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Jung seems to write from the dream state; associations interleaved with digressions punctuated by potent and startling images. This is his most satisfying book for me because it has the simplest premise but is also the largest and richest. He stretches out enormously within a limited range, gathering a life-time of inquiry into a writhing basket of conflicting thought. This method illustrates perfectly how deep experience can become when meditated upon and scrutinized and when tangents are whole-heartedly encouraged and darksides allowed to bloom. No need to hop-scotch around the world, just look into the pile of dead ants beneath your radiator and let your mind wander. The conjunction of opposites: perhaps Jung's emblem for the source of life, the alembic, where all intellectual and emotional births occur. Read and reread this book to step through the microcosmic door into unlimited life right where you are.
The book has a stylish cover that features a pattern of geometric, almost-three-dimensional boxes that are in different shades of blue. The internal layout is easy to follow and provides a way to compare architects and their styles virtually side-by-side.
At least one reason I personally liked the book so much is that I've lived in NY for many years, and a decent number of the pictures in this book were of buildings and interior spaces I've walked by or through, admired or have always meant to see. It was interesting to focus on the art, design and structure of these buildings and spaces that are a part of my daily life and nice to realize how much New York architects have contributed to the character of New York.
Architect buffs, people getting ready to build or design a home or office or urbanites planning to design or restructure an apartment anywhere in the world will all love this book, will appreciate the easy access to information about a large number of architects and will find it incredibly useful as a source of design ideas.
The concept of the book, to present a number of incredibly diverse NY architects in once space, is fantastic and one I haven't seen before. And the book itself, while functional, is also great to look through and easy to read and follow. The pictures of the architectural works beautifully illustrate the diversity, style and capabilities of each architect, while the written information accesses the entire world of the particular architect by showing the scope of that architect's experience and the works for which each is responsible.
What a great book to have on your shelf or coffee table, both for the architectural of mind and the architectural lay person.
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I have read many books on this, gone to many seminars. There is a lot of good material on this topic.
But in my present role as a church consultant, this is the book on small groups that I hand to pastors who are wanting to know how to grow a small group ministry or how to better equip their small group leaders.
Why? As George explains in this book, most church small groups do a good job of promoting nurture and fellowship, but most stop there. George believes an effective small group should perform three basic functions, not just nurture. In addition to nurture, he believes small groups should be effectively engaged in small-group-based evangelism (George says that in any given year, only one small group in four does any evangelism), and he thinks that small groups should constantly be training small group leaders through apprenticeship. I agree that a small group needs all three functions. And so I use this book as the entry point for someone who is new to these ideas about small group life.
After this introduction, I point churches to further training or more in-depth printed materials about various aspects of this approach to small groups, but in my opinion, there's not a better starting point than this one.
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The book is divided up in too many broad chapters that explore a cluster of concepts exploring both musical theorie and practical techniques. Each section has elaborate exercise and several complete pieces of music, all of which can be heard on the accompanying cd. History notes and biographis on relevent composers round out the chapter. In fact there is so much, sidebar information, that you can learn a lot by just flipping around and reading those. There is also a large reference section in the back containing both suggestive listening and music to play and a comprehensive musical dictionarie. The only thing missing is an index, which would make it much quicker to locate the desired information. The only other thing I didn't care for was the fold out table of contents at the beginning of the book that are subject to damage when you fold them back in. They really should have been printed on the inside of the cover.
Unless you have a degree in music, it is hard to imagine that anyone could not find something to learn from this amazing book. As I look though it, I am constantly amazed by how much has been packed into this 290 page bundle. The book has a sturdy hard cover and opens to spiral bound pages that make the book a pleasure to prop up on the piano. All in all this book is well worth the price.
As a side note, Americans should be aware that the author uses the British names for notes values and time signature (i.e. semibreve rather then whole notes and crotchets instead of quarter notes, duple time for double time). They explain the two sets of names in a chart near the beginning and then ever after use the British terms. As someone use to the American/Northern Eurpean names, I find a bit confusing, but am getting used to it.
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Over There is a very moving book. Brannen, who knows he was lucky to survive, is a quiet man in a heroic way. If it were not for his son and some dedicated scholars, the papers, photographs, and diary entries that tell his story would have been lost. This book, together with Robert Asprey's At Belleau Wood, provides a poignant reminder of just how terrible war really is.
The really exciting thing about Carl is that he takes on the corruption and the sleaze and the bizarre goings on in Florida and makes people aware of them through witty yet hard hitting writing. He isn't afraid to make waves and when you read this book you will begin to wonder about the greasing of the wheels in State politics.
He is passionate about his home state and what is happening to it and as a visitor to Florida on more than one occassion, he has really made me think about the affects of inconsiderate development and tourism.
But even if you aren't keen on any of that, the columns are clever and well written, so it's well worth the read.
These columns are a selection from over the last 20 years of events in South Florida. You don't have to go back any further than 2 years to Elian Gonzalez and the 2000 presidential election to know that there's enough grist-for-the-mill here to fill much more than one book on these two topics alone. Nevertheless Hiaasen reins himself in and spreads his verbal darts around. Topics covered include "Mayor loco", the soon-to-be-gone Marlins, Chads (not a person, those bits of paper, remember?) Dolphins (both the team and the ones that frequently drown offshore), Race Riots, a con artist doctor and a pet-hating extortionist. That's the more exotic stuff. Then there's the normal South Florida fare of crooked politicians, stupid state officials, assorted mobsters and mafia, drugs, guns, and general mayhem and madness. As Hiaasen said in a recent interview "all the paths of slime and disreputability seem to lead here."
