If you like Harry Potter you wil love Manitou. Magic is real! You get a feeling that all the characters in the book can come to life. You know that you can become a magician...a singer ... anything you want to be once you are involved in the world of Manitou. There is a secret in H. Potter that I have found in Manitou, that secret is in all of us.

Manitou brings mythology to life! This book seems to radiate love and understanding, as an unusual assortment of young people, gods and goddesses, and a cat, travel through time up a mysterious river to Manitou, the Land of Living Imagination. An amazing amount of wisdom (and love) is imparted in this must-read novel by the remarkable Ramona du Houx. This is a book you will treasure and want to share. The illustrations by Ramona and Emily add to the pleasure.

This amazing novel brings together peoples from around the globe with wisdom imparted through clever, funny and serious stories. Serious situations are defused with the stories making me see how much we need stories in our everyday lives. The tales keep me reading, as if I was involved in a Greek myth. I never realized how much so many nations have in common through mythological tales until I researched cats around the globe. Manitou honors them as did ancient civilizations. From the Egyptian "Best" cat to the Japanese Welcome cat and the American pussy, Manitou gives cats , and other animals, roles they deserve. I am an animal lover, and believe anyone who believes in humanity shares this love. That's why I recommend Manitou, for it has restored my belief in humanity.

In The Mission of Art, Alex Grey shows that his prodigious artistic gifts are moored in intellectual depth. Grey discusses art history, aesthetics, mysticism, religion, postmodernism, and processes of art reception with equal facility. This kind of writing is a rare treat. Only a small number of American artists have articulated their ideas in writing and fewer have done so with as much skill and alacrity. Grey's writing is reminiscent of G. Albert Aurier, the French Symbolist critic who shared Grey's mystical inclinations and his views about the spiritual and moral potential of art. Grey believes that mystically inspired art can in turn inspire its viewers to transcend today's oppressive consensual values of materialism, utilitarianism, and consumerism, and become aware of more authentic spiritual realities. There are a couple of factual inaccuracies, perhaps due to exaggeration or oversight, as where Grey states that mystical art was virtually absent in late nineteenth century Europe (p.37) and that Van Gogh labored in "complete obscurity" (p.90). Many prominent artists of the late nineteenth century French Symbolist movement were deeply inspired by neo-Platonic mysticism. Though Van Gogh never achieved material success, he was well known and respected by some major artists of his time. Aurier praised Van Gogh's art in a published review shortly before the latter's death. As the world seems to plummet ever deeper into eco-devastation and strife, to continue to hold out faith in general processes of human spiritual "evolution" which are aided by art, as Grey does, appears to demand ever more credulity. In my view, one can now realistically expect mystical art only to be a source of some personal inspiration and an exemplar of humanity's highest but tragically failed ideals. Its ideals of spiritual perfection might still be realizable, or approachable, by the minority of persons and minds which are receptive to it, but it has been virtually impotent as a means of producing a generalized social-spiritual transformation. Indeed, our society seems to appropriate such art as a means of a repressive desublimation of mystical idealism. Mystical art might tend to palliate and pacify idealistic urges, lulling some viewers into complacency by its pleasant presentations of images of spiritual self-actualization, images which, as wonderful as they may be, are only shadows of real conditions of actualization. Our society allows access to these images while doing its best to restrict access to the kinds of experiences which might truly facilitate such an actualization, such as the entheogenic experiences which largely inspired Grey, and competent shamanic guidance. Nevertheless, such mystical representations of what might be more realizable in a better world may for some others highlight the differences between what is and what ought to be, inspiring greater efforts to close the gap. Mystical imagery, as a means of Bildung or of the cultivation of consciousness, is capable of helping to "magnetize" the minds of receptive viewers, helping to keep some minds freed from Plato's cave and aimed toward the light.

