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One of the most powerful benefits of owning this book is astonishing amount of knowledge you can pick up by browsing it. With almost every recipe I discovered either a new approach to doing something with Python, that was far more elegant than what I would have thought of, or something that I didn't even consider was possible. It covers a vast array of important topics, from text processing, threads, object-oriented programming, and much more.
In short buy this book, grab a drink, and have a nice long sit-down session with it. You'll love every page of it.
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Por ejemplo, jamás me había preguntado de qué esta hecho el líquido amniótico, ni hasta que fecha subsiste el riesgo de un aborto ni qué provoca la eclamsia o toxemia...
ES UN LIBRO DE SOLUCIONES, RESPUESTAS Y ADVERTENCIAS PRUDENTES PERO TRANQUILIZANTES.
Te informa TODITO !
Me consta que ella estuvo super tranquila en su embarazo...y con este libro siempre cerca !
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The book is basically an alphabetical encyclopedia of thousands of television programs in every possible genre: dramas, sitcoms, game shows, cartoons, and more. Each entry lists the series' air dates, principal performers, and other relevant data.
In addition to the main body of encyclopedic entries, the book includes a wealth of supplemental features: lists of Emmy winners, a chronological gathering of one-shot specials, and more. Particularly interesting are the programming grids, which show the nightly lineups on each network for each night of the week. You can turn to a season (say, 1951-52) and see what choices the American TV viewer had each night! This feature is great for historians.
Although most of the entries on each series are brief, McNeill spends more time and space on certain series of outstanding impact. These extended articles on "All in the Family," "CBS Evening News," "Dallas," "The Ed Sullivan Show," and more are truly fascinating.
TV has been derided by many with such epithets as "the Boob Tube" and "The Idiot Box." On the other hand, it was praised in an episode of "The Simpsons" as "teacher, mother. . . secret lover." McNeill captures TV in all of its facets: from the depths of inanity to the heights of cultural significance. This book is a great achievement whose reputation, I believe, will increase with future editions.
"Total Television" is exhaustive, enjoyable, fun and fact-filled reading from any page it's read. McNeil generously shares facts, transporting you to time, channel, cast (sometimes literally in hundreds) and summaries of thousands of familiar and long-forgotten TV shows. TV's giants (from Walt Disney and Captain Kangaroo to Oprah Winfrey and "Monday Night Football") receive their fair space, while McNeil also chronicles changes in TV daytime dramas, game, talk, and sports shows.
McNeil's consistent irreverence and historical perspective is remarkable. He salutes Walt Disney for creating TV's first mini-series (the wildly popular "Davy Crockett") while also creating TV's first "synergy" (TV show promotes park and films, which promote movies and TV show).
McNeil also gives long-running, non-cult classics like "Gunsmoke," "Knots Landing," and "Wagon Train" their proper respect while chronicling the knotty, behind-the-scenes problems plaguing stars from Nat Cole to Judy Garland to Jerry Lewis to Sammy Davis, Jr., and the respective failures of their 50s-60s variety shows. (He recalls failed sitcoms like "Family Dog" and "The Waverly Wonders" with especially sweet relish). McNeil also features sections on landmark TV moments (which decrease in number and size from the mid-70s), full TV schedules, and Emmy winners.
This is NOT a book read cover to cover, even by diligent TV fans. Series' with same or similar titles, long paragraphs retelling old tales of Roseanne Barr and 1992's "Tonight Show" fiasco (in an otherwise fascinating entry on that TV staple) are redundant one after another. But in preferably small portions, "Total Television" is a refreshingly unobjective reference book of the best, worst, longest and least TV's omnipotentence has presented.
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--- Morgan Freeman, actor and film star ---
Blackjack is an adventurer-for-hire, who takes a contract to protect a Japanese official opposed to the pre-World War II build up in Japan, circa 1938. I never even knew any leading Japanese were opposed the war! I found it great to learn something new while reading a strong action tale.
Simmons writes more words than usually show up in graphic novels, and does it in such a way that this is, indeed, a very good thing. I forwarded my copy to a friend who commented that he didn't need the visuals to follow this tale; that is how clearly Simmons spins his yarns.
But the art is wonderful to behold as well. From the intense cover painting to the frequent action sequences, the illustrations deliver the back up punch to the intelligent, intriguing prose. And additional pages such as "Shades of History" serve as exquisite desert to this hefty reading meal.
So pick order it, sit on down, enjoy, and bon apetite!
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Btw, now I'm waiting for your next book. Why not? Will it be dedicated to MPLS or MLOSPF? Huh? :))
Shahid Shafi
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-BOOKLIST
"Much more than a preachy tome on alternatives to drugs. Written with wisdom and wit, the author brings together an amazing collection of things to do to live a better, fuller, life. This is one of the best life-skills books on the market, and it should be on every teen bookshelf."
-SCHOOL LIBRARY JOURNAL
"Filled with ideas for how to put yourself at ease without putting yourself at risk. An informative and entertaining read for young people. The suggestions would not hurt adults either."
