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To a student of Zen, it is unnecessary to introduce this book. For those folks reading about Zen for the first time, this is a collection of Zen and Pre-Zen writings. For the greater part, it allows you to explore with your own mind these great insights without a lot of left-brain interference. Oh yes, you get clues but no answers, because these must come from the fusion of the neurons in your own brain.
I will have to admit that I no longer lend this book to anyone. It never comes back. My copy is old and has notations on every page, thoughts that occurred to me. While I was reading it for the first time a few years back, I had a dream. In the dream, I entered an ancient house and walked down into the black basement. As I opened each of a series of doors in this darkness, I would reach for the light in the center of the room. Light after light popped on. I am sure I do not have to interpret this dream for you. That is exactly what happened to the darkness in my mind: light after light illuminated my world. I was so excited I could hardly breathe. It was the beginning of a long flight towards freedom.
The greatest part of this is you do not have to learn to meditate. Each teaching brings you closer and closer to solving the problem of your mind, that is, relating conscious to preconscious awareness, into your every day living. It offers the flesh and bones of Zen. The marrow is your discovery of yourself.
I first discovered it in 1970, when I was a young man. One of my secretaries lent me her copy, and I kept it for myself.
I bought this edition last year, as a middle-aged fart.
I figure I've owned at least a dozen copies over the years. Some have been gifts from friends. Others, I've purchased for myself.
I stole only the first copy, because I didn't want to run up against any karmic Repeat Offender Rule.
It's the kind of book that seems to "walk away". Someone will see you reading Zen Flesh, Zen Bones, and they'll ask to borrow it.
That's the last you'll see of it.
Guaranteed.
I've read it many times, often in a single sitting.
I still remember the first time I sat down with it, and how it gave me a shimmering look into a world I had known little about--Zen Buddhism. At times, I still get back my "Beginner's Mind" when I re-read one of those Zen stories that I now know almost by heart.
I cannot explain the why of that.
Zen Flesh, Zen Bones contains perfect jewels of ancient stories that provide insight about life, about the world. Most of them are a half page in length--perhaps 100 words.
The neat thing about this particular edition is that it's very compact. You can slip into into your pocket, say, when you're going fishing or hiking.
It's inexpensive, too. So you won't be out a lot of money when a friend asks to "borrow" a copy and "forgets" to give it back.
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For anyone interested in UFO phenomena this is an excellent treatise by a professional aeronautical engineer. Perhaps the best available at the moment (better than any I've seen). Better ones will probably only appear after various governments of the world decide to end over 50 years of UFO pseudo-denial.
He takes one event at a time, and examining the reports and hard evidence where it exists, eliminates various suggested explanations if they don't fit. He doesn't answer all the possible questions that one can pose, but he does conclude that nothing the objects do violates any of our accepted scientific principles or the laws of physics. The propulsion system that he says fills the bill is a "focused force field". Although we admittedly haven't the foggiest notion of how to develop a focused force field, the scientific principle is sound. Gravity is a force field. We have electrical and magnetic force fields.
Hill also delves into advanced--but accepted--theoretical physics to explain how interstellar travel would be possible without exceeding the speed of light. The bulk of the book is written for a lay audience. Any normally intelligent, reasonably well educated person can follow it. He includes several appendices, however, which are crammed with mathematics far too arcane for me to digest.
It's a fascinating book, light enough to be enjoyed, but too heavy to skim. In the way that some people go to church "just in case", this work should be read, "just in case". I heartily recommend it.
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Vimalananda is the pen-name of a great Aghori master (his real name is not revealed for very good reasons), who had the privilege (or rather the grace obtained because of his past karma) to meet some of the greatest masters of all times and achieve phenomenal spiritual growth through the grace of Smashan Tara, the Great Goddess of the burning grounds. The chapters on "Ma" and "Shakti" describe the motherhood of God so wonderfully that one cannot help but fall in love with the Divine Mother in spite of her frightening disposition. The chapter on Mentors describes the eternal Guru-disciple relationship and also brings to light some of the very devious ways adopted by Gurus to test their disciples, among many other things. The chapter on Aghora brings illumines us as to how even the "forbidden" substances such as meat, alcohol, tobacco, drugs and such can be used to accelerate spiritual progress if used in a proper way along with the guidance of a Guru. The chapter on Avishkar is all about possessions, whether it's by a low-level spirit or by a high-level deity, and after reading this chapter, you would (hopefully) no longer be misled by people claiming to be incarnations of deities, since the mechanics of possession would become clearer to you.
The chapter on spirits is absolutely sensational. The astral world consists of many realms, and different types of spirits live in different realms based on their karmic qualification and level of evolution. Many people seem to think that they can extract work from the spirits and achieve whatever they want, without realizing that it can drag them into a dangerous trap, if they do not have an adept Guru to protect them. Considerable information is given on different types of spirits along with their descriptions, in the bright as well as the dark realms. It's a very objective account that brings to light various types of spirit contact, along with their pros and cons, and also tries to show how we can cultivate friendship with even the lowest forms of spirits and take advantage of it for attaining spiritual progress.
The chapter on sex is the longest and perhaps the most illuminating, and I have no words to talk about it....you must read it for yourself....it brings to light some of the deepest mysteries of sex, relationships, marriage and such never heard of before!
A word of caution though: If you are a purist with black-and-white standards, then you may find the information presented here to be very disturbing, so it might behoove you to stay clear from this book. But if you're a truth seeker who desires to discover the reality behind this mysterious cosmos, then this book is certainly for you.
