioneer.
I heard these stories while I was growing up, as one parent or the other was reading them. You keep finding delightful lines that you want to read out to anyone in the same room.
Like one of his characters, Saki can "say horrible things in a matter-of-fact way, and matter-of-fact things in a horrible way." His descriptions of Edwardian England are hilarious, and he is at his best when describing a child or young man who sees through, and punctures all the stuffiness with wit:
"After all," said the Duchess, "there are certain things you can't get away from. Right and wrong, good conduct and moral rectitude, have certain well-defined limits." "So, for the matter of that," replied Reginald, "has the Russian Empire. The trouble is that the limits are not always in the same place."
"Of course," she resumed combatively, "it's the prevailing fashion to believe in perpetual change and mutability, and all that sort of thing, and to say that we are all merely an improved form of primeval ape -- of course you subscribe to that doctrine?" "I think it decidedly premature; in most people I know the process is far from complete."
In "The Secret Sin of Septimus Brope", the gossipers are hilariously mistaken about his secret - which you will not guess. When Laura defends her husband, she is told, "That's different -- you've sworn to love, honour, and endure him. I haven't." The predicament of the Lost Sanjak, once it's pointed out to you, will seem dreadfully possible.
You will laugh out loud; you will re-read your favorite lines, and you will wear out this book. I'm on my third copy.
He used a couple of wickedly engaging and attractive main characters for a couple of his collections - these were Clovis and Reginald. To illustrate their essential characters take this quote from 'The Innocence of the Reginald' the following discussion takes place when talking of a painting;
"Youth," said the other, "Should suggest innocence."
"But never act on the suggestion..." [replied Reginald]
The stories are marvellously un-PC - written before the First World War and probably indictive of a lost age when the British roamed country houses for most the year visiting one another and being grand. Saki, with his wicked pen and sharp wit dissects them beautifully. As there are no stories much longer than a few pages you don't have to commit yourself to a great deal of reading, but once you start reading he is very hard to put down again.
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I strongly recommend this book to anyone who is interested in dance. Once I began reading this story, I was hooked. Its a very cute story and very entertaining.
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