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Oklahoma was a "dry" state when it came to hootch, but oil lease rigs were still dripping when Wayne Padgett came of age. Though there isn't much of Osage tribal flamboyance on display, as Ron Padgett hews closely to his dad's immediate territory. Terry Wilson's book on the Osages and their visibility in and around Tulsa during the boom years can fill in some of the local composition. Ironically Wilson deploys an absurdist deadpan in chronicling the Osages, close as an academic can come to the style Ron Padgett pioneered earlier in his career writing Beat memoirs & punchline poetry. Wilson cinematically captures the new oil heirs on their joyrides into town having assimilated silk top hats, tux and tails into their tribal regalia. Padgett is challenged with a central subject dry as the Protestant work ethic he embodied, illicit work notwithstanding. Despite the Dixie Mafia contacts and some compulsive gambling that plays out in tragic ways a bit up the family tree, the Padgetts seemed to be straight shooters, with only narrator Ron betraying much of an appetite or curiosity for life lived on the wild side.
The contrasts found within the House of Padgett are the stuff of cross-pollinated literary dreams. Imagine Elmore Leonard or his fictional hardboiled characters holed up in a tornado alley Plains safehouse with Burroughs adding-machine heir and stiff-lipped Wild-side explorer William Burroughs, as this Tulsa teen scene deftly sketches in. Ron Padgett recalls his fledgling effort at publishing an underground lit journal while still in high school and working out of bootleggin' dad's house:
"But the oddity of the larger situation dawned on me only years later: at one end of our house was the office of one of the biggest whiskey businesses in town, while at the other was the 'office' of an avant-garde literary magazine. Really, though, I was simply imitating my dad: I had my office desk, I operated a cottage industry, and I pursued a project that most people would have considered bizarre. But what was truly bizarre was that Daddy was reading Beat and Black Mountain poetry." Wild-eyed ecstasy chasing visionaries such as Ted Berrigan, er rather, a private eye hired by Berrigan's squeeze's proper parents, might stop by the house looking for the literary mentor, only to be gruffly chased off by Big Daddy. How did a high school junior out in the oil & red dirt provinces manage to net a cast of literary luminaries like LeRoi Jones (Amiri Baraka), Paul Blackburn, Robert Creeley, Allen Ginsberg, Jack Kerouac, Ron Loewinsohn, Clarence Major, Gilbert Sorrentino and Berrigan for his WHITE DOVE REVIEW 5x8 1/2 staple job? Just neighborhood luck to have buddy Joe Brainard hangin' out as Art Director. The same Joe Brainard whose too short career retrospective was being exhibited at top tier museums of modern art from Boston to Berkeley a year or so ago. But this is Wayne's story, a different sort of exemplar of Junior Achievment in action.
Don't be put off by the title OKLAHOMA TOUGH. Turns out the subtitled: "My Father, King of the Tulsa Bootleggers" is a tender and flavorful slice of regional folklore. Virtually every minor character does a star turn, burning some bit of colorful essence onto a reader's retina. From the penitentiary cameo by old school toughs like Jew Snyder, to the more fully fleshed out complex shades of modern men-in-the-making like Bobby Bluejacket, the bedrock matriarch Verna Padgett, and the younger generation roadhouse loves from whom off-the-cuff wisdom literature flows in Ron Padgett's interview tapes, one only wishes this memorable Tulsa tale included an index. If this ever makes it to the big screen I have no suggestions for the casting of King Wayne or Boho Scribe Ron. But the soundtrack wouldn't be complete without some ol' J.J. Cale-Leon Russell seductive shuffles, Jimmy LaFave dustbowl retreads and the Red Dirt Rangers' roadhouse stomps.
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Note: In case you were going to buy this for your Beck-crazed teeny-bopper, be aware that this book contains some nudity.
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Both the poetry and the short stories are well-written,intense and thought-provoking,which made me want to read the book more than once!
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just heard him on a PBS special, in which he described how he
often sends those who write him a gift for no special reason . . . so when he graciously sent me his live lecture tape series, SECRETS OF YOUR OWN HEALING POWER, I rushed to listen to it . . . my reaction: WOW!
As is the case with any book or tape put out by Dyer, you'll be
inspired and informed when experiencing it . . . in addition, you'll be entertained (as was the group of chiropractic professionals fortunate to be able to hear him).
He emphasizes that the secrets to healing are not somewhere "out
there," but rather, healing is something that takes place inside each and every one of us, occurring when we "connect to our Source" and bring Spirit to the disease." He emphasizes that healers need to be able to banish doubt and see their clients as individuals who already possess the capacity to heal themselves. That is, those with health challenges need to have someone in their energy field who truly believes that healing can take place.
These other observations by Dyer also caught my attention:
Doctors when they misdiagnose . . . do they then agree to having
misbilled?
When you place a label on somebody you negate them. You then
begin to treat the label, not the person.
Four words will end all conflicts in relationships: You're right about that.