In The Mission of Art, Alex Grey shows that his prodigious artistic gifts are moored in intellectual depth. Grey discusses art history, aesthetics, mysticism, religion, postmodernism, and processes of art reception with equal facility. This kind of writing is a rare treat. Only a small number of American artists have articulated their ideas in writing and fewer have done so with as much skill and alacrity. Grey's writing is reminiscent of G. Albert Aurier, the French Symbolist critic who shared Grey's mystical inclinations and his views about the spiritual and moral potential of art. Grey believes that mystically inspired art can in turn inspire its viewers to transcend today's oppressive consensual values of materialism, utilitarianism, and consumerism, and become aware of more authentic spiritual realities. There are a couple of factual inaccuracies, perhaps due to exaggeration or oversight, as where Grey states that mystical art was virtually absent in late nineteenth century Europe (p.37) and that Van Gogh labored in "complete obscurity" (p.90). Many prominent artists of the late nineteenth century French Symbolist movement were deeply inspired by neo-Platonic mysticism. Though Van Gogh never achieved material success, he was well known and respected by some major artists of his time. Aurier praised Van Gogh's art in a published review shortly before the latter's death.
As the world seems to plummet ever deeper into eco-devastation and strife, to continue to hold out faith in general processes of human spiritual "evolution" which are aided by art, as Grey does, appears to demand ever more credulity. In my view, one can now realistically expect mystical art only to be a source of some personal inspiration and an exemplar of humanity's highest but tragically failed ideals. Its ideals of spiritual perfection might still be realizable, or approachable, by the minority of persons and minds which are receptive to it, but it has been virtually impotent as a means of producing a generalized social-spiritual transformation. Indeed, our society seems to appropriate such art as a means of a repressive desublimation of mystical idealism. Mystical art might tend to palliate and pacify idealistic urges, lulling some viewers into complacency by its pleasant presentations of images of spiritual self-actualization, images which, as wonderful as they may be, are only shadows of real conditions of actualization. Our society allows access to these images while doing its best to restrict access to the kinds of experiences which might truly facilitate such an actualization, such as the entheogenic experiences which largely inspired Grey, and competent shamanic guidance. Nevertheless, such mystical representations of what might be more realizable in a better world may for some others highlight the differences between what is and what ought to be, inspiring greater efforts to close the gap. Mystical imagery, as a means of Bildung or of the cultivation of consciousness, is capable of helping to "magnetize" the minds of receptive viewers, helping to keep some minds freed from Plato's cave and aimed toward the light.

Since the fin-de-siecle, artists have had a reputation for egoism and perfidy that has been glamorized and often excused for their supposed insight into society. For Grey, merely being an artist is not an excuse to act without regard for human beings in the supposed pursuit of beauty. He details how, initially, his art came from his own dark impulses, self-loathing, and power trips which would have led him to ruin--with the possibility of being remembered in a celebratory light anyway. Through changes in attitude, the love of his muse then colleague then wife Allyson, and respectful experiences with ethnobotanicals, he underwent a profound transformation whose noble fruits are seen in his art. He details these aspects of his life and his thoughts on art as a spiritual practice with practical advice on developing the consciousness that channels energies both dark and light into extraordinary works that benefit all sentient beings. It should be read alongside his portfolio TRANSFIGURATIONS as the two illustrate this process he underwent both visually and in textual form. The drawings in The Mission of Art are just as incredible as any of his spectacular paintings, especially the treatment of Beethoven in the style of a Tibetan thangka and his mindmaps that are throughout the pages. I came out of this with a profound sense of vindication for my own artistic endeavors and I hope it serves the same for any who wonder whether their art can mean something.

As a web designer, I always found adding typographical elements to my layout to be the hardest part. I would create a great looking page only to ruin it with a weak looking headline or inappropriately selected font settings.

I've looked for a good book to teach me typographical basics and decided to try Type In Use, even though it is geared toward print.

I have to say I've been extremely satisfied with my choice and have noticed a great improvement in my designs. The greatest proof of the change in me is how I began to look at the design of the book itself differently, analyzing it and seeing how Alex White practices what he preaches.

In each chapter, Alex begins by explaining a different part of the printed page and then showing and analyzing real world examples. There are chapters about text, headlines, subheads, breakouts, captions, department headings and more. This may sound a bit boring (devoting an entire chapter to captions?) but Alex manages to keep it all very readable with plenty of inspiring examples.

I've found this book to also be a great source of inspiration to my work after I finished reading it and I come back to it whenever working with any kind of type, online or offline.

The only weak point I found in this book is the chapter about Web Typography. I don't know if Alex aimed this chapter at people with no web experience at all or at web designers who want to learn typography on the web but he failed either way. The entire chapter in nothing more then a series of facts (some of them plain wrong) about writing HTML, designing sites, file formats, etc. Feel free to skip this chapter, the rest is gold.

A very broad book on design, the content is insightful and thorough. The best part of this book is the timeline. I was especially inspired by the last entry. Why is the letter "i" upside down on the cover?

TYPE IN USE by Alex White transcends the trendy DTP "how-to" bookshelf with the real story on how to craft truly fine pages of typography! The first edition was the top selection for publication designers in The Designers' Bookshelf of The Design Center, but has been out of print for more than two years. Now this important work is back, and the editors at graphic-design.com agree -- Type In Use is the essential book for anyone who wants to really understand how to make typography do what it's supposed to do! . . . Alex writes: "Our job [as designers] is to compose elements to make them maximally interesting and comprehensible. 'Maximally interesting' does NOT mean 'Hey, Wow! Pop! Zoom!' It means revealing the content of the story instantly and efficiently." . . . Type In Use will train you how to accomplish that goal. You'll know where to put type on the page, and how to put it there. But unlike any other book in the past 25 years... Type In Use will tell you WHY! If your goal is persuasive, successful publishing, don't wait for this one to go out of print too... just click up there and buy it NOW. You will be very glad you did.

