Friel and the FBI worked well together, a cooperation that resulted in breaking the Mafia's code of silence, and Nicky Scarfo is now serving life plus 40 years. The entire top echelon of the Philadelphia LCN family went to jail with him -- those who he hadn't had murdered during his reign.
Friel is not only a dedicated and very smart cop, he is also a good story-teller. This is an excellent book from start to finish.
List price: $19.95 (that's 30% off!)
As a contribution to Canon Formation bookchat, this book is a solid work of scholarship. Yet of course the real cannon fodder in the Canon Formation discursive grapplings (the equivalent of the non-academic, or 'real', world's Ultimate Fighting Championships, only the popularity of the Academy's version leads to far too much influence on the Academy in general) is the readings and discussions of Canonical literature. The other problem is that glib jerks like myself can claim moral authority despite a penchant for horrible puns (cannon/canon) simply by admonishing those who spend seemingly too much time on Canon Formation frolics.
Regarding the multicultural and cultural studies relationships to Canon Formation politics, I respond with some trepidation to Gillory's admirable ideas. Sure, a more nuanced understanding of Canon Formation makes multicultural expansion within the Canon, as well as an expansion of literature's perimeters within the Canon, that much easier and that much more easily defended against the Neocon menace. I also accept the role of judgement, though it says a lot that that had to be brought back to the fore--were we just determining germane discourses and texts through some sort of Super Lotto Big Spin System for a few years there? But to what degree do I follow someone who, I don't think, has the judgement tools to recognize the literary energies of the first Wu-Tang Clan album; the album Liquid Swords by Wu-Tang leader Genius/Gza; the work of Del Tha Funkee Homosapien (rap's Dylan and Whitman at once) on the Deltron 3030 album; everything produced by Prince Paul and Dan the Automator and every record involving Michael Franti, Lady of Rage and Roxanne Shante; Bruce Springsteen's Nebraska and Darkness On the Edge of Town; anything recorded, admired, or smiled at by John Coltrane, Lester Young and Eric Dolphy; any recorded lamentation by Robert Johnson, Son House and Skip James; the Poetry of Eleanor Lehrman, Thylias Moss and Elizabeth Woody; or the fiction of Katherine Dunn and Kate Braverman? Couldn't the fan of any of the above immediately recognize the literary superiority of said work over [enter your least favorite Elizabeth Bishop manque, T.S. Eliot manque, or Robert Lowell manque here]? If Guillory ain't hip to Curtis Mayfield and Steve Cannon, I'm walking, 'cause the reason we shant despair isn't because we might contribute to the Canon Debate, or earn or burn a draft card to the culture wars, but because, if there's a hell below, we're all gonna go. And if I can be aware of the above names AND make a Ricky Nelson reference, then I'm not sure that I need this book as a sort of Fodor's Guide to "The Canon and The Culture". (P.S. If you get the review title, start YOUR book on American Lit. canons. We'll meet up on the backstreets of Medina.)
The principle objective of Guillory's project, as he himself asserts, is to revise the popular misconceptions about canon formation:
'The largest thesis of the book is that the debate about the canon has been misconceived from the start, and that its true significance is one of which the contestants are not generally aware. The most interesting question raised by the debate is not the familiar one of which texts or authors will be included in the literary canon, but the question of why the debate represents a crisis in literary study.' (Guillory: 1993:vii)
Dealing with the canon debate particularly as it concerns Anglo-American pedagogical institutions (his close readings, for example, treat Milton, Gray, Wordsworth and Eliot), Guillory nonetheless also offers a wide-ranging international theoretical buttress to his argument (Bourdieu, Gramsci, Bahktin, Jauss inter alia are cited and analysed with astounding precision and insight).
I would unreservedly recommend this book to anyone interested in the current multi-cultural/feminist/minority debates regarding the canon. Guillory's style is complex, muscular and brilliant. This book will not disappoint the most exigent connoisseurs of literary and cultural theory.
The problem with Amber is that she tries to pack all of her at and after school activities in all at about the same time , which eventually becomes very difficult and stressful. She was known at school as a role model and known for doing very good in school as a student. Amber was in charge of several school clubs - which also includes the year book committee , science club , and also the debate team. Amber was a straight A student, which also earned her a 4.0 grade point average, and also was a member and played for the schools basketball and volleyball teams. The difficult thing to picture about Amber is that it seemed that she was never really proud of her achievements. If she loses a game on the volleyball or basketball team or loses a match on the debate team , she always seems to blame it on herself.
The plot of this story flies by very fast so you have to pay close attention. It does not catch your eye that easy so , in a way , you may have to search for it. But I guess that it may depend on the reader. Overall this story is fairly easy to understand and brings a great message, which shows intelligence. It provides a positive message for kids and adults. Throughout the story it brings points as in what and what not to do in dealing with your life. I encourage people to read this story because it supplies you with a great message and is quite easy to understand along the way. In terms a rating this book , I would rate it at about a 3 in the fact that some people will read this story and get no point out of it but on the other hand , some will. It just depends on the type of reader and person as well.
ac
Unfortunately, I started reading it a week before I was supposed, and finished it the next day, and so I must choose another book to read for class.
This is an excellent book that makes you think about what women had to go through a few hundred years ago. It makes you think about the complete lack of backbone shown in Tess untill the very end, when she finally realizes the injustices done to her were NOT her fault. You must remember that she had not been brought up to understand certain things, and could not have understood how to cope, or over come with problems that many women of her time had to face.
The ending was excellent, and rather sad.
If you enjoy learning about history, I suggest reading this book.