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The book is organized and presented in chronological order. The first section contains Franklin's writings between 1722-1726. This section contains the famous "Silence Dogood" works. The second section consists of writings between 1726-1757. This section contains the "Busy Body" pieces and the writings from the Philadelphia Gazette, amongst other works. The third section consists of writings which date between 1757-1775. The fourth section consists of writings between 1776-1785. The fifth section consists of writings between 1785-1790. And the final two sections are "Poor Richard's Almanack" and "The Autobiography."
Moreover, the sections contain personal letters between Franklin and other notable men such as David Hume, Lord Kames, John Pringle, Benjamin Rush, etc. Also, religious writings, philosophy, political writings and the like are present in this single volume. In fact, there is about 1500 pages of just Franklin's writings. Additionally, in the back of the book, there is a very detailed chronology of Franklin's life describing notable things which occurred between his birth and death.
This is a great text for those who are wanting a very detailed volume of Franklin's writings. However, it is also a great compilation for those who simply want to sit down and get a sample of the works of Franklin to find out what type of man he was, what he believed, what he taught, his sense of humor and the like.
This book has been one of the best investments that I have made in my collection of American Revolutionary (Founders) history. I highly recommend this work.
Carl Van Doren ended his classic biography of Franklin by describing him as "a harmonious human multitude." The phrase has become shorthand for those who try to encompass Franklin's activities as printer, journalist, polemicist, political thinker, writer, economist, demographer, scientist (or "natural philosopher" in the 18th-century phrase), lobbyist, diplomat, and sage. More recent Fra! nklin scholars, such as Esmond Wright and Robert Middlekauff, concede his complexity, but doubt the harmony holding together his various interests, activities, priorities, friendships, and hostilities; they also note that Franklin's genial exterior cloaked a massive and implacable egotism and an unsuspected capacity for strong and often bitter emotion.
All these facets of Franklin emerge from this superbly-edited volume. J. A. Leo Lemay, one of the nation's leading scholars of Franklin's life and work, has produced a volume fully worthy of Franklin and the Library of America series; it will be indispensable to all future students of Benjamin Franklin, of colonial and Revolutionary America, and of the foundations of American literature, science, politics, and government. -- Richard B. Bernstein, Adjunct Professor of Law, New York Law School; Daniel M. Lyons Visiting Professor in American History, Brooklyn College/CUNY (1997-1998); Book Review Editor for Constitutional Books,! H-LAW; and Senior Research Fellow, Council on Citizenship ! Education, Russell Sage College.
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Best of all G. M. Ford knows his city well and taps into some of its eccentricities well, which is a special treat for Northwesterners. After reading "Skid Road" by Murray Morgen, I would say that Leo Waterman's father is based off of Vic Meyers, a historic Seattle politician whose real campaigns were outrageously funny in their own right, which is just one little tidbit that gives a sense of realism and authority to the surroundings.
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Wizard is tired of his gray life. He's a dull shade of brown when the book begins and everything around him is a dreary shade of gray. One day he decides to pick up a can of paint and goes wild. He paints his castle and everything surrounding it including dragons and any other creature that crosses his path. He even goes so far as to paint the sun a cheery shade of yellow. When the book nears its end Wizard is as colorful and animated as his surroundings. After this massive project Wizard stands back to admire his beautiful new world and takes a much needed rest!
This is a cute, brightly illustrated story that's perfect for the beginning reader. The text is lively and easy enough for my six year old to read entirely by himself without any moments of frustration. The illustrations of the wizard, his castle, dragons and other assorted magical creatures enchanted both of my children. This one's a keeper!
~ Laurie Shallah
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The paintings by Johnson and Fancher are an ideal complement to this story of love and magic. The photographic reproductions of the paintings are excellent; you can actually see the texture of the paint on the canvas. The art wonderfully captures a quaint European village; the artists include such details as half-timbering and ornamental stonework on the dollmaker's house.
According to a supplemental note, ballerina/author Fonteyn actually danced in the ballet version of this story; that fact gives the book an added touch if interest.
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I had heard about Rabbi Baeck several years ago but had never read about his life. He was a brilliant scholar and very influential in Reformed Judaism. I'd have liked to know more about his wife. She was an essential companion in his life.
He refused to go to the Gestapo office on his Holy days even when commanded. He remained a great source of courage to the Jewish community and refused to leave them even when offered safe emigration.
He is a great example of a man of peace. I once read in a magazine his moving and controversial prayer for the forgiveness of the Nazis. This is an excellent and readable book.