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JOHNNY WAYNE AND FRANK SHUSTER
APPROX. RUNNING TIME 4 HOURS (ON CASSETTE)
FULL CAST
Wayne and Shuster
The Radio Years
The Wayne and Shuster Show debuted on CBC radio in 1946. Wayne
and Shuster became Canada's best-known comic duo.
Their unique style of literate, classy humour won them fans around the country and, through their appearances on the Ed Sullivan show, made them household names literally around the world.
This Classic Collection Contains:
Tape 1 Side A
June 18 1959
Shakespearean Baseball
I was a T.V. Addict
Rinse the Blood off My Toga
Tape 1 Side 2
Frontier Psychiatrist
December 25 1963
Starring Herb May, Paul Kligman and special Guest star Foster Hewitt
Canadian Armed Forces Christmas Show
"Cities of Canada" song
Hockey Game between The Toronto Champs VS. Mimico Mice
Tape 2 Side A
January 8 1953
"Be a Clown" sung by Wayne and Shuster
"Why Don't You Believe Me" sung by Terry Dale
Wayne and Shuster buy a Car
"The History of the Automobile" or
The March of Payments on Time"
Tape 2 Side B
October 13 1949
Terry Dale Eric Christmas Dick Nelson Samuel Hersenhoren and His
Orchestra and Herb May Guest Burt Pearl
Fan Mail
"Everywhere You Go" sung be Terry Dale
"Wayne and Shuster go to School to Learn about Love Making at 'NeckTech'"
"Canada's Greatest Lovers or These Days you take What you can Get"
Tape 3 Side A
January 21 1954
"Keep Your Sunny Side Up" sung by Wayne and Shuster
"Heart of my Heart" sung by Terry Dale
"Going to the Ballet"
"Dig those Crazy Red Shoes"
Tape 3 Side B
August 17 1953
Terry Dale, Eric Christmas, Samuel Hersenhoren and His Orchestra and
Herb May song "Canada's The Place for Me"
"Something's' Gotta Give" Sung by Terry Dale
"The Unfinished Symphony"
"Showdown" The story of two brothers. One a Gangster and one a policeman
Tape 4 Side A February 25 1954
"Trouble will Disappear"
"Young at Heart" sung by Terry Dale
"Knights of the Round Table"
Tape 4 Side B
February 18 1954
"Valentine Thanks"
"Secret Love" Sung by Terry Dale
A Story of an old Boxer called "Comeback"
SELECTED WEEKLY SHOWS FROM 1940-1963
ONE OF THE GREAT COMEDY TEAMS OF ALL TIME. THEY WERE ON THE ED SULLIVAN SHOW MORE THAN ANY OTHER ACT.
SHOWS INCLUDE SONGS AND GREAT SKITS.
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Karlin's characters bring to life the messy moral and political landscape of the 'New World.' The murky waters of the Southern Maryland swamps are an all-too-appropriate analogy for the confusion of natives and settlers in negotiating an unstable environment. The dangerous and unpredictable setting underscores the violence humans turn on each other in any/every setting, regardless of religion or ethnicity. Jacob Lombroso's band of misfits, the Wesorts, represents a circle of individuals who wish to live outside the existing social boundaries. This tale of their journey to establish a place for themselves amidst the turmoil and violence around them creates an alternative to traditional narratives of "the first Americans" by introducing previously marginalized voices: a slave, an indentured servant, an English girl stolen from her settler parents and raised by Indians, and so on.
One of the unique accomplishments of this book is to reinforce the violence of the religious paradigm by which our country was established. Readers find religion-both in America and in Lombroso's recollections of Europe-just as terrorizing a force as greed. Some of the most powerful passages-such as the journey of the dying Tyac's soul to the afterlife-emphasize the horrifying rape of souls which accompanied the Christians' rape of the land. Tawzin, a Piscataway Indian captured in his youth by the Catholics and returned to his homeland by Lombroso, best describes Christian conversion methods: "You place me in the dark, you take everything away from me, and in the dark and terrible emptiness in which you leave me, you put in Christ."
To me the book's most shining 'moment' is the presence of Cabbalist Jacob Lombroso and his obstinate resistance to the territorializing force of Christianity. ("God save me from your love," he tells a meddling priest.) His unstinting pursuit of tolerance and freedom for himself and his new community constitutes more of a heroicism to this reader than the greedy zeal of America's traditionally recognized forefathers. [The book mentions historic record of many of the characters, Lombroso included, and I'm not sure exactly where Karlin departs from the record.)
America's praise for the religiously persecuted in Europe who 'found refuge' in the New World always overlooks the persecution that the 'persecuted' inflicted on others when they got here. That Karlin's novel reminds readers of the territorializing instinct of religion is one of its greatest strengths, suggesting a natural place for it within the emerging Post-Colonial 'tradition' in literature. At the same time, this is in many ways a utopian novel, since it focuses on the determination of these early Americans--in the face of unending opposition-- to live in harmony.