This book pulled me in the moment I opened it. It is incredibly easy to read and is a very good introductory guide to Traditional Chinese Medicine. I would recommend it to anyone who is curious about TCM but does not want to read large books on the topic. This book is written without lots jargon or unnecessary details. It is easy to follow and understand.
Read it, you won't regret it, especially if you are a beginner such as myself.

This book is a little gem. It sets out the basis of Traditional Chinese Medicine (TCM), the theoretical framework and types of treatment (acupuncture, acupressure, moxibustion, cupping, herbal medicine and Qi gong) in an amazingly easy to understand way. It also includes additional information on the history of TCM, accreditation in the US, and safety aspects. If you want to get to grips with what TCM is all about, but don't want to be bogged down with a tome, this is the book for you.

Voices of Qi is a pleasant way to obtain a great deal of TCM information in a short amount of time. Mr. Holland has the skills and talent to present some very new ways of thinking in some very familiar ways of thought. The book bridges the Eastern concepts with the Western mindset and does so with ease. With the rise in public and private interest of acupuncture this book should be read by all. It is one of those books that makes one say, "I wish I could write like that". Also, the book has very beautiful illustrations and design from cover to cover. I highly recommend and suggest this book for everyone, from M.D.s to massage students.

It's one of those books that you can read over and over again and still experience the same stong feelings of excitement and sorrow, and can still be amazed at the vivid and often moving description of Alex's struggles and triumphs. Every time I flip through the pages, I am once again transported back in time and back to New Zealand, now miles away from where I read. You can't miss this one! Once you read it, you'll be reading it forever.

"Alex" is a brilliant piece of writing. It is thought-provoking and is just one of those books that you can't stop reading. Alex is someone who gives us all hope and ambition...she is a champion and a survivor. The book is well worth the read

I love Alex. She's an over achiever and though most of us aren't up there with her, we all feel overwhelmed and confused at times. I read Alex when I get to the same stage as she does in this book - nervous breakdown. Alex is inspiring to read, and helps me get back on my feet. She triumphs, and we both make it through. I really identify with her, the character and story is exceptionally well drawn - Tessa Duder is an excellent author. A must read, and re-read, and re-read...

Alex's story is the definitive account of a true lover of Israel. Any one who has had thoughts about their own Zionist, Jewish beliefs must refer to this book for nothing less than spiritual guidance. Live life to the fullest through Alex's shoes, and cry when you realize his last letter was never finished. Alex Singer was a true hero to Israel and the Jewish people all over the world, as he made sure that one more family on the Lebanese border in 1987 could sleep soundly. Am Israel chai.

Alex's writings convey powerfully and persuasively, an attitude and tone of voice that seems to be heard less and less. It's a voice that says that life is a gift to be lived fully, joyfully, spontaneously; that Judaism has the power and depth to challenge and enrich every Jew, and through them to improve the world; that doing for others is the most effective--the only--way of fulfilling yourself; and that Israel is the Jewish home and that instead of rejecting it for its faults we should work to correct them. Alex writes beautifully and honestly. His drawings are vivid and personal

A life cut far too short. Heartwarming reading in a heartbreaking context

I bought this book at the Museum of Appalachia (also founded by the author) on my first visit to Tennessee. The book is almost entirely a transcript of a dialogue/interview between the author and Alex Stewart. At first, I thought this would be a strange format, but as I read on, I discovered that this would be the only way to authentically capture the mind and spirit of Alex on paper.

If you're not from the South, you might find Alex's dialect charminging unusual. A few times I had to read a passage over and over again to fully understand what words Alex was saying. Here is an example where it took me a while to realize that Alex meant "Lord" when kept saying "Law":

"They didn't have no men folks, but they had several children. Making liquor was the only way they had of making a living. Law, they had it hard."

The author cleverly asks questions to get Alex to reveal his pioneer wisdom. More than that, though, the author's selections and chapter arrangements helped to organize the sprawling encyclopedia of Alex's mind.

By the time I reached the end, I was sad to have the "conversation" over. I felt I had known Alex a bit personally, and I mourned at his passing. It was joyous reading while it lasted and my heart ached to know more of Alex.

This is a fabulous book I can't recommend enough. 10 STARS.

