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A happily ever after non-fiction work seems like a boring sure loser, but Nancy Shulins turns her material into an amusing, intelligent, and educational read that varies from story to story. Each of the essays is relatively small so that the reader can pick up and put down this self-help book as warranted. No essay is boring as they run the relationship gamut with the shared goal of "loving more today than yesterday, but not as much as tomorrow" instead of "where did all the flowes go"?
Harriet Klausner
When I read her account of those days "when grotesque crimes of passion actually start to make sense," I was laughing and didn't stop. By the time I got to the part where her husband brings home bubble wrap as a gift, I began to realize that what I had been retreating from was not my partner but my sense of humor.
These essays are not all about the author's marriage. She seems to have corralled all her friends, somehow convincing them to reveal the saddest,happiest, and most absurd moments in their own marriages. I think she must be one of those rare women people love to tell their stories to, then delight to see the spin she has put on them in print. If she produces a sequel, I have a story or two to tell her.
How is this book different from others of its kind? It's way funnier, not at all smug, and far from authoritarian. I think that for her, marriage is something like a vaudeville act made up of flexibility, resilience, and a few pratfalls. As Nancy Shulins puts it, it's "a little song, a litle dance, a litle seltzer in your pants."
Each vignette in this perfectly sized volume highlights a different aspect of married life, from first date to the ultimate, joyful realization that you and your partner will be together for life. I gleaned much from this book: how to call back that "first date" feeling, when to accept that which you cannot change about a partner, how to look for the special, unexpected moments that appear everyday in a marriage and how to deal with the force of incompatibility, happily.
I bought an extra copy of this book for a friend because my husband is now reading "Every Day I Love You More (just not today)". This is the first book my husband and I have ever shared; the book is working its magic already.
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covers so many issues and so many tips and techniques to try with children of all ages-- tots through teens. I don't have the time nor the desire to read an entire book cover to cover that only addresses one subject. I just want the "how to's" in a nutshell. This book is arranged so that I may easily consult it--even in the heat of the moment, when I 'm at a loss of what to do instead of my knee-jerk automatic reactions of yelling, threatening, criticizing and nagging that simply aren't working anyway. I find that I get more cooperation from my kids (including my husband) when I am able to first change my approach. I realize that it is often HOW I say "it" that will determine whether I get the compliance I'm after. I would also like to highly recommend a wonderful pocketsized paperback based on the very same philosophy. So, if you have preschoolers like me, "The Pocket Parent" is written exclusively for parents and teachers of 2's, 3's, 4's, and 5's and is formatted alphabetically by behavior ( such as bad words, biting, gimmes, hitting, lying, whining, etc.) These two books offer many, many options about how communication can change for the better, still enforcing the necessary limits, while responding with understanding and empathy for the child's feelings. This approach includes many sensible, humane ways to solve problems that often require quite a bit of practice. I feel like I'm a much better parent when I am able to use this philosophy.
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Because we take it for granted today, it is easy to forget that the way in which recordings were created had much to do with the kind of music that was recorded. Granata notes one occasion on which a perfect take had to be remade because a three-and-a-half minute song was too long for Columbia's equipment at the time. What stands out, though, is that for all the bad press Sinatra gets for his impatience on movie sets, he clearly managed the recording process down to the minutest details during the Columbia and Capitol years, resulting in a degree of musical excellence that was not exceeded even during the technologically more advanced 1960s Reprise era. Granata gets high marks for explaining all of this in a way that is highly readable for those of us who love music and have limited understanding of engineering concepts.
The most fascinating chapter may well be the one dealing with a nadir of Sinatra's career, the Duets project of 1992/3. Throughout, we learn that Phil Ramone was constantly selling the project to the singer, while FS (to his credit) continually called the whole purpose of the project into question. If you think Duets sounds like a mistake, you should read this account of how Sinatra was pushed into making these pale remakes from his legendary songbook.
Also worthwhile is Granata's recommended recording list in the appendix. If you are a new Frankophile, this is a great place to start and will lend additional meaning to the text, because you can HEAR how FS works the voice and lyrics in Ol' Man River and other classics.
Highly recommended, even if you already have Friedwald's excellent 'The Song is You.'
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McNatt's description of the personal conflict between Michael Servetus and the famous John Calvin and the martyrdom of a heretic at the hands of a Protestant founder intrigued me. As both a member of a UU congregation and a humanities teacher in the public schools, I wanted to learn more about this part of our religious struggle.
The book grabbed my attention right from the prologue, and, except for some detailed and belabored connections near the end, held me. Anyway, I was more interested in first two thirds of the work, the story of Servetus and his conflict with Calvin. The last section of the book follows the history of the surviving books by Servetus after his execution
The life of Servetus and his adventures is portrayed in an exciting fashion, fleshing out the characters, both obscure and famous. The trials and tribulations of this heretic who dared to question the Biblical foundation for the trinity, were captivating. The authors seemed to have a keen sense as to exactly how far they could take me down a path before bringing me back to the main story line, clarifying the importance of what at first may have seemed like an interesting but unimportant detour. With a summarizing statement or a simple declaration, the intrigue was palpable.
I was both saddened and appalled by the intolerance displayed by so many of our religious ancestors. The horrible fate of Servetus seems brought on more by personal enmity than by the disagreement over religious doctrine. But the antitriniatrian position held by Servetus was certainly not popular then and is still widely misunderstood today.
