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The interviews with individuals then prominent on the African-American scene -- Miles Davis, Martin Luther King, Malcolm X, Sammy Davis Jr., Jim Brown -- are very insightful. For anyone who happens to be a journalist, or aspires to be one, the book serves as a textbook of a kind. With Miles Davis and Brown -- the ultimate "hip" individuals -- Haley comes off as something of a square, but nonetheless asks questions that elicit thoughtful and candid responses.
His interview with Johnny Carson is another highlight. Carson, then in only his fifth season as host of "The Tonight Show," already appears, thanks to Haley's prodding, to be an embittered showbiz veteran, an intelligent man who fully realizes the relative unimportance of what he does for a living.
The conversation with neo-Nazi leader George Lincoln Rockwell is a masterpiece. Without losing his own cool, Haley is able to allow Rockwell to expose himself as a complete buffoon, if a dangerous one.
Toward the end of the book, you'll find Haley's account of the pros and cons of being the author of "Roots." He doesn't ask for sympathy, but he is realistic about the experience.
I'm sorry to see that it's out of print, but if you have any interest in the U.S. during the 1960s, you should make the effort to find this book. You won't regret it.
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This is a great introduction to La Guma for new readers and for readers like myself, it augments what we already know and advances our thinking on a neglected South African writer.
I cannot understand why Heinemann who publish La Guma's fiction should have decided to price this book so high. From experience, I would say that it would work well for students of African Literature, especially South African Studies. But it would need to be in a cheaper format, like the fiction.
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It came as a shock to me awhile back to finally realise that so much of the work that I admired over the years was drawn or designed by the same creative genius (Space Angel, Clutch Cargo, Space Ghost, Johnny Quest, Super Friends, The Rook, etc.)
This is a truly remarkable book that actually gets inside the head of one of the all time great animators and illustrators. Not only do you get hard to find material from limited circulation publications (from Bravo for Adventure, to The Fox, to Zorro), but you also have a great deal of unpublished material from Toth's personal sketchbooks. Not only that, but the artist writes extensive commentary about just how he concieves both characters and plots. Further, he comments on the artists that most influenced his own work and development over the years.
The introduction is written by Milton Caniff (Terry and the Pirates & Steve Canyon.)
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