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Marcum uses magic realism, gritty lies, prayer and confession to propel this book of poems. And make no mistake, this is a book--a narrative thread moves througout the work--and not just a random collection of poems.
The voice of this poet is always true, even and musical. He moves in and through Spanish and English, between borders and bodies, along highways and pool halls. I especially appreciate his constant engagement with the political acts of self and language--it is evident that Marcum knows the responsibility of the poet, he stares it down, bears witness and finds himself singing. His "I am Joaquin," "Dreaming Pancho Villa," is both vital and fresh in the American Chicano tradition of the identity poem.
A truly remarkable debut. I'm keeping my eye out for his reading tour.
Beginning in "a seventy-seven Pinto / [on] an eastbound freeway" in the southwest and ending in a Philadelphia train station, this book is truly a journey. In between is death, love, cigarettes, bourbon, pool, road signs, fairy tales, coffee and pie, breakfast, and angels. And yet, from this amalgam emerges a voice, strong and true, sometimes wryly amused, always passionately engaged.
These poems are subtly wrought, the often politically-charged content cleverly concealed beneath the lyricism of the language. But make no mistake, everything in this book is an act of both personal and political identity. The most obvious instance, "Cuando El Presidente visito a mi pueblo," claims this blatantly propagandist moment as an intensely personal experience. Other poems achieve the same goal by positioning the speaker on a very literal border between selves, between languages, between cultures.
"Cue Lazarus" is not just an astonishing first book of poems, it is an astonishing book. These are poems not just for the sake of poetry, but present things that can only be said as poems.
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Sad, funny, searching, and also financially savvy, "Currency of the Heart" is about the dimensions of investing, rediscovering family, honoring promises, the parting of a father and son, and a middle-aged son's new bond with an aging mother.
The review at Salon.com says it all: "The result is brilliant -- a book that is poetic in its prose, profound and yet effortlessly readable, a book that is full of humor and sorrow, confusion and loss and pride and joy. Time spent in Donald Nichols' head will simultaneously make you want to call your father, count your pennies, investigate whether you should be putting money in Treasury bonds, and wonder what kind of person, really, you are ... "Currency of the Heart" transcends a pathetic genre and delivers a masterpiece."
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Dr. Schmidt does not provide any of his own musical analysis, descriptions, or even musical examples, but traces the events of Poulenc's life in comprehensive detail via Poulenc's own voice in writings, interviews and letters. The reporting is factual and with voluminous footnotes, making it possible to retrace his steps. His editorial neutrality and the sheer mass of material makes for a less sophisticated approach than Mellers' or Ivry's books. Some people may prefer this, and in any case I have found it completely absorbing, because the ever-fascinating Poulenc, the "Entrancing Muse" [said Stravinsky], is presented here in unprecedented, vivid detail -- and accurately so.
The quality of this volume strengthens the case for a new English translation of Poulenc's correspondence!
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If you are a fan of the Rocky Mountain fur trade era of the early 19th century like I am, you will find this book to be a valuable resource.
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A review
Carl Merritt's debut novel is a military SF story. Set in the year 2376, Earth is at war with the Satanians, an alien species broadly similar to humans except for their devil-like horns. It's not surprising they are similar; the premise of the story is that both the humans and their allies, the Zturm, are descended from the original species, the Umox, and were
created by the original Andromeda master-race as an experiment, before the Umox civilisation collapsed into chaos.
Fleet of Angels will appeal to readers who like authors such as David Weber, Steve White, Bill Baldwin, David Drake, W. Michael Gear, and Richard Fawkes.
It reminded me of Henlein's "Starship Troopers" and, indeed, there is some ground-attack action, although most of the story deals with the space war.
The story is set on a grand scale, involving a war between the galaxies of Andromeda and the Milky Way. Earth's allies in the war are the Zturm, descendants of the original colony expedition, sent from Andromeda millenia ago, to explore our Galaxy.
Carl Merritt wastes no time with 'world building', one of the bugbears of the SF genre, but plunges straight into the story. Chapter one opens with Richard Keller, the hero and Captain of the Titan, in battle against a Satanian fleet. Devotees of SF military action will find plenty here:
". . . a young ensign named Wanda Collins took over communications. She had to stand, as the chair had been ripped away by flying debris. Feeling her feet slipping on the slick floor, she looked down and almost gagged. It was
the decapitated head of First Lieutenant Sean Burke. It was oozing blood through the shredded neck . . . and staring straight up at her."
Fleet of Angels could be suitable for a young adult audience as well as adults, since there are no love scenes; this is fairly conventional for the military SF genre. Equal opportunity is given to both male and female combatants in the story. Richard Keller, the commander, has to tread a narrow edge. His wife, Paula, is an Admiral in the fleet, and is determined to show herself the equal of any of the men, by charging into the thick of battle. Keller must balance his natural urge to protect her against his need to show his men that he doesn't pick favourites.
Just when it seems that the human forces are getting the upper hand, the Satanians turn up with advanced technology, looted from a dead planet originally inhabited by their Umox ancestors. The humans are faced with their biggest battle as they try to take over the planet to secure the same technology and close the gap. During this, they capture a half-human, half-Satanian female, Faleen. This could have led to an interesting
sub-plot, but the author decided the space battles were the main interest, and we hear little more of Faleen.
Fleet of Angels is an easy and fast read, packed with action for fans of the genre. It will be interesting to see what Carl Merritt comes up with next!
- Clive Warner...
75 years of War and the terror in the heavens continues unabated. The Satanians, the horned creatures from Andromeda, learn the secrets of a passive race and use it against Earth's Armada defending the Milky Way. Explosions after explosions rip through the blackness of space as both friendly and enemy ships, fighters, and asteroids disintegrate in a series of blinding radioactive light. Maxima, Earth's super battlecarrier, damaged in the war, now in the hands of the crazed enemy is limping toward the Satanians' home system, Andromeda. With all of the Umox technology they had confiscated on board, if they succeed in reaching Andromeda, could mean the total destruction of all of Earth's forces, the Milky Way, and Earth. Commander Keller of Earth's Battlecarrier the Titan races after the Maxima, in speeds he didn't know his ship could exceed. With the help of Earth's ally the zTurns the Titan was outfitted with Umoxian advanced technology and the race is on. Still, in the midst of all of this terror, destruction, and madness, there is laughter, humor, romance and a hope for the future.
Carl Merritt's FLEET OF ANGELS will keep you turning the pages rooting for the good guys and dolls, who are also dedicated, courageous, and as determined to win as the men, in command of Earth's fleets including the 2nd Armada ... THE FLEET OF ANGELS.
(This would have made a great BattleStar Galactica or Babylon 5 episode.)