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Utena is different from pretty much all other "magical girl" type stories in that Utena is nothing special...she never changes into some kind of superhero, she never pitches corny attacks at absurd villains. Utena is just a girl looking for her prince and desiring to be one herself...I was drawn to this manga because here I saw a strong girl willing to battle her way through life to make her dream come true.
Utena's character is very well-rounded, as are the others. Anthy's girliness is perfect to Utena's courage, Touga is mysterious and alluring, Saionji is willful and determined. Everyone flows together so perfectly. You have to get this manga if you're sick of all the Sailor Moon stuff circulating these days!!
By the way, I already have the second book. Why can't I write a review for it? It's out already.
This is a controversial series dealing with life, death, change, love, betrayal, belief, truth, and more material concepts such as sex, attraction, and adventure. It messes with your reality, rights it, then scrambles it up again.
For those prudes and parents out there, be forewarned--this does contain incest (love between brother and sister), rape (can you call it that?--Anthy doesn't fight when it happens to her), and lesbianism. That's not to say that it is a bad series--just be warned that their are some controversial themes recurring in the story.
Read this manga or watch the TV show or watch the movie--you will never look at anime or manga the same way again!
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Here is a fast-paced and in-depth look at life, the real life often hidden under layers of day-to-day situations, not unlike a downtown building in sore need of a sand blasting.
Author, speaker, musician and artist Shri Yannam has woven a provocative conversation between himself and his soul...and his path to self-mastery.
Serpent's Dance cuts through these strata of self-absorption, stress, need for things and ego to reveal the secrets to transformation to re-align with one's divine Self. The author and his soul, in the form of a cobra, penetrate the spell we cast upon ourselves when we step away from truth.
"Within you, the Masculine and the Feminine are the two major aspects of your psyche...simply put, your Masculine is the assertive force...your Feminine is the receptive force...if they dance in harmony you create success, otherwise, you fail." This Truth begins the reader's journey to enlightenment, and Serpent's Dance becomes the illumination of that path.
As Mr. Yannam recounts his transformation, nuggets of wisdom and discovery shine through. "Become what thou seeks, and thou shall have it." So, if you want to have fun, become fun. This principle applies to everything you seek in life: happiness, joy, love, peace, and prosperity.
Serpent's Dance offers the means to discover who you really are---and with the acceptance of who you really are, you become free of the influences of others. Shri Yannam has written a book of revelations in a novel format. Serpent's Dance is all-at-once a page-turner (you'll not be able to set it down), filled with the path to find your true Self and freedom!
Here is a fast-paced and in-depth look at life, the real life often hidden under layers of day-to-day situations, not unlike a downtown building in sore need of a sand blasting.
Author, speaker, musician and artist Shri Yannam has woven a provocative conversation between himself and his soul...and his path to self-mastery.
Serpent's Dance cuts through these strata of self-absorption, stress, need for things and ego to reveal the secrets to transformation to re-align with one's divine Self. The author and his soul, in the form of a cobra, penetrate the spell we cast upon ourselves when we step away from truth.
"Within you, the Masculine and the Feminine are the two major aspects of your psyche...simply put, your Masculine is the assertive force...your Feminine is the receptive force...if they dance in harmony you create success, otherwise, you fail." This Truth begins the reader's journey to enlightenment, and Serpent's Dance becomes the illumination of that path.
As Mr. Yannam recounts his transformation, nuggets of wisdom and discovery shine through. "Become what thou seeks, and thou shall have it." So, if you want to have fun, become fun. This principle applies to everything you seek in life: happiness, joy, love, peace, and prosperity.
Serpent's Dance offers the means to discover who you really are---and with the acceptance of who you really are, you become free of the influences of others. Shri Yannam has written a book of revelations in a novel format. Serpent's Dance is all-at-once a page-turner (you'll not be able to set it down), filled with the path to find your true Self and freedom!
Come back to the Garden with Shri Yannam's journey, "Serpent's Dance: Secrets of Self-Mastery."