-YOUTH TODAY
WINNER:
- "Parents' Choice"
- "Garden State Book Selection," New Jersey Public Library System
- "Children's Choice," International Reading Associatin/Childrens Book Council
- "Quick Pick," Young Adult Librarians
- "Read, America!" Selection
- "Top 10," Independent Publisher's Association
- National Parenting Publications Award ("Best Resource")
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FINDING MAKEBA opens with a nineteen-year-old Makeba embarking on a trip into Philadelphia. Her father is holding a book signing for his new novel, and she has come to see him after ten years of not hearing from him. The remainder of the book is presented in what seems like a rebuttal. As Makeba reads the story of her father's life, and how she came to the point where she is, she journals her thoughts and feelings on each chapter.
I cannot say that I am surprised that Pate's novel is so affecting, or that the characters are so finely crafted. I have read his work before, and this work personifies the strong emotional content of his other works like Losing Absalom and The Multicultiboho Sideshow. This is a novel that described things familiar to all who are living - healing the wounds inflicted upon us by ourselves, others, and the world. This is a fine piece of literature and a fine slice of life.
Reviewed by CandaceK
The RAWSISTAZ Reviewers
Can you imagine a situation where you haven't seen your father since your childhood, but yet he's written a story about his life with you and your mother for the entire world to see?
Childhood is supposed to be filled with everything nice, sugar and spice, two parents and a secure, loving environment. Even though Makeba's parents argued often, Makeba never imagined that she would be the product of a broken home. Ben Crestfield wanted to write; writing was his first love. His wife, Helen, wanted him to have a job which offered security, benefits and a steady paycheck. When Helen's love starts to become overbearing, Ben decides that he must escape so in the middle of the night he kisses Makeba and says good-bye. While Ben said he was leaving his wife, he promised Makeba that he wasn't leaving her and that he would always be there for her. A promise that he would find impossible to keep.
Crestfield vowed that he wouldn't be another AA male statistic...you know father who leaves home never to return to check up on his children or see that they're surviving physically, emotionally or financially...you know those deadbeat dads that leave mothers to become single parents and children in broken homes. So what happen to make everything go so wrong?
Fast-forward a decade later, Makeba is a young lady and Ben is a published writer. Imagine Ben's surprise when he's at a booksigning promoting his book and he looks up to see a young lady asking him to "sign it for Makeba Crestfield". Suddenly and without warning, Ben is forced to confront his past when he comes face-to-face with the daughter he abandoned so many years before.
Finding Makeba is a remarkable novel about father-daughter relationships, fatherhood, forgiveness and redemption. Pate expertly weaves the story of Ben and Makeba as he alternates chapters with Ben's story and excerpts from Makeba's journal. Finding Makeba is a creatively crafted story about a familiar topic told in a refreshing and engrossing manner. I like that Finding Makeba was told with emotional honestly and that the father was presented in a positive light. Ben Crestfield really wanted to do right by his daughter because even though he no longer wanted to be married to his wife he still cared deeply for his daughter and due to circumstances beyond his control he was forced to abandon her. I really enjoyed Pate's writing style, tone and point of view and I look forward to reading other novels from this talented author.
APOOO Bookclub
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Ialso enjoyed when the army came and tried to shoot down the martians but nothing happend.
When I first met Alex Martelli, at Think3, he was one of the oldest and most experienced programmers of the company, a programmer who had already used most of the existing languages and had used these languages for the development of large and complex applications, the kind of projects that took months or years to complete. He knew Perl very, _very_ well and was used to rely on a robust, elegant and sophisticated language like C++ for the development of his applications (like Think3's Thinkdesign, a very complex 3D CAD program). He was writing a _lot_ of software, using a large array of different languages and tools. He was a well respected internal consultant at Think3, charged to solve difficult problems related to the software architecture of the program being developed. He was not an easy guy to impress with "yet another small language".
Despite this, Python has gained some room in his heart. I consider this fact as one of the most significant success of this elegant and powerfull language. To be completely honest, I'm not completely surprised by this ending.
Alex Martelli is the kind of scientist and professional that appreciate elegance, wherever he can see it. The taste for elegance, the ability to take pleasure in elegance, is an important part of the scientist and engineer personality. It is hard to be a really good software professional without having any kind of interest for elegance. When you need a simple tool that can face complex problems, you are asking for elegance. When you need a language that leave you with maintenable code, you are asking for elegance. When you want a single language for a wide array of applications, you are asking for elegance. Python can supply you with all the elegance you can ever ask for.
Alex's and David's book is a collection of good techniques that you can use to face a large set of problems with Python, from text transformation to GUI building to OpenGL grahics. You will not find here an introductory book, rather you will find a good second-reading book, the kind of book that can take you from the beginner level to the advanced. It is also the kind of book that can widen your knowledge of the Python world, showing you how this modern language can easily deal with problems that you usually face with C++ or the like.
If you are looking for an introductory book, buy "Learning Python" by Mark Lutz and David Ascher: it is the best one for this task. If you already know Python, buy this book and see how much you still do not know about it.