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If you're the least bit interested in "alternative" comics without superheros or far-fetched storylines, this is your chance to pick up something amazing. Highest recommendation!
I consider myself a well-read person, and I have never seen characterization like that by Robinson. it was truly a delight to read, every now and again something comes along and effects who you are that changes you makes you noticeably better or different. this book is one of those things
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Anne Bronte creates a world in which the drunken, immoral behaviour of men becomes the norm and this may have been startling to contemporary readers - perhaps a reason for the book's panning at the critics. The narrative is built up delicately; first Gilbert; and then the racier, more gripping diary of Helen as she guides us through her married life; before returning again to Gilbert, whose tale by this time has become far more exciting as we know of Helen's past. Helen's realisation of the awful truth and her desperate attempts to escape her husband, are forever imprinted in the mind of the reader as passages of perfect prose.
One of the earliest feminist novels, the underrated Anne Bronte writes in this a classic, and - defying the views of her early (male) critics - a claim to the position of one of England's finest ever female writers.
It tells the story of a young woman's struggle for independence, against law and a society which defined a married woman as her husband's property. The novel, which uses extracts from her diary and narration from her neighbour, is very interesting and quite realistic.
It seems to me that the most interesting thing about the novel, is the build up of tension Bronte uses to sustain the reader's attention. It is stimulating and creates a little excitement in the book.
Helen Graham moves into Wildfell Hall with her son. She is a single mother and earns her living as a painter. Her neighbour, Gilbert Markham, takes a sudden interest in her and wants to find out everything about her. Although she is quite content being friends with him, she wants nothing more. As soon as he becomes too personal, she reminds him that friendship is the principal of their relationship. As they spend more time together, though, she learns to trust him and reveals the truth about her past. She is living at Wildfell Hall under a false surname, hiding from her husband who is an adulterer. The only other person who knows of this is her landlord, who Gilbert learns late in the novel, is in fact, her brother.
One thing which I found gripping about this story, was the build up of tension Bronte used. She took her time, revealing one thing, building up the tension again, then revealing another. She continued to do this throughout the story, and this is what kept me interested. It is a story, in which two people who love one another, are prevented from being together by society and their own natural reticence. We know romance often has this, but Bronte creates a strong desire in the reader for them to be together. She puts real obstacles in the way of their love for each other, such as the fact that Helen is already married and has a child to her husband. This therefore, causes the reader to understand the story more.
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This compelling novel by first time author/lawyer Alex Flinn is stirring and emotional. Nick's search for the love of his mother (who left when he was still small) and an escape from his father's abusive personality results in self-destruction and fear.
The book deals with abuse in teen relationships, something all to common and practically untouched by most authors. When Nick's girlfriend Caitlin finally files charges agaisnt him for abuse, Nick makes a complete turnaround. While I find such complete revelations virtually impossible, it feels refreshing to read that there is help for people like Nick and Caitlin and that sometimes the things you love most, you have to let go of.
It's touching, inspiring and absolutely wonderful.
It is a very easy read. I didn't want to put it down. I could relate to this book from a past experience I had with a boyfriend. I wish I would have had this book to read when I was going through it. If you know anyone in a verbally or physically abusive relationship, please recommend this book.
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I've been a professional writer (in advertising mind you) for ten years and have dabbled in screenplays many times - and I'm really over those 'anyone can do this' kind of books (everyone can't).
This one tells it how it really is. What that means for you is that if you're SERIOUS about writing a screenplay that deserves to be made and use even some of the advice in the book - it'll be a better screenplay. (Might not get made, mind you, but it'll definitely increase your chances.)
Best advice in the book? Don't write a word until you've got a hook - and even then don't write a word until you've talked your story through again and again. Brilliant stuff. And funny too.
For years I had held out on buying a book on screenwriting because no one seemed to take the time to simply explain the minutia behind the structure, style, and format needed in a screenplay (i.e. what should it physically look like? how should I bind it?).
This book challenges you to truly invest thought into your stories and gives you a guide on how to make your ideas work on the page.
Epstein takes the time to show you how to break stories down into their easiest to understand elements while at the same time injecting his own thoughts on how a screenplay should look (bindings, format) and feel (information on length and pacing).
I know what you're saying: "I've read published screenplays and know the format well enough!"
This is wrong, since the screenplays that get published are made to incorporate elements that are necessary to a SHOOTING SCRIPT, while your trying to write a SELLING SCRIPT!
This book should be able to answer any questions you've had on screenwriting and give you great tips on the writing process...and the price isn't bad either!
Many people in the screenwriting biz seem to be in love with phrases. From writing gurus ("A good screenplay is a screenplay that doesn't waste our time", "Tell the story that has to be told") to folks who read and evaluate screenplays ("It's episodic", "We don't know enough about your hero"). The catch with all phrases is - they're not useful to a writer. This book goes beyond those common idioms, avoids clichés, and tells you EXACTLY what you need to know.
