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of how to write and design letters and paper. My favourite
chapter is Chapter 1 and 2. Chapter 1 is how to design
words, for example, for hot, use red to write the word hot
and draw fire around it. Chapter 2 teaches you how to write
Top Secret letters. There's codes, hidden messages, and
dots with letters. Other chapters are interesting too. This
book has six chapters in all. Chapter 3 is Paper Capers,
with all sorts of ways to write letters to friends. Chapter
4 is called Writing from the Road. When you are traveling,
this book teaches you interesting ways to write about your
trip to your friend or others. Chapter 5's title is Super
Stationery. You can make pretty paper and interesting
envelopes. The last chapter, Chapter 6, is called Signing
Off with Style. The author show you many ways to sign a
letter. But you'll have to read this book to see everything!
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Valerie instinctively sought out and took seriously the input of adults on the spectrum in the course of trying to figure out how best to be a parent to Elijah. She instinctively sought the meaning and purpose in autistic behavior - in reaction to sensory stimuli, in learning through repetition and pattern-making, in a different yet no less valid set of aesthetic sensibilities. She refused to accept the cavalierness with which the medical model of autism dismisses the relevance and meaning of autistic behavior, sensory preferences, and cognitive style, and instead correctly understood them as the ways in which we attempt to make sense of the world and communicate with it. She refused to accept as adequate the diagnostic definitions of autism that reduce us to a laundry list of negatively stated traits. She understood that Elijah, and the rest of us, are more than that.
This is what we adults on the spectrum have been trying to tell the world ourselves for the past decade and more. It is downright radical stuff to be coming from a parent. Yet it is especially important that it is coming from a parent, and from a gifted and lyrical writer to boot. By speaking as a parent, Valerie reaches and engages potential non-autistic allies - family members, professionals, friends - in ways in which even the most brilliant writing by adults on the spectrum who are not themselves parents, might not.
Valerie understood the importance of finding and connecting Elijah and herself with autistic peers, mentors, and role models. Her search for the latter, coupled with her dissatisfaction with the devaluing descriptions of autism in the literature, led her to study the history of autism and the lives of famous individuals who might have been on the spectrum. She traces the history of autism through its decades of mischaracterization by the psychotherapeutic field. She chronicles the misogyny and victimization of parents, particularly mothers, who were blamed by practitioners as the cause of their children's autism. That much, her inquiry has in common with others' histories of autism.
But with her gifted eye, she goes further: she makes palpable a keen sense of the damage that blame and relentless cause-seeking can do, the wedge it drives into the hearts of marriages, parent-child relationships, and relationships between nuclear family and relatives and friends. She makes her quest one of moving beyond blame and cause-seeking, to concern and attention to the development and vitality of the people involved, and to their connectedness with self, peers, and mentors - however different that development and connectedness with others might turn out to be. She refuses to believe that this is in any way less important for people with that diagnostic laundry list of autistic symptoms - and she is profoundly right. She remains steadfastly open to the legitimacy of the different ways in which these basic human needs are articulated and met by those of us on the spectrum. And that is what is so important about this book, why it is such a milestone.
Phil Schwarz is the vice-president of the Asperger's Association of New England. He is a parent of an autistic child, and has a mild variant of AS himself.
Valerie instinctively sought out and took seriously the input of adults on the spectrum in the course of trying to figure out how best to be a parent to Elijah. She instinctively sought the meaning and purpose in autistic behavior ' in reaction to sensory stimuli, in learning through repetition and pattern-making, in a different yet no less valid set of aesthetic sensibilities. She refused to accept the cavalierness with which the medical model of autism dismisses the relevance and meaning of autistic behavior, sensory preferences, and cognitive style, and instead correctly understood them as the ways in which we attempt to make sense of the world and communicate with it. She refused to accept as adequate the diagnostic definitions of autism that reduce us to a laundry list of negatively stated traits. She understood that Elijah, and the rest of us, are more than that.
This is what we adults on the spectrum have been trying to tell the world ourselves for the past decade and more. It is downright radical stuff to be coming from a parent. Yet it is especially important that it is coming from a parent, and from a gifted and lyrical writer to boot. By speaking as a parent, Valerie reaches and engages potential non-autistic allies ' family members, professionals, friends ' in ways in which even the most brilliant writing by adults on the spectrum who are not themselves parents, might not.
Valerie understood the importance of finding and connecting Elijah and herself with autistic peers, mentors, and role models. Her search for the latter, coupled with her dissatisfaction with the devaluing descriptions of autism in the literature, led her to study the history of autism and the lives of famous individuals who might have been on the spectrum. She traces the history of autism through its decades of mischaracterization by the psychotherapeutic field. She chronicles the misogyny and victimization of parents, particularly mothers, who were blamed by practitioners as the cause of their children's autism. That much, her inquiry has in common with others' histories of autism.