This book packs real power and can cause a permanent change in your life and your very approach towards it.
May the Cosmic Mother bless you!
Jai Jai Sri Sri Mata Amritandamayi!
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This book, published in 1971, is the second of four. Toad is a bit negative and nervous, and worries about rules, while Frog is often cheerful and dedicated to alleviating Toad's fears and doubts.
"A List" is a funny story remembered long after reading it - Toad has a list of things to do, and anything not on the list can't be done. He loves to do something, then cross it off. But what happens when your list blows away, and "run after the list" wasn't even on the list. Worse, you can't remember what else was on the list. Frog is such a good friend, he just sits quietly with Toad as he struggles to figure out what to do.
In "The Garden," Toad would like to have a garden like Frog has, and with Frog's encouragement, he starts one. He tries directing the garden to grow, until Frog (hearing all that shouting) gives him some advise on how to nurture a garden.
"Cookies" is probably one of the best stories. Frog and Toad make cookies, and they are so good that they can't stop eating them. They determine its about will power, and in the end they end up with no cookies "but we have lots and lots of will power." Frog says.
"Dragons and Giants" is about Frog and Toads fears and how they deal with them. "We are not afraid!" Frog and Toad screamed at the same time. A funny story that children will like.
The last story "The Dream" is a bit deep - Toad is asleep and has a dream about starring in a play, while Frog sits in the audience and shrinks almost to non-existence.
The stories are short, sweet and about friendship, but in a simple manner. Drawings of Frog and Toad are on almost every page, and are detailed enough to warrant a lengthy view and some comments from young readers. The words are understandable and readable enough for very young readers, yet they manage to hold a story with an amusing message. riendship, but in a simple manner. Drawings of Frog and Toad are on almost every page, and are detailed enough to warrant a lengthy view and some comments from young readers. The words are understandable and readable enough for very young readers, yet they manage to hold a story with an amusing message.
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"Twelve Wild Swans" is no exception. The lessons are based on an old, somewhat unsettling fairy tale. This story is approached from three different directions that enhance eachother. The most important thing, in my opinion, is the stress the authors both put on the seriousness of commiting one's self to the Craft. Witchcraft is a life altering journey, and that journey should not be embarked upon as a fashion statement. The Outer Path sections make this especially clear.
As a book that stresses dedication and a deep commitment to the Goddess, "Twelve Wild Swans" takes its place as a classic on par with, if not exceeding, "Spiral Dance". Thank you Starhawk and the Reclaiming Community!
I do find it interesting to read the comments of the reviewer who mentioned the "rabid feminism." I certainly don't perceive this book to be that way. In meeting Starhawk and reading her work, I've never percieved her as a "rabid" feminist or man-hater... interesting how some men think anyone who uses "she" and "her" instead of "he" and "him" as generic pronouns is rabid. I've been putting up with books with a generic male audience my entire life! I guess I'm not really sure why some men are so offended by the book addressing a generic female audience instead.
I believe this book is an incredible, valuable addition to the available literature on Witchcraft, and I strongly recommend it, both to women and (secure) men. ;-)
Blessed be!
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The paper is crisp, semi-glossy, and brilliant white; the cover and page edges are guilded; the typeface is sharp and crystal-clear; and the full-color endpapers are truly magnificent.
In all and every way this is a truly magnificent and sumptuous edition -- with perhaps the single exception of price. And even then, with such a marvelous work, that is to be expected!
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Wilde's style, as ever, is populist and jokey, but the message is uncompromising: you have to take complete responsibility for your life if you want to avoid repeating old patterns that cause suffering, if you want to put ego in its rightful place. He is very good at exposing the ego-gratifying and change-inhibiting nature of (most) organized religion. Wilde uses ancient Daoist teachings and insights as his starting point, but gives them a contemporary flavor. His idea of the God Force may sound New Agey but, in spite of first appearances, this is no milk-and-water spirituality.
And yet, even as I continue to cherish Wilde's work, I come increasingly to the view that he is one-sided in discussing what he calls the God Force: the Dao, the Divine Essence, God, etc. Although he is not a conventional New Ager, he strikes me as naive in assuming the universe to be necessarily benign. Single-mindedness and purity of heart (difficult as they are to achieve) are not enough; we often do not get what we bargain for. One should approach the living God with fear and trembling and limitless humility. The tone of this book is a too light, too bright, too self-regarding; there is not enough of the otherness of God (even the God-within-us), of the shadow we do not see and most certainly do not want. Perhaps Wilde knows more from his spiritual explorations than he tells the reader here, and maybe this book already serves a valuable purpose. I am certainly grateful for it.
His run on the book, is still one of my favorite runs on any comic, past or present. The book also describes in excellent detail, the work of another landmark artist to work on Wonder Woman, Mike Deodato. Whose Wonder Woman was polished stylized and helped to update her look yet again, showing fans a new side to the character. The work that painter Alex Ross has done on Wonder Woman is amazing. You can see the Linda Carter influenece in how he paints her. Kindom Come, the book Ross did about aged DC heroes, showed Wonder Woman as eternally honorable, beautiful, strong and willfull character.This series made her a more enjoyable character. Even though I can honstly say I'm not a hardcore Wonder Woman fan, this book was excellent to help fill in the gaps in the character's history that to this point I did not know.
I recoomend this book, or any of it's counterparts to those who are interested in the myths and legends of some of this countries most eduring icons. I sincerely give my highest recommendations to this book.