In a delightfully authentic way Shri becomes a master weaver, threading the warp and weft of the time-space continuum, magnifying the present moment with the lens of soul vision. Through dialogue with Soul disguised as the mythical serpent, universal wisdom is woven with direct individual experience of the living present. Secrets are revealed through the mirror of reality, illusion, and the individual's part in the creation of that reality. Formulas are offered to aid the reader's memory in receiving the gifts of the lessons we humans create to help us evolve into truly conscious, fully alive beings on this transforming planet.
Once you start reading you won't stop. And then you'll want to go back and write down those secrets and formulas in your journal for easy reference. They'll help you through your own journey back to the Garden.
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With the sage guidance one would expect of a professor from a prestigious educational institution, and with the empathetic advice one would count on from a friend who has "been there" herself, Dr. Sargent completely addresses the challenges and rewards that await the adult college student. This book is a treasure for any adult who is considering going back to school.
Her information is dead-on accurate. She's frank and realistic about options of attending prestige schools, finishing up those last few credits, ending unsupportive relationships and more.
A friend of mine was just like one of her interviewees: needed a few credits and sold himself short. A quick letter to the registrar and presto -- he got credit for life experience and an extra summer school course!
I'm recommending this book to my clients who ask, "Am I too old for school?" As she would say, the answer is always a firm NO.
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Let me mention before going further that this book contains many scenes of intense inhumanity that will disturb you. For the most part, these scenes are played as tamely as possible without losing their significance. Nevertheless, this is not a garden and flowers romance novel, in the usual sense that most readers think about novels that deal with love and marriage.
The book builds its structure around three separate timelines that begin in different places tied to the three primary characters, two in the state of Madras in India (one in 1921 and the other in 1947) and the third in British Guiana in 1956. As time passes, you begin to notice bits and pieces of the other two story lines crossing over into each one, helping you anticipate a greater joining of all three in the end. A few things won't quite make sense along the way. Pay particular attention to those, for they are clues to parts of the story that will remain below the surface until near the end of the book.
All three characters are Indians by cultural background. Savitri is the cook's young daughter in an English household in Madras who keeps company with the English family's son. The English family is enlightened for that day and age, and encourage the children to be together. They grow up like brother and sister in many ways.
Nat begins in an orphanage in Madras until he is miraculously adopted by a single English doctor who serves the poor for no fee, and is raised as though he is the doctor's own son in a poor village.
Saroj is a young teenager in an Indian family in South America whose prominent lawyer father is most eager to arrange her marriage. Saroj doesn't like the idea at all, and is soon in full rebellion. She gains sustenance for her rebellion from a black friend and her friend's very liberated mother.
One of the remarkable things about this novel is that the book intensely and fully develops all three main characters, plus gives you quite full development on three others. Compare that to Madame Bovary, for example, where only Emma Bovary's character is fully established. Ms. Maas is quite inventive and broad in her methods for character development, being equally comfortable with dialogue, letters, actions, internalized thoughts, and physical changes in the body.
The story is woven mostly out of everyday events, much like normal life is. Although there are dramatic events occurring in the background (like World War II and eventual Indian independence), mostly the relationships within each family and neighborhood frame the story's action.
I was especially impressed with the handling of the book's various mysteries. Most books give you the barest minimum of one clue to open the door to filling in the blank spaces. Ms. Maas is very generous with her clues, yet keeps her mysteries adequately hidden . . . just around the corner. Only by connecting a rather broad set of dots can you see the whole picture before she is ready to expose it to you. I enjoyed unraveling the mysteries.
Finally, the book does a nice job of applying Indian philosophy to the circumstances that occur in the novel, so that you can see how the philosophy affects one's perception of oneself, as well as one's own behavior. In the contrast with the Western cultural standards (or lack thereof in some cases), the Indian view looks remarkably noble and practical at the same time.
After you finish reading this story, I suggest that you think about what purposes human freedom should serve. What is the cost of providing human freedom that serves no noble purpose? How do the benefits compare to the costs?