I would strongly recommend this book to all, trinitarians, antitrinitarians and those who are interested in our religious history and are not too apprehensive to encounter some uncomfortable and maybe some unsettling conclusions. To me, this story seems like a very important aspect of Protestant history that was omitted from my Sunday school lessons. I believe this work would make an excellent addition to almost any school or church library. (Our students can use all the support you can give.)
A fascinating tale of Europe at the crossroads of religious orthadoxy and intellectual progression, it has more characters in it than a Tom Clancy novel. And they are all brought together to relate the story of Servetus, his views, and how those views caused him so much grief.
The reader comes away from this with much more than he/she could imagine. I was fascinated with the history of printing, the process and the business. While realizing the book was going to deal with religion, it is mind boggling to see what kind of grip it had on society in those days. (Judging by what is going on in the world today, it still does) Ever fearful of losing their hold on power, religious leaders resorted to whatever tactics were necessary to keep the flock intact and growing. Reminds one of a company wanting to retain a monopoly, but in a much more violent way. Scary.
The tale of Servetus's last book, Christianismi Restitutio,and its survival to modern day is an added bonus to this great revelation about a brilliant man, his contributions to humanity and the cruel, unforgiving world in which he lived. Thank you Lawrence & Nancy Goldstone for the enlightenment.
Throughout the ages, how many individuals have markedly changed the world we live in, yet are not found in most history books? The name Michael Servetus is one that should be known by any serious student of Western Civilization, yet sadly his story has been missed by so many historians.
Kudos to the authors for a job well done.
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The recipes are so user friendly that even the most inexperienced cook can prepare an unbelievable delicious five star rated dinner in the comfort of their home. I have one cookbook for myself and got one for my daughter is who away at college, so she can learn the "Real" way to prepare some of the most delicious Italian dishes in the world. The instructions are so easy to follow and are given in such detail that there is absolutely no way to make a mistake. You will thrill your next dinner guests with your culinary abilities compliments of Sal Scognamillo. You also will find this book an enjoyable read filled with all sorts of stories of family traditions and famous guests, who have known New York's best kept secret of fine Italian dining for years. The secret is out now ... and available to all of us! If you are ever in New York you will have to stop into Patsy's and enjoy the best Italian food in the world...and if you aren't making it up to the Big Apple anytime soon you can use this cookbook to bring Sal vicariously into your own kitchen to help you prepare the Patsy experience! :)
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This tome is more concerned with detective stories/ serial killer stories. Plainclothes and The Pattern are two of the best. One of the most interesting stories in this volume is Barry Hoffman's Trial By Fire, a twisted tale of revenge. Matthew Costello's Vacation is one of the most terrifying and twisted tale I've read in a long time. And Dick Laymon's Desert Pickup is a good little story with a neat twist.
But I was disappointed that the story by Poppy Z. Brite is only the prologue to her novel Lost Souls. And Melanie Tem's contribution is very disappointing - she is able to do much better than this.
Overall, this is a great book that any horror fan should get. I am a devoted fan of Cemetery Dance and this book only reminds me of why.
Anyone should buy this book for the two Jack Ketchum stories, The Box and The Rifle. Both stories are amazing, touching, terrifying and very affecting. They are Ketchum at his very best.
The book also contains a very good and funny story by Stephen King, Chattery Teeth. But the real reason to get this book is to read Gary Raisor's The Right Thing, which is one of the most amazing stories I have ever read. That is one story I will not soon forget.
With other contributions from great writers like Bently Little, Lucy Taylor, Ed Gorman, Douglas Clegg and many others, this book is one that any horror fan should have on their shelf.
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For any non-southern American whose sole exposure to what happened there was from history books, this should forever shatter the pat preconceptions and simplistic black and white (no pun intended!) formulas they were taught.
The book plunges you into a vast panorama of ambiguities and contradictions. It was clear to me from the first paragraph that Faulkner was a genius. In the whole history of literature, he surely stands among a select few at the very pinnacle of greatness.
Go Down Moses is a tremendous struggle to get through. Some parts are straightforward and easy, but there are others that you can't hope to make literal sense of. You're bombarded by its twisted grammar. Its frantic confusion. Its endlessly unresolved sentences. But through these, Faulkner ultimately conveys the pain of history -- past and present. The emotion of that pain seems more real to him than the specific incidents it sprang from. Why else would a book begun in pre-Civil War Mississippi -- entirely skip it -- picking up again a generation later?
This book is about the South. Having read it, Faulkner walked beside me every step of the way I took through his state. But this book also has a sub-theme that should not be overlooked. Faulkner was a profound environmentalist, although sharply contrasted with how we usually think of that term. Hunters don't much fit the mold of environmentalism -- and Faulkner was an avid one of that lot. So, in that sense, along with all the sociological, he can shake you up pretty good! Go Down Moses contains some of the most wrenching descriptions you could hope to find on the loss of wilderness. There is nothing ambiguous in his portrayal of that loss. Faulkner may confound everything you thought you believed of Southern sociology, but in an environmental sense, he leaves no room for confusion. Leave those trees standing!
This book will grip you; I can't imagine it having a lesser effect. Like all truly great art, it should change you forever.