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The authors have taken immense pains with the history, development and spread of the breed round the world, Many hundreds of hours of research and much traveling must have been undertaken to produce a volume of this scope.
The detailed discussion on the points of the breed will be of great use to those in PBGV, to those considering buying into the breed. and to any who essay to judge.
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The final chapter of this book is a look at life on a New Mexican rancho, plus a quick lesson on a Mexican dance, la vaquerita. As with the other books in this wonderful series, Jean-Paul Tibbles' illustrations are excellently done, complimenting the story throughout.
This is another wonderful addition to the Josefina library. My daughter and I both enjoyed the story for itself, and I like the lesson it taught. My daughter and I both highly recommend this book!
An enjoyable story is nicely complemented by the warm, nicely detailed illustrations. The story is accompanied by a number of enjoyable supplemental features. There is a "Meet the Author" page. Also, "A Peek into the Past" takes a historical look at life in New Mexico in Josefina's time; this supplement is illustrated with reproductions of art and artifacts. "An American Girls Pastime" gives instructions on how to dance la Vaquerita, a traditional dance of New Mexico. Finally, there is a glossary of Spanish words used throughout the book: "cuentos," "rancho," etc. The whole book is about 50 pages long, making it perfect for readers who may not be ready to tackle a full-length novel. Overall, a well-done entry in the series.
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The final chapter of this wonderful book is a highly informative look at the changes New Mexico experienced as it changed over the years. I must also mention that Jean-Paul Tibbles' lovely illustrations are an excellent addition to the story.
This final book in the Josefina story is every bit as wonderful as the first one, and definitely maintains the American Girls' tradition of excellence. The story is exciting and entertaining, and I especially liked how the author wove Josefina's faith into it, making it appear the natural part of her life that it would have been. My daughter and I loved this book, and we both recommend it to you and your daughter.
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I am very pleased with this book!
Melissa Hawes.
Corsets have gone in and out of fashion in response to changes in styles, deliberate dress reform, and historical and economic forces. Steele shows that insisting that men were responsible for inflicting corsets on women is simply incorrect, and how the French Revolution, the industrial revolution, and both world wars affected corsetry. A rebound after the Second World War was cut short by the hippies and women's liberation. After that, Steele argues, we have had a run of exercise corsetry, shaping the body by aerobic exercise and weight training, an ideal that still holds sway. Surgical corsetry via liposuction continues the centuries of bringing women's bodies into agreement with the ideal of beauty, whatever that is.
Through all the centuries, corsets have had an erotic and a sadomasochistic pull. Corseting girls, and even boys, was a theme in literature having to do with their boarding schools, although it is doubtful that such corseted academies actually existed except in fevered imaginations. One can count on fashion designers to continue to include corsets on their most showy productions. Such lights as Madonna have taken advantage of the fetishistic potential of corsets, and they seem still to be desired under bridal gowns, reinforcing a sexual link. Steele has a dry sense of humor to enliven a sometimes academic text; she laments, "Admittedly, we know nothing about underwear in the premodern period," or puns "The English especially believed that a straitlaced woman was not loose," and she deadpans her research within a periodical titled _The Corset and Underwear Review_. One can look at the impressive illustrations she has gathered in this book (the often hilarious Victorian advertisements are the best) and see easily that men and women are going to have to change into entirely different creatures before they have corsets no more.
Chief curator at the Fashion Institute of Technology in New York and author of several other scholarly books on fashion, Steele approaches the subject of body-sculpting lingerie with utmost seriousness. For this book, she teamed up with cardiologist Dr. Lynn Kutsche to investigate the damage wrought by tight-laced corsets on women from Renaissance courtiers to modern Hollywood icons. She clipped accounts of corset-induced casualties from Victorian medical journals and visited the Smithsonian Institute to view its collection of female skeletons with rib deformities. Though she eventually ruled out the idea that the Smithsonian skeletons were deformed by corsets, Steele did find that corsets were responsible for many milder health predicaments, including shallow breathing, shortness of breath, atrophied back muscles, and potential difficulty in labor.
Why did women persist in wearing these waist-cinchers for nearly four centuries? Steele doesn't pretend to fully unravel that mystery, but she tantalizes us with details about the origins of the corset and the rise in its popularity, especially during the Industrial Revolution, when mass-production first made fashion available to the middle-class households, and corsets were no longer soley the province of aristocratic ladies.
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The final chapter is a fascinating and highly informative look into life in 1774. This book lives up to the excellence that characterizes most American Girls books. My daughter and I greatly enjoyed it, and we recommend it to you.
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Great stuff. Came with a poster, too!
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