The man is a Florida treasure and for those of us who live through what he writes about his humor is a saving grace. Very few of us can express it the way he does so he is our voice of reason saying yes, it's PARADISE SCREWED allright, but we're still alive we can laugh about it.
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This book tries to draw a direct relationship between small group ministry and church size. The theory is that a church can grow only so big and reach only so many people absent a vital and large emphasis on small groups. George cites a few megachurches as examples of the kind of ongoing growth and changed lives that occur when the church embraces small groups not with a recreational commitment, but with the kind of commitment that comes when something is considered a primary mission of the church.
The small group model for church growth is a model that works, not because George says so, but because several churches who have embraced this model are growing beyond many of the ceilings that the vast majority of churches who don't embrace this model can't seem to break through. Getting their people into small groups, when emphasized and encouraged, allows bigger churches to continue ministering to people and meeting their needs by allowing the congregation to minister to itself and not overtax the staff. This accomplishes the goal of the church not having to build up a huge staff of paid people to try and meet the needs of a big congregation. Therefore, allowing church funds to be spent not on an increased staff, but on more relevant activities that are more in line with the mission that God has imparted on the particular church. Further, small group multiplication allows the church to continue to grow and reach new people in the community in ways that are non threatening.
I did not give the book 5 stars only because the book does not appear to spend a lot of time discussing how a church can really establish a vital small group ministry and structure their staff in an effective way to cultivate it. Too often, growing churches want to do good things, but do not put the kind of infrastructure in place, whether people or facilities, to administer the programs with excellence. It's the classic problem of biting off more than we can chew. The motivations of the church are in the right place in these instances, but without a clear plan in place for administering a major small group ministry, George provides an incomplete strategy for implementing this approach. This may sound like a minor point, but it isn't. Ministries that are not undertaken with excellence are ministries that fail to fully fulfill the purpose for which the ministry was created. Having an administrative infrastructure in place that effectively manages a big small group ministry while also being an infrastructure that is frugal relative to church budgets is clearly one aspect of establishing a ministry with excellence. And this aspect is not easily addressable and thus, represents a significant challenge to George's model. It is solvable I believe, but George should have addressed this in more detail, in my view.
But clearly, George has hit on something that every church can benefit from if implemented correctly. At its core, Christianity needs to be about people. And in order to meet people's needs and transform people into fully devoted disciples of Christ, the church must place just as much a priority on meeting people's needs and providing care and support as it does on spreading the Gospel message. In fact, I would argue that those two things go hand in hand, and both are strengthened by the other. Having an active small group ministry that looks for small group solutions for a whole array of congregational concerns and interests is a proven model for church growth and evangelism, and something George describes very well. A good book, a good pastoral resource.
However, you would think that Alger's novels would warrant greater scrutiny simply for their obvious cultural impact. It is not an overstatement to say that it is likely that every significant man of business, politics, literature and academia in America in the early decades of this century had read the works of Horatio Alger. How can you hope to understand these men and the America that they forged if you ignore the one author who was most likely a formative influence on them? More than that, it is certainly the case that except for a couple of decades of despair brought on by the Great Depression, it is, has been, and seems sure to remain, the uniquely American idea that anyone can succeed. It is amazing the number of times you will hear folks from foreign countries speak about how this perception of unlimited possibilities is something that you only find in America (Howard Evans on Booknotes one night springs to mind). This after all is why we are the one nation that welcomes immigrants. Other countries assume that immigrants will just get on the dole and stay there; we assume they will not only succeed, but will flourish. Alger is certainly not the originator of these belief, but his millions of books must have contributed something to this entrepreneurial spirit that informs the national soul.
Besides that, they are just fun. There is something refreshing about Alger's straightforward, unmannered writing style. The mere absence of all of the modern stylistic devices that so often make reading modern novels a chore, makes reading the books a pleasure. Besides, who doesn't get a vicarious thrill reading about a good boy making good. And, beneath the outer layers of poverty, Alger's heroes are enormously appealing; here's his description of Richard "Ragged Dick" Hunter:
Dick's appearance as he stood beside the box was rather peculiar. His pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which were gone except two, out of which peeped a shirt which looked as if it had been worn a month. To complete his costume he wore a coat too long for him, dating back, if one might judge from its general appearance, to a remote antiquity.
Washing the face and hands is usually considered proper in commencing the day, but Dick was above such refinement. He had no particular dislike to dirt, and did not think it necessary to remove several dark streaks on his face and hands. But in spite of his dirt and rags there was something about Dick that was attractive. It was easy to see that if he had been clean and well dressed he would have been decidedly good-looking. Some of his companions were sly, and their faces inspired distrust; but Dick had a frank, straight-forward manner that made him a favorite.
There is a reason that the term "Horatio Alger story" lives on in our lexicon. The concept touches something deep within our psyche, confirming something that we desperately want to believe about individuals and about the type of world and society that we live in.
Let the critics ridicule them, but when we stop believing in the power and the truth of the Alger myth, we will cease to be a great nation.
GRADE: B
In this work Jung demonstrates that Alchemy was a precursor to modern Western psychological insight. Jung draws a "process map" of the Alchemy in this volume, in which he laboriously (but not tediously) shows that the steps the alchemists took to bring about the transformation of matter. Jung suggests that this process is a metaphoric representation of a process some humans travel to reach a level of consciousness that includes and unites the unseen (transcendent) reality with the visible experience.
It can be read as an interesting intellectual insight into earlier Western thought, or it can be used by an individual as a guide through the process of psychological transformation. This work is essential to anyone on the path of transformation and who looks to Jung as a guide on that path. It is not for a casual reader of Jung.