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After presenting a mass of information on the modern faery faith, he goes on to relate the ancient faery beliefs held by the Celts of old, as recorded in their mythology. Many pages are devoted to the adventures of CuChulainn, Arthur, Bran, and other figures who moved in and out of the Otherworld. He also discusses the Otherworld itself, the misty land where the faeries, the gods, and the dead dwelled. Especially stunning is his assertion that the Celts participated in mysteries much like those of Eleusis. The mythological evidence IS THERE, as Evans-Wentz proves. I only wish someone in those days had written something down to indicate whether or not this is true!
This is the best book ever written on the fae, IMHO. It ought to be on every Celtophile's shelf right next to Squire's _Celtic Myth and Legend_. As a matter of fact, the two books make excellent companions for one another.
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Problems with amino acids may cause mental or physical illnesses or both. So you should own this book if you want to have a sound mind in a sound body.
There is a separate chapter for each of the amino acids found in the human diet. And there are an amazing hundred-plus pages of scientific references.
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Co-author Carl Vigeland was invited to travel the country and Europe with jazz superstar Wynton Marsalis and his band.
This is about the music of jazz, the blues and the road. Vigeland and Marsalis make numerous references to the book's title "Jazz In The Bittersweet Blues of Life. Vigeland covers personal observations of life with its rigors of the road, the overwhelming passion to produce quality performances. You don't get too much of the personal life of Marsalis, he shares little about his two older boys living in New York.
Brother Branford splits for a rock band
We also get very little info on tenor saxophone Branford Marsalis along with member Kenny Kirkland who left the band in the early 80's to play with rock superstar Sting. Branford also did a short stint as band leader for Jay Leno's "Tonight Show." In the book, we DON'T' get a clear understanding about the departure of his brother Branford and member Kenny Kirkland. Little is known here about Branford's departure, only mentioned here is "that others have thought that it may have been hurtful to have your brother leave for a rock musician." This book doesn't discuss that a rift was occurring and the finality was the departure. But I believe now, all is well with the brothers.
Marsalis, on the other hand, shares keen insight into the world of jazz, his composition style, and rhythm including his relationship with the trumpet. It is phenomenal how much is involved with the trumpet. About the trumpet, he says "you can never force the trumpet, you got to baby it, treat it gently, coax it. It's always there when you need a high note, or something very loud. If you don't handle up on it, it won't respect you"
He teaches us about playing the songs and how the members produce an evening's show. We learn about his amiable personality and he exudes the passion to please his audience. He says, "when you are playing concerts every night is Saturday night. You have to give the people who come to hear your music the feeling of a weekend, not the feeling that you are punching a clock." He keeps his composure, he is gentle, caring to children and seems to be a wonderful teacher and mentor to the young with his many workshops. On the road, Marsalis is humble, even ironing his own shirts and suits.
Observations from the Jazz man
Just from this book alone, we get the impression that Wynton Marsalis is cool and collected, caring of young children, family man and friend. His insights into life are fascinating. Of people who hang out at bars, discos, etc., he says are the unhappiest and lonliest blankety blanks in the whole world. He says, "If you want to be happy, go inside. Inside yourself, inside the people you love, inside your art. Inside seems much lonlier than outside, don't be fooled, you go far enough, it's always warm and good."
"Music is vibration and the proper vibration heals"
Marsalis says music comes into your body, and of Louie Armstrong, Coltrane, Beethoven, their music not only made people feel good, it healed.
But most of all, Wynton gives us an idea how he works, how he composes; it's incredible. This is a wonderful lesson into the mind of a genius jazz player. It may be no surprise that he is also an accredited author with his books by "Marsalis on Music" and "Sweet Swing Blues on the Road." Wonderful read....MzRizz
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A MUST READ.
The real heroes of this book are Marcus' parents, Harold (Red) and Gwen Allen, who put the necessary time and effort into providing their children with the integrity that has made Marcus successful.
This is a book of contrasts and conflicts, the first of which are with Al Davis, owner of the Oakland Raiders. Marcus despises Al and is candid in describing his reasons. Anyone who is not familiar with Al Davis might think Marcus is exaggerating, but those who are familiar with him will find the criticism reasonable, if not understated. Corroboration for his descriptions of Al's eccentricities may be found in "Slick: The Silver and Black Life of Al Davis" by Mark Ribowsky [ISBN: 0-02-602500-0], a highly entertaining biography that is now out of print but may be available through a used-book service.
The other interesting contrast is that between Marcus and his friend O.J. Simpson. As Marcus described Nicole Simpson's death and the subsequent murder trial, I kept asking how these two men, similar in so many ways, could have ended up so differently. As I said at the outset, the real heroes of the book are Marcus' parents.
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Another of Perry's books along the same light is "The Island". If you ever get a chance to read it, please do. Through a series of events (sound familiar?) a small atol in the middle of an ocean becomes a "new country", eligible for UN support!
In fact, only Poterfield and Chinese Gordon, the two main characters, are up to the chess board in this plot. And like two generals from opposing armies, they walk away respecting each other, though perhaps not equally.
The name "Metzger's Dog" is a metaphor -- the dog in the novel, a vicious animal, has been salvaged from a junkyard and tamed. At the end of the novel, this dog is given the name Porterfield.
In this story it is ultimately the CIA that has been tamed. The details of how this is achieved hold up to any test for authenticity.
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It was a really wonderful read with lots of good and easy explanations (theoretical and practical) of the concepts and it's manifestations. And a wonderful outline of a positive and workable approach to dealing with projections and what their purpose is (in a nutshell, first to break through the barrier that exists between to people and secondly and more often than not just a way of your unconscious to tell you what you have to work on with yourself {if you have strong bigger-than-life-women projections --> get in touch with your inner female/emotions. If you have bigger-than-life-men projections --> get in touch with your inner man/creativity/strive; if you have are heavily attracted to artistic partners it might be that your own artistic potential needs to be worked out).
On the more negative side:
It seemed to treat the male/anima side of the whole equation a lot more indepth than the female/animus part. And there is hardly anything about people who don't match their own gender archetype much or to be more concrete match their opposite gender archetype more than their own. Which might be a result of it being a bit dated by now and it's shortness of only 120 pages.
I as well enjoyed the treatment of at the time rather current discussions about if men and women both have anima and animus. Or if their occurence is gendered.
All in all an excellent introduction though!
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There is no book on this subject I have found that equals it.
This is a testament in itself, as this was first published around 1890.
Wentz was an academic, a scholar, yet in early chapters his descriptions of each area of the Isles is breathtaking. It's not dry, it's not stuffy. He spent years collecting encounters, traditions, and beliefs from the most correct source. The people themselves. This contrasts rightfully the tendancy (even more so these days with anything Celtic especially) to project things onto a culture it does not contain. No frilly, watered down, ... little creatures at your beck and call here, which is what other "authors" would have you believe.
For some, the latter chapters of this book will seem a bit dry compared to the first. Regardless of what you think of his theories, they are all intriguing, and well thought out by the author, though I agree he became a bit enchanted himself during the writing. (not a bad thing, IMO, I was enchanted as well) The collection of tales alone is worth the price. I enjoyed every page.
This should be on the shelf of anyone who says they want to learn about Faeries, Celts, and the cultures they came from.
Why read what any old outsider says? Read the words of the people who were born and raised in these cultures. They know themselves better than anyone else, no?