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Dr. Galland's book provides valuable insight into modern medicine and the need for patient-centric health care. He describes the evolution of medical history and how we arrived at the current dilemma. Through today's science of reductionism, reinforced by medical specialists, the connections between symptoms, underlying problems, and root causes are often lost. Galland's goal is to work to heal the patient, not just the disease. I agree with Galland's four pillars (positive, worthwhile relationships; diet and exercise; one's environment; detoxification). The reader is presented with many patient case scenarios, how they were treated by other doctors, and the benefits they received upon seeking Dr. Galland's patient-centric integrative medical care. Anyone who is looking for more answers and wants to take a more active role in their healing will be well served to read this book.
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RECEIVED IT AND WHAT ELSE IS NICE HE IS ABLE TO READ THE BOOOK TO
ME INSTEAD OF ME READING TO HIM
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Grouped into seven parts ('Media', 'Education', 'Family and Gender', 'Race and Minorities', 'Politics and Law', 'Culture and Language', and 'Society and Social Behavior'), the body of the book consists of reprints of Leo's columns from U.S. News & World Report, each only about a page long. Unfortunately, this makes the reading feel like riding with someone who's learning to drive stick, just as he gets rolling, he stops and starts again.
The two biggest downsides to the book are not Leo's fault: first, the articles aren't dated, which would have helped put some of his comments (like those on O.J. and Amy Fisher) a little more into perspective, and second, inexplicably, there's no index, which would have saved you much frustration the many times in the future you will likely refer back to these articles again.
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Leo Durocher began his career riding the bench in the shadow of Babe Ruth, and ended it as the manager of the glorious 1973 Houston Astros, led by their star outfielder Cesar Cedeno (and we all know what happened to him...). In between such humble beginnings and endings, however, Durocher was there for just about every pivotal moment in baseball history. Rest assured he has opinions on all of them. And he wants to set the record straight.
"Nice Guys Finish Last" is densely packed, full of satisfying venom, and leaves no stone -- or vendetta -- unturned. Whether or not the reader believes all of what Leo is saying is less important than the fact that this is a must read for anyone interested in baseball's previous generations.
They don't make managers like Durocher anymore, and, sad to say, there will be very few baseball autobiographies quite like this in the years to come.
What the Amazon entry for this book doesn't tell you is that it was written with Ed Linn, who sadly passed away not long ago. Linn had the unique gift of preserving the subject's style so perfectly that you'd be hard pressed to tell that there had been a co-author at all. What this means for the reader is that the book is much better than it would otherwise seem: you get treated to Leo's pungent, egotistical and judgmental style as though he was talking to you in person telling old stories. That's what makes it so much fun.
If you are a baseball fan, this belongs in your library and is well worth the search.
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Tolstoy, according to Berlin, is a fox (whose talent is by the way in precisely being a fox), who is however convinced in the ways of the hedgehog. Tolstoy is at his greatest when he describes the subtle undertones of human existence, these barely perceptible little differences which makes living so full and colorful, range of emotions and feelings. He does not believe, however, that this is all that is, and insists on some ill-defined fundamental truth. This makes his writing wooden, unhistorical, and simplistic at times.
Berlin makes a perceptive observations on the interest of Tolstoy's in some of the figures of Counter-Enlightenment (such as Maestre and Vico). These proponents of the view of the world which denies all-pervasive powers of reductionist science and allocates the central place to a simple idea (e.g. Christian moral idea) are closer to Tolstoy; and from this point of view and interest Tolstoy's last "religious" period owes its inspiration. Berlin shows Tolstoy as a tragic genius riddled with contradictions and frustrations of misapprehension of his enormous talents in inability to say what he wanted to say the most - paint a true picture of human historical experience.
Style of Berlin's polemic is as always colorful, insightful, supremely observant and scholarly. Essay is no longer then 75 pages and would make for a delightful Sunday afternoon reading. Highly recommended!
This is a HIGHLY readable book though probably only one that should be read after having read 'War and Peace'. In combination, the boring sections of 'War and Peace' and this book provide a pretty interesting dialogue and line of thought that can be comprehended by most anyone.....
This is a beautiful book and one that can be appreciated by tons the teeming multitudes and not just self-righteous undergraduates at small colleges in Massachusetts. Berlin is a very readable philosopher, which explains much of the reason WHY he is held in such esteem in the Anglo-American philosophical community....
Finally, who could ever say that this little tiny red book was worth neither the effort nor the expense. A must-buy.
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Tolstoy adopts a scorched-earth policy in this novel which deflates the "sanctity" of marriage. The protagonist is a man on the edge, and it seems Tolstoy was there with him in the writing of this incandescent novella.
Chris McCandless, the ill-fated Alaskan voyager who died in a hunting shelter while trying to escape the ties of civilization, was reading this novel very close to his death. See the nonfiction "Into the Wild" for information on this...
I'm sure most of you have read the other two selections in this anthology, so I'll limit my comments to Kreutzer. This novel made my pulse race, a physical reaction I haven't had to a novel in quite a long time.
The first two are rather simple didactic tales, juxtaposing materialism, greed, and vanity with Christian sincerity and humility. I think a person's appreciation of these two stories hinges, to a great extent, on the reader's assessment of Tolstoy's solution to the unbridled greed and nauseating superficiality which he witnessed and we even moreso witness today.
The last story, The Kreutzer Sonata, is surely the best and the one with the most universal appeal. This follows from Tolstoy's uncanny ability to infiltrate human psychology and expose people for the frail and undignified beings we really are. In this story, he strives to reveal the self-deceit of marrying for "love" as opposed to marrying with an understanding of marriage as primarily an obligation to God. It seems that to Tolstoy, a life without repentance and duty to God must amount to a life where one is merely subject to the passions, a life that no one can want, just as described by "Schopenhauer and the Buddhists". Like Nietzsche, he is trying to tackle the problem of absence of meaning (posed by Schopenhauer), but he suggests the opposite of Nietsche's active nihilism. His purpose is to offer a life of sincerity, humility, and repentance; a life in accordance with the teachings of Jesus.
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The colorful drawings evoke San Juan years and years ago and are very touching, especially if you live in that area or have visited. The story of the swallows coming to Capistrano on St. Joseph's Day also shows the qualities of patience and hope little Juan has. He plants a garden to attract the swallows to his adobe home as well. A beautiful and timeless tale.
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