E.g. "Hook (a.k.a. High Concept)" - all around the Internet you can find a definition: "A premise that can be depicted in a sentence or two". But even such a structurally complex movie as "Magnolia" can be caught in one sentence; so again, the popular phrase is not telling us much. Going deeper from the evident confusion, Epstein successfully analyzes the entire "High Concept" problem by telling us what a good hook really is, why it is the most important part of the script, how to come up with a valid one, and finally - how to check out the quality of a chosen concept before you waste 6 months writing the script that won't get read, let alone get made.
Combining humor with practical examples, the author finds the best path to the essence of all critical screenplay elements (structure, point of view, pacing, dialogues...) and makes them clear and easily comprehensible.
Along with the abovementioned, the book shows an equally significant blueprint of the working principles of Hollywood selling&buying script system.
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This is a saga of an American family that starts with Kunta Kinte and ends with the author himself. It starts in Gambia in the year of 1750 when Kunta Kinte is born in the village of Juffure where he grows up. When Kunta is about seventeen years old, he is captured by toubobs (white slave hunters) and brought to America on a big slave ship together with a lot of others slaves. Decades pass and generations of slaves from his descendants goes through tough times but keeps the story about Kunta alive. They finally get their freedom back but now they are far away from their homeland.
The language in the beginning of the book isn't very difficult. It is a little more difficult when he comes to America and you start to read the English that the black people speak. For me it was a little difficult in the beginning before I got used to it. He really writes the way that people talk. In this book it's quite a lot of dialogues but it is also a lot of describing text. The pace is good and it is very concentrated to important things. Those are very dramatic.
My favourite character in this book is, without a doubt, Kunta Kinte. It was really interesting to read about his life in Africa, his trip to and his life in America. At first he despises everything that America stands for. He hates the whites because they are white and so evil. He hates the black because they are so stupid that they have given into whites and are letting themselves be controlled by these evil people. They had given up their faith and their traditions and taken part of the whites. He tries to escape four times and then get his foot chopped of. He loses his hope of ever seeing his village or country again and he is determined to keep his religion alive and not to eat meat. (I think that his religion helps him to remember who he really is.) He talks with his daughter about his homeland so that it won't be forgotten. That continues through generations and includes every new person.
He is also the most important character if for no other reason than that about half of the book is about him. It starts with him being taken to America. You read about his feelings, his fears and his hatred for other blacks (and toubobs) when he first comes to America. ....
This book is very well written and full of emotions. Love, joy, sadness, happiness and a lot of pure hatred.
The plot is very believable. This author is very good at describing things. You get an idea about what they were going trough. The places are real and we know that this has happen in our history. The descriptions of the environments are excellent. ...
The must have had an unbearable desire to die. The book is written in the third person until he, himself is born. Then he writes in the first person.
I think Alex Haley doesn't want us to forget this part of our history but also encourage us to find out more about our ancestors. Your family is the most important thing in the world. They went trough tough times but they got through them because they stayed together.
It is not possible to read this book and not be affected in some way.
Alex Haley writes of his seven generations of family life ~~ beginning with "The African" ~ Kunta Kinte ~ who was abducted from his village in The Gambia and ending with a brief biography of himself. From a proud African captured and forced to become a slave to freedmen and farmers, business owners and the women who prayed for the families while keeping the stories alive ... this is one book to cherish.
You struggle with Kinte's disappointments, fears, sorrow, bitterness and joy as he watches his freedom disappears into slavery. You begin to understand his anguish at losing his family, self-respect, pride and honor. You begin to understand the stoicness behind each slave's demeanor as he or she serve their masters/mistresses and their secret longings for a home they can call theirs or even live their lives without fear of being sold off to another family plantation. And you begin to understand their relief when the Civil War ended.
I have to confess, Haley's family are among the fortunate ~~ they managed to stay together through two slave-holding families ~~ though I don't understand how the Murray family can say slavery is ok. They may be more lenient than other slaveholding families ~~ but it is still wrong to hold another human being against their will simply because of their skin color.
Haley demonstrates how the intelligence of his family helped them survive the years during slavery, after Civil War and during the Reconstruction period. And I have to confess, my favorite scene in this whole book is when Tom, shortly after being freed, comes upon a white man who had whipped him after accusing him of stealing food while working for him during the war, gives him a drink. The captain then demanded that Tom gives him a drink and Tom just looks at him steadily before walking away. He knew then that he was free and unbeholden to any white man. And Tom is my favorite character ~~ he finds a way to work around working for white men and still retaining his independence. He has the strength of The African running in his veins.
This is one book that will be sticking with me for a long time. It is rich in heritage. It is rich in dialect. It is rich in every human emotion possible, and dreams. It is rich in hope as well. This is one book that should be deemed as a classic ~~ it portrays American history in a way that we don't get to hear in classes in school. It is one dimension of a time that seeps in history ~~ and it is an African-American history. It is one that I highly recommend for everyone to read. The voices of Haley's ancestors aren't so easily forgotten. They will haunt you the next time you hear of a Civil Rights movement happening ~~ or a story about a slave ancestor. These are a people who have not forgotten their roots and where they came from. They hung onto their dreams and dignity as best as they could throughout some of the harshest times in the matters of history. And Haley captures their voices beautifully.
