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But there are several wrinkles -- unbeknownst to the family, their new charge, James, is suspected of having connections to a terrorist group called the Red Jihad, and the CIA's real aim in bringing him to the states is to flush out the terrorists--and Alex and company take it upon themselves to discover the truth about the young man.
Though this book is more serious in tone than the other Alex adventures, there are still plenty of laughs -- and the story is probably a bit more timely than even Hunter expected it to be. And that's one of the things that makes this effort so important. It manages to put a face on a people that many of us now see as the enemy, and that face is more human than anyone expected (including me). A truly wonderful book.
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Even if the projects herein appear way too complicated or time-consuming for most people--as they do for me, I'll admit--Ms. Peters gives splendidly clear, concise directions in a conversational tone that make starting your own gingerbread house seem, somehow, not as daunting as it really should be.
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I highly recommend it.
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The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil.
Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).
I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!
The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.
Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).
I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!
El personaje principal es El Consejero, un asceta que recorre todos los pueblos predicando la palabra de Dios y sin haberlo planificado se encuentra dentro de una multitud que veía en él al Santo Salvador que los dirigiría en la lucha contra El Mal. El Mal estaba personificado por los Republicanos que, según los seguidores del Buen Consejero, no eran más que El Anticristo que había bajado a la tierra disfrazado de humanos para transformar el mundo: Instaurarían el matrimonio civil, encargarían los cementerios a los municipios (en la época monárquica estaba a cargo de la iglesia católica), y someterían al pueblo a un nuevo tipo de gobierno, la República.
Es así que se origina la rebelión. El Consejero y sus seguidores golpean a unos soldados republicanos y huyen a un lugar desolado, apropiándose de esos terrenos, llamádo CANUDOS. En aquel lugar alejado del mundo -y también de la imaginación humana- forman una sociedad diferente, en la cual nadie tenía propiedades y no existían autoridades. Era una sociedad donde todo era de todos.
Sin embargo, y en replesalia contra aquella rebelión inicial, el Estado Brasileño envia un pelotón de hombres bien apertrechados que son rápidamente reducidos por los pobladores de Canudos al grito de "mueran los perros republicanos". Fueron tres las comisiones enviadas a disolver a aquellos rebeldes que "atentaban contra la seguridad del Brasil". Una tras otra son repelidas hasta que frente a un contingente bastante mayor al de ellos ceden y permiten el ingreso del ejercito republicano a Canudos. "No dejaron piedra sobre piedra". Los soldados se encargaron de desaparecer aquel pueblo que se resistía a ser sometido a las peticiones de la sociedad alienada. Un mundo aparentemente irreal que parecería una increíble invención y que, sin embargo, existió en Brasil a fines del siglo XIX. Un pueblo cuya aparente perfección no fue tolerada por un mundo sometido a la infelicidad y, por lo tanto fue condenada al peor de los castigos: a la desaparición.
Considero, por ahora -a falta de leer algunos libros anteriores y venideros de Vargas Llosa- como la mejor obra de este escritor peruano que ya merece ganar el Premio Nobel.
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How about Hungarian poetry, what makes a hymn (as opposed to a carol), a discussion on line usage and techniques? It is all here. Exemplum? Septenarius? Metalepsis? What's an iambe? It isn't an iamb, and from their respective entries, you'll see why.
Every student of poetry, whether in college, teaching or writing, needs this book. All the major terms and styles are covered here, but also every country producing poetry.
This is useful to the poet who wants to learn more about what has been done through the years, and how and why a particular style was used. The book is certainly for the intelligent reader, but won't be bogged down with overblown, hard to understand explanations. This an encyclopedia, not a dissertation.
Professors and students can use this book as a reference point as they research poetry. Ever read a literary critique and not have a clue what term Dr. Iam Smart just referred to? I sure have. This book helps me know what I am reading.
The entries are well-structured, and give plenty to get started, and then point you where you can learn more.
I fully recommed "The New Princeton Encyclopedia of Poetry and Poetics" by Alex Preminger.
Anthony Trendl
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Dirty deeds in this novel, surprise, are linked to real estate development and illegal immigration. The two plots work, but are not systematically linked to each other. These are mingled with the unraveling of a relationship between Rutledge and his "roomie" Teresa, that not unfrequent disaster that comes about when two decide to live as one and abandon the freedom of separate apartments. As the novel drew to a close, I had the feeling that there were three distinct stories, all joined at Alex Rutledge. Still, both mystery plots are exciting, and enough to keep anyone reading the novel awake an extra hour. The romance ends, as is common in "Keys" novels with a promise of future solace.
For those who remember the days of clearing the pier of ships for sunset, or "tank" island (before the "condofying" of the island perimeter) wise contemporaries who bought Conch cottages for a song seem just a little long in the tooth. Such folk, also, have to be in their mid to late fifties and for we less lucky mortals self-knowledge forms plausability questions. One bit of K.W. zaniness, which someone eventually will seriously propose is a developer's Malory Square Dome with recorded projected sunsets to allow tourists to view the ten best in history. No mention of a guaranteed green flash, however.