But with her gifted eye, she goes further: she makes palpable a keen sense of the damage that blame and relentless cause-seeking can do, the wedge it drives into the hearts of marriages, parent-child relationships, and relationships between nuclear family and relatives and friends. She makes her quest one of moving beyond blame and cause-seeking, to concern and attention to the development and vitality of the people involved, and to their connectedness with self, peers, and mentors ' however different that development and connectedness with others might turn out to be. She refuses to believe that this is in any way less important for people with that diagnostic laundry list of autistic symptoms ' and she is profoundly right. She remains steadfastly open to the legitimacy of the different ways in which these basic human needs are articulated and met by those of us on the spectrum. And that is what is so important about this book, why it is such a milestone.
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Superficially, this volume is beautiful; it truly rivals the Time Magazine coffee table books in layout and colorful photos. However, as is the case with the weekly Enquirer, this book picks up where People magazine leaves off. How tasteless is a full topless photo of Nicole Simpson? How about open casket photos of dead celebrities such as Bing Crosby and River Phoenix (and no, River did not look like he was just sleeping)? Years ago I kind of thought Xaviera Hollander (the Happy Hooker) was a babe. Well, there is a photo of her at well over 200 pounds in a skimpy bikini. Guess what? According to the photo's caption, Hollander says a lot of men like her that way.
Want to see a photo of Richard Gere skinny dipping? I didn't but I'm sure many of you do. Well, it's there in this volume. Do you want to see Michael Jackson's disintegrating nose in bandages? Just open this volume and you'll find it. In short, this book is great for those of us too full of ourselves to buy the Enquirer at the supermarket. However, a beautiful volume from top name booksellers; ah, now that's respectable.
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K.D.
The final chapter is a fascinating and highly informative look into the effects of the new war on the people of Williamsburg in 1775. I must admit that this book really surprised me. My daughter and I both like the Felicity stories, but this one was much more serious than the others, and taught some wonderful lessons.
My daughter and I both really enjoyed this book, and we both highly recommend it to you.
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really helped me out with the basics. It's ideal for travelers who do not know much or any French. It even had specific needs covered. For example, it gave several ways to say: "I'm a vegetarian." I also like the simple and easy-to-read layout of the book. It's very visually pleasing.
You will hear the English word first and then the French equivalent. There is a pause so you can say the word. Not every word or phrase is covered in the book.
You will start on page 6 and learn useful everyday phrases like yes (Oui) and no (non). Then you will move to Greetings and Introductions. The speaker also gives you little clues to the language and introduces cultural nuances.
Take a step past "Bonjour" and move to Comment allez-vous? Then, take another step to "Pouvez-vous parler plus lentement, s'il vous plait?"
This was like stepping back to French class in the days of high school. The book is divided up into sections. You can learn useful everyday phrases, colloquialisms, the days, months, seasons, and numbers. Then go on to learn staying in hotels or ordering when eating out. There is a handy menu guide. It is easy to keep the phrase book in your purse or pocket, it is that small. In the back of the book, there is a mini-dictionary.
If you are heading for France on a vacation, enjoy! The food is fantastique! Do try to take a tour when you go to Paris. I could have spent a week in Paris and the surrounding areas. There is so much to see. If you get a chance, go down to Cassis, there is a bakery there with the most delicious choux pastries. You can have dinner right out by the water. While a tour to Paris is wonderful, nothing compares to finding little treasures when you take a wrong turn!
Cassis will easily seduces you with its cafés and restaurants. A privately owned 13th century castle overlooks Cassis and was built by Hughes de Baux. It is surrounded by a garden filled with uncommon, scarce plants and flowers emitting even rarer fragrances.
While on my first trip to France I was only a teenager, my second trip was the year after I got married. Hopefully since I am now older and wiser, I will actually learn a great deal of French before my next visit. It is really essential, especially if you are not on a tour. You will still want to know basic phrases so you can be polite and can enjoy your trip all the more.
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I believe that Tripp gave a wonderful representation of that the colonial times was like. She represented Felicity very realistically. Any girl in her palace would be disappointed if she could not go to the party, yet feel a sad burden that the mother is sick as well. Felicity hoped for a miracle simply that her mother would get better not even thinking of her own wish for a completed dress and ended up getting both wishes.
I loved the American Girl books growing up specifically Felicity's stories. I am amazed that Tripp can grab children's attention book after book. And you learn so much about the time period in the process of reading. I enjoyed reading this book again.
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