This is one book you won't regret picking up.
Then I hit page 702.
Alex Haley was born. All along I knew this story was a dramatic interpretation of his family history, but suddenly, my God, these people were real. Their sufferng was real. The inhumanities they faced were real. That young man who lived a rightous and rightful life in Africa (HOW IMPORTANT THAT I LEARNED ABOUT HIM) and had it stolen from him was, too, real.
Just another reminder of how cavilier our lives have become; how much we take as granted. Truly, I am better having read this book. Even with my blue eyes and ruddy cheeks, I found there a great and valuable piece of my own heritage as an American and the nature of us all as human beings. How ashamed I am to be a member of a species that could commit such atrocities. And how proud to be of those that bravely overcome them.
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Buy it and you'll be pleased with your purchase.
I reccomend this handbook for anyone interested in this unique sport as a primer. The knowledge delivered here allows the reader to have a solid base if the goal is to continue studying capoeira with a mestre or, leaves him or her with enough to enjoy knowing the basics of the sport.
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I'm so delighted by this book. I'm a father of four, and as I read "How Rude" I asked myself, "What is it that makes this book so effective?" Perhaps it's the simple practicality of its message. The main point is that it's in your own best interests to use good manners. One of the places it says this is on page 109: "Adjust your requests and behavior to the emotions and needs of others. This is not only a cornerstone of politeness, but also a way to increase the chances that your requests will be granted."
Perhaps it works so well because it concerns the things teenagers obsess about, such as how to be popular, how to get your parents let you do what you want, what to do about braces, how to handle friendship problems, and how to get a date. It even talks about when it is OK not to use good manners. The section headings reflect the fascination youth of all ages have: "Things you do to your body" and "Things your body does to you" and "The blended, shaken, stirred or mixed family, " and "Sex-ediquette."
Maybe what makes this book work so well for kids is Packer's dead-on humor, with just the right amount of grossness so that you can't quite turn away. It's a fast-paced kaleidoscope of quips, anecdotes, lists, jokes, and chummy advice. There's no way to lose interest, because it's so juicy and fun. I challenge anyone to open the book to any page and not find some undeniably useful tidbits.
It's a great book for teens, of course, but it's also a great book for parents who are looking for ways of talking about manners with their kids.
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Back before the Dark Knights, the relentless violence, the angst? When people donned ludicrous outfits and fought for truth, justice, and the American way?
Kurt Busiek does, and he's provided an all-expenses-paid trip to Astro City, where the superhero comics of yesteryear live anew.
As with Alan Moore's "Watchmen", you won't recognize the heroes and villains, but you know them nonetheless---Samaritan, Winged Victory, Crackerjack, the Honor Guard. Simple, classic heroes who immediately bond to the imaginations of comic fans.
The story here is simple, straightforward, and infused with a joy that would make Garth Ennis throw up. Whatever happened to the comics you didn't mind your kids reading?
If you prefer your comics to be uplifting and life-affirming, as opposed to the relentless bleakness of the various X-titles, stop by "Astro City." You'll be glad you did.
"Life" is actually a collection of six interrelated stories, each of which stands on its own as a fine piece of comic book art. Together the six tales present a stunning portrait of the fictional Astro City, a postmodern metropolis teeming with costumed superheroes, sinister supervillains and other memorable characters. Among the many heroes we meet are Samaritan, the almost godlike caped hero with a tragic past; Winged Victory, a flying superwoman with a feminist twist; the Hanged Man, a mysterious figure who maintains a silent protective vigil; and Jack-in-the-Box, a demonic-looking clown with a number of high-tech tricks up his sleeve.
But just as compelling are the "ordinary" citizens of Astro City: veteran reporter Elliot Mills, legal clerk Marta, and the other working folks whose lives are lived in the shadow of the supermen.
"Life in the Big City" smoothly blends elements of science fiction, fantasy, horror, and social commentary. Well-written dialogue is complemented by a wealth of memorable images... The stories explore such thought-provoking issues as ethnic identity and the anxiety of assimilation, gender politics, and the psychology of paranoia. One of the compilation's best tales, "The Scoop," is a witty and surprising parable about journalistic ethics.
The book length comic, or graphic novel, is a rich genre whose practitioners have produced some outstanding classics in recent years. The intelligence, visual power, and moral integrity of "Life in the Big City" elevate it to that distinguished company.
Astro City is bright, clean, the good guys work around the clock protecting the innocent and they generally prevail. This is not the city the Dark Knight resides in by a long shot. Unlike Alan Moore, who tends to turn the superhero genre on its ear, Kurt Busiek instead embraces the best of the 'capes' and makes you fall in love with them all over again. For those burnt out on endless soap opera plotting or dark, cynical anti-heroes, Astro City is a perfect remedy. ....
Mrs. Collins LOVES children into learning. When you read about some of the incredibly difficult to teach and, frankly, to love students Mrs. Collins taught, it will inspire the most jaded person to reach for excellence. Marva Collins' teaching methods are raw and effective. Everyone will be helped and inspired!