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One of the many enjoyable Carl books.
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Kerenyi's "Introduction" to this volume says it all...so I would like to quote the most eloquent and insightful part:
This book owes its origin to the conviction, shared by the publishers and the author, that the time has come to write a Mythology of the Greeks for ADULTS: that is to say, not only for specialists concerned with classical studies, with the history of religion, or with ethnology; still less for children, for whom in the past the classical myths were either remodelled or, at least, carefully selected so as to accord with the viewpoints of a traditional education; but simply for adults whose primary interest -- which may entail an interest in any of the branches of learning mentioned above -- is in the study of human beings.
The contemporary form that this interest takes is, of course, an interest in psychology. And, as a great exponent of modern humanistic thought has admitted, it is precisely psychology that "contains within itself an interest in myth, just as all creative writing contains within itself an interest in psychology."
These words were spoken by in 1936 by Thomas Mann in his lecture on "Freud and the future." Whilst paying tribute to the services rendered by the psychologist of the Unconscious, of the DEEPER LEVELS OF THE SOUL, the great writer did, in fact look beyond him into the future. He depicted with unsurpassable clarity the spiritual situation in which the author of this book, for his part, finds justification for his mythological work. Psychology's thrusting back into the childhood of the individual soul, is to quote his words, "at the same a thrusting back into the childhood of mankind -- into the primitive and the mythical. Freud himself recognised that all natural science, medicine and psychotherapy had been for him a life-long and tortuous return to his primary youthful passion for the history of man, for the origins of religion and morals. The association of the words 'psychology' and 'deeper levels' has also a chronological significance: the depths of the human soul are also 'Primordial Times', that deep 'Well of Time' in which Myth has its home and from which the original norms and forms of life are derived. For Myth is the foundation of life; it is the timeless pattern, the religious formula to which life shapes itself, inasmuch as its charac- teristics are a reproduction of the Unconscious. There is no doubt about it, the moment when the story-teller acquires the mythical way of looking at things, the gift of seeing the typical features of characteristics and events" --
so revealingly, states the author of *Joseph and his Brethren* --
"that moment marks a beginning in his life. It means a peculiar intensification of his artistic mood, a new serenity in his powers of perception and creation. This is usually reserved for the later years of life; for whereas in the life of mankind the mythical represents an early and primitive sate, in the life of the individual, it represents a late and mature one." * * * If the entire mythological legacy of the Greeks is freed from the superficial psychology of previous presentations, and is revealed in its original context as material *sui generis* and having its own laws, then, as an inevitable result, this mythology will itself have the same effect as the most direct psychology -- the effect, indeed, of an activity of the psyche, externalised in images. A similar direct externalisation of the psyche is to be found, of course, IN DREAMS. The degree of directness of the images presented in dreams and in mythology is, to say the least, very much the same. In this respect, dreams and mythology are nearer to one another than dreams and poetry [read Nietzsche...and also Henry David Thoreau, in *A Week on the Concord and Merrimack Rivers* for further insightful correlation of the interfacing between mythology and dream seeing]. For this reason the author [Kerenyi], in his *Introduction to a Science of Mythology (London, 1951, p. 32), written in collaboration with Professor [C.G.] Jung, considered himself justified in speaking of the "individual mythology" of modern men and women as a synonym for their psychology. With equal justification any great mythology might -- if one chose to ignore its artistic aspects -- be styled a "collective psychology." --"Introduction." by C. Kerenyi; *The Gods of the Greeks."
This wondrous presentation of the myths concerning the gods and divine spirits of the Greeks, along with a companion volume dealing with *The Heroes of the Greeks,* represent --with Robert Graves' *The Greek Myths* invaluable sources of insight and wonder, as well as scholarly source materials for anyone who has ever been inspired -- or has desired to be inspired -- by the profound psychological, metaphysical and aesthetic insights which powered the creative minds and spirits of the ancient Hellenic dramatists, artists, and thinkers. Dig deeply...breathe deeply...take in the breath from the spirits of the ancient gods...and "Know thyself."
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The organization of the book is well done, beginning with a Chronology. The entries, which follow, are probably out of neccessity quite brief, yet for the most part helpful. I would have preferred if their sources would have been cited, as then the Book would have been of use to Scholars. The plots of the Novels are given, sometimes Chapter by Chapter, but there is little interpretation. I have found so far, several minor errors, which are not too serious, and hope will be corrected in subsequent editions. There follow a Melville Family Tree, a Caterogical Index, a useful but not comprehensive Bibliography and finally a General Index.
I think on the whole this book is well done in its scope. It is easily accessible and well priced, but is not useful for Scholarly Research, which is, I gather not its intent. Still, the concept is a good one and I can think of at least twenty Authors for who I would like to see a similar Guide.
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My 7 year old refers to Lola as the little girl whose cheeks keep getting biggger until the words just have to come out.
The book only takes about 5 minutes to read but the message will last a life time. It tells children, and parents, how important it is that we tell the people we love, "I love you, I love you, I love you so much!"
This would be a great book for new parents to begin reading to their bundle of joy right from the start.
A favorite in our home and is sure to be one in your home too.
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Mr. Burns has also authored another great book titled, "Dugan & Diamond Carnival Glass 1909 -1931."
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Valerie Harmsunderstands that not all love is meant to result in a relationship with the person arousing the love in one. Circumstances, including a relationship with someone else, may stand in the way. When such love is aroused, individuals often feel troubled from frustration, guilt, doubt, or a mixture of these and other emotions. But as Harms teaches, this need not be the case. As she says, "When we become attentive to our fantasies and dreams [aroused by love], loving and not condemning our deepest wishes, we give them a chance to direct and empower our lives." Adhering to this principle, she teaches how to make such love a positive experience.
In exploring this kind of love, Harms focuses on the self--how the self can maintain its wholeness and singular potential and be empowered by the love's creative, unpredictable forces. This positive involvement with the love she explores not only fulfills one as a person, but also enhances one's place and value in all relationships. Harms has one of the best understandings of love a reader can find. Among her previous books are "Stars in My Skin/Nin, Montessori, Steloff" and "Unmasking: Ten Women in Metamorphosis."
Henry Berry
Book Reviewer
Editor/Publisher, The Small Press Book Review
The use of personal examples makes it very clear how using dreams and symbolism can help us understand what it is in ourselves that needs developing. However, the book does not limit relationships to "mere" projection; it acknowledges that the inner and outer world work together. Both need to be recognized.
It is a pity that this book is out of print; this book is most helpful for the individual who is trying to make sense out of what sometimes seems like a very difficult realm to deal with. Many books do not honor the spirit of romantic attractions, and the relationship they have to our deepest self. The personal examples (bravely given) help elucidate this journey, and encourage us each to similar acts of courage in personal exploration. I have personally read this book several times, and I recommend it highly.
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I would recommend this to anyone who wants to save time and become efficient at working out.
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