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The book not only the story of the Pacific Northwest Ballet from it's meager beginnings to the internationally reknown company that it is today, but also a sketch of biography on Kent and Francia Stowell who influenced this wonderful organization to what it is today. Ardent fans of the PNB will relive the many name changes and stages of growth through the pages of this excellent book. There is brief coverage of some of the names of those who affected the PNB early on such as Glynn Ross (Former general director of the Seattle Opera), Janet Reed (instructor and former dancer New York City Ballet) to name a couple. Though the book isn't heavy in detail, there is just enough to tell the PNB story in an enjoyable manner.
One aspect of the PNB which is covered (though lightly), is how the organization reaches out to the community. Perhaps the most visible way is educationally by the establishment of Pacific Northwest Ballet School. In addition to the impressive growth, the book details some of the challenges such as funding and lack of boys enrolled in the school reflecting the homophobic attitude of some people concerning ballet here in the states. Another way the organization is involved community wide is reflected by the number of adults enrolled in the school and the regional classes offered by the school.
Within you will find fabulous photography of both the careers of Kent and Francia Stowell as well as the defining and key moments of the company over the years; truly memory lane for followers and fans of the PNB and their wonderful school. Included in the pictures are the well known staples of the PNB; Swan Lake and The Nutcraker. It is a wonderful, charming and interesting book on one of the truly great attractions in the culture rich city of Seattle. If you enjoy ballet and dance or a fan or the Seattle area, this will be a great addition to your library.
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I loved reading about how the loonie came to be as well as how the Canadian teams perceived it. This story is for the true Canadian Hockey fan and will remain a legend for years to come.
I devoured this short read of Canadian history in one sitting.
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The tape that is included with the book is also very good, giving excellent exercises to mitigate your stress.
I use what Dr. Ford has given me in this book, and it really works. The very unique type of stress we endure is focused on here with great success. I recommend the book wholeheartedly.
Off. E. Whince
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Trapp's enormous repertoire of sculpture, painting, and drawing has begged, for decades, to be catalogued. The works themselves --voluptuous and emphatic -- tell of a sometimes expansive, sometimes encumbered life. Each piece, from the imposing monoliths forged in steel to the sparest, most intimate brush drawings, put spirit first. They, and their maker, over the forty years chronicled here, thrive through the best and the worst of times.
The photographs and the excerpts from the artist's journals flow in seamless dialogue between one another. At once adamant and inquisitive, Trapp's life and work are revealed here as a graceful struggle. Journey reads like a novel. Near the end is a full-page self-portrait captioned "These eyes have seen too much." The spent, disheveled visage halts the reader. Trapp chose colors from a jangly, late-night pallet: fuschias, rich blues, tropical yellows, vermilion, purple. The caption might easily continue: ... "but never enough."
Dancingfish Press Editor Deborah Mayhall-Bradshaw's lyrically combined graphics and printed word are at once antiphonal and in perfect unison. The text and photographs are set against a talky collage of handwritten journal entries; letters; news clips; poems; drawings and diagrams penned urgently on looseleaf pages. The effect is one of being alone in Trapp's studio while he's out doing errands. You're driven to look, read, and touch each vibrant scrap.
Wayne Trapp's work demands utter engagement and compromises nothing. His words are elegant, whimsical, harrowing; and not for the faint of heart. Journey gives back with a stunning largesse. It dares the reader to come along.