Look beyond what you think you want to appreciate the beauty and truth within you!
Like most Americans, I knew nothing about the subcontinent of India and the people living there, their history and culture, their daily lives. After reading OF MARRIAGEABLE AGE (and thoroughly enjoying it), I know a little. But, more importantly, I want to know more, lots more, for writer, Maas' has whet my appetite for novels about the Indian world.
OF MARRIAGEABLE AGE is a story that unfolds in two different timelines and on two different continents. Saroj's story is set in what used to be British Guiana (in South America) during the 60's. Like the United States, this country too is rocked by racial tensions and social upheaval. Saroj contends with the demands of school, the distractions of youth (rock music, boys), and a strict, orthodox Hindu father. Half a world away in India, Nat starts out life in an orphanage, but is soon adopted by a Sahib (an Englishman) doctor. They spend their days ministering to the poor and societal castoffs in a small village. Also in India, Savitri's story unfolds on the Lindsay estate. The daughter of an Indian cook employed by a wealthy English family, she lives out a blissful childhood, falling in love with the Master's son, David. Theirs, of course, is a love that can never be, not in the world of Gandhi's India. For, like the English, the Indians too, have their caste system, and in this novel, many succumb to its appeal, causing them and their families grief, and making for a good read. OF MARRIAGEABLE AGE is engaging and moves along at a good pace, leaving the reader to wonder how these three different threads will be woven together.
Despite the title and the plot point of arranged marriages, this is not strictly a women's novel about sexual equality. It is, rather, a panoramic novel about human life. Toward the end of the novel, one of the Indian characters shows an 'overseas-born' Indian through the streets of Madras, India, pointing out the awful poverty and squalor as well as the beauty, embodied in the food, the colorful clothes, and the humanity of the people. He says to her something like, "This is India, embrace it!" This is what Sharon Maas' novel, OF MARRIAGEABLE AGE, does. It says to the reader, "this is life. It's horrible, it's beautiful. Embrace it, love it, live it!"
The setting for the book is on three continents, India in Asia, Guyana in South America and Britain in Europe and the time span is from the 1920's through the 1960's. The main characters are tied to each other in intricate and mysterious ways. The older generation who grew up in India, are David, an English boy and Savitri, daughter of his servants and the younger generation, Saroj a young girl of Indian descent growing up in Guyana and Nat, an Indian orphan. For those of us who came of age in the 1960's in the United States it is interesting to see that people of other countries and cultures were dealing with similar issues at that time. For Saroj, a young woman from Guyana and Nat, a young man from Indian the issues of rebellion and independence from the older generation were part of their struggle for maturity.
Saroj grows to adulthood nurturing a hatred for her father who she feels is all things evil and who wants to control her and subjugate her. When she is a young teenager he arranges a marriage for her, which she desperately fights against. Her dream is to become educated in England and to achieve that dream she feels she must wage a successful battle against her father.
I would encourage readers to follow Saroj, Savitri, David and Nat in their journey through life to see what composite picture is finally revealed as their lives interweave.
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This is a true-to-life depiction of how light observation helicopter pilots sought out the enemy so that other units could engage them. To do this took unheard of courage and Red Bird Down does them a grand tribute and truth. This book is a must read for anyone to understand airmobile operations.
LTC Carle E. Dunn, USA-Retired
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I truly believe this book will be remembered as a guide book that helped raise the consciousness of many, many people.
I think this is the one book that truly directs you to realize and access the information that you need to remember who you are and why you are here. It is complete and not difficult to read and understand no matter what level of consciousness you are. I personally have already and continue to use the centering techniques,that are taught in the book, to create abundance in many aspects of my life. This book will absolutely teach you to recognize messages that we so often take for granted and then later realize we should have acted on or thought about when we got them. I recommend this book to anyone also who feels they are happy with their life but they can't quite pinpoint whats missing! They will find it for sure.
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The text flows beautifully, and the authors are wonderful!
i would reccommend this book to anyone who sincerely wants to learn to channel.