One reason I bought this book is because my Greatgrandmother was Alex's Aunt. I visited Alex as a child with my Parents and Grandmother. Alex was always sending my Grandmother items , such as walking canes. He made my mother a rolling pin, which she still has. Most of all the book gave me many names of my relatives that ive been searhing for.

I have read this book and it is all true. Alex was my great uncle. I remember as a child going to his house and striping cane for molasses. They would start early in the morning and work all day. Before uncle Alex died my father took me to see him. I'll never forget a small wooden carving he had of a racoon in a tree with two or three dogs at the base of the tree. He was a very gentle man with a lot of heart. I am very honored to have known this man and loved this man.

The Yagyu letter continues to gnaw at Yagyu Retsudo who gives ample proof in Volume 13 of the Lone Wolf & Cub saga, "The Moon in the East, the Sun in the West," that he will go to any length to get his revenge on Ogami Itto. In the five chapters of the manga epic included in this volume is the most shocking act of violence we have yet wetness in this bloody saga:

(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.

(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.

(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.

(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.

(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.

"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.

The mystery of the Yagyu letter is apparently forgotten in the five Lone Wolf and Cub tales told in Volume 12, "Shattered Stones." However, one thing that really stood out in these stories is that since he was reunited with his father after they were separated by circumstances, Daigoro has been smiling a lot more:

(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."

(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.

(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").

(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...

(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.

Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.

"Talisman of Hades" is a nice title, but "Thirteen Strings" is the one you are not going to forget of the four stories collected in Volume 11 of the "Lone Wolf & Cub" magna epic. We had been confronted with a major development in the story as Ogami Itto stole the Yagyu letter. All pretenses were dropped as Reshido Yagyu declared open war on Ogami Itto, but Kazuo Koike and Goseki Kojima were showing the same sort of audacious subterfuge as their heroic creation, for as Ogami and Reshido crossed blades, Daigoro lost is hold on his father's shoulders and literally fell over a cliff. Suddenly the mystery of the Yagyu letter has become secondary because father and son have become separated. Their search for one another continues in these stories and for the first time we see Ogami Itto express emotion for his son:

(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.

(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.

(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.

(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.

I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.

I read this book because the review claimed that the town of Gabriel is really Ithaca, NY and that Benson College is in reality Cornell University, my alma mater. After reading Bad Seed I'm hooked on the charachter of Alex Bernier. She,s tough and intelligent and just insecure enough to make her lovable. Surrounded by her nutty but loyal friends and coworkers she wise cracks her way through this intriguing and suspenseful mystery about a new strain of rice being developed at the Ag School and the mayhem and murder that ensue. I've already ordered Saulnier's previous three books and look forward to the publication of the next Alex Bernier mystery. This story was a great read whether or not you attended Cornell University or lived in Ithaca, but add a star if you did.

A complex and involving plot line; an engaging protagonist; and an atmospheric setting. The fourth book in the Alex Bernier series, and the first in hardcover, brings the sharp and irrevent reporter into harm's way as she tries to solve two bombings and a brutal death on the local college campus. She pits her investigative skills, and those of her newpaper cohorts, against a group of shadowy bioterrorists. Filled with great characters, snappy writing, and a compelling story. Couldn't put it down. A great sequel to "Reliable Sources," "Distemper," and "The Fourth Wall," although it can stand alone. A new, young writer to watch.

I loved it! I have now flown through all four of Saulnier's books found each of them smart, funny and a terrific read. In Bad Seed, poor Alex Bernier, who seems to have an excess of death in her life, is caught up in a finely woven web of science, zealotry and current events. Through basic, hard nosed reporting she stumbles to the bottom of a global plot nestled in the little town of Ithaca. Talk about think global, act local- this one could literally be "ripped from the headlines." I pre-ordered it after reading the first three in the series and am now hoping she keeps this series going. Definitely worth picking this one up.

By the way, I was really disheartened by the Publishers Weekly review but decided to read the book anyway. Did they ever get it wrong! This book is fun and good.

An excellent resource for the serious International dancer. It contains great information on body & foot mechanics. Alex Moore may not have been able to dance international, but he certainly can explain it well.

This book presents maneuvers that are very leadable. The lady
can follow the man without knowing in advance what he will do.
The very detailed technique is based on the bio-mechanical
necessities of good dancing. It has been the most respected
book on ballroom dancing worldwide for decades. It is useful
for teaching yourself without a teacher, if you are a serious
student. It covers international style, which has some figures
in common with American style. Where they diverge international
sticks to leadable figures, American to showy figures.

A new version of this book is actually available through the ISTD. It is a very helpful book, with thorough charts for all the standard dances. There is also a comparable book for Latin.