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While their problems are deep, they seemed to come to the surface after the foster child (Will) they were caring for had to be returned to his biological mother. Now neither of them are willing to care that much for a child again. Sam and Rachel have struggled with infertility ever since the death of their premature daughter twelve years previously. They gave their heart to young Will only to have it shattered.
Twelve days before Christmas Rachel's aunt, a social worker, shows up on their doorstep with three young children in tow. It seems they have been abandoned in a local motel by a mother who promised she'd return. Rachel and Sam are still on the list of approved foster homes and despite the fact that neither of them feel they want to risk their heart again, they have no option but to keep the children -- at least through the Holidays.
This is an emotional story, reminiscent of Kristin Hannah's "family dramas." I love it when you have a couple who has had some sort of problem to work through which leads to them almost parting -- or sometimes actually separating/divorcing. The characters of Sam and Rachel as well as that of the three children, Emma, Zach, and Grace are ones that will stay with the reader long after the last page is turned. There were no easy answers for Sam or Rachel here. Their problems are realistically portrayed. If you enjoyed books such as ANGEL FALLS by Kristin Hannah, COAST ROAD by Barbara Delinsky or MOMENTS IN TIME by Mariah Stewart, chances are you will enjoy TWELVE DAYS as well. The book is simply unforgettable and I can assure you it will be going on my keeper shelf for re-reading every Christmas season
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One thing to watch out for, however, is that English specifies fresh yeast for the pizza dough. I had trouble finding that, so I used the active dry yeast commonly found in supermarkets, and after one try it worked perfectly. The equivalent measure for the two teaspoons of fresh yeast is one generous teaspoon of active dry. Also, dissolve the dry yeast in the water/oil liquid (at 115 degrees F) just prior to mixing, rather than putting it in with the dry ingredients as specified for the fresh yeast. If there's a fault to the book, it's that English doesn't help you much with substitutions like this that vary from his ideal.
The pizza toppings are imaginative and yummy, and can inspire you to create your own. English tends to be a bit minimalist, however, so we sometimes increase the cheese and some other topping ingredients.
I've also made the white-chocolate challah pudding, which lives up to its billing as "sex on a spoon". Be sure you have plenty of people to share it, however, or you'll wind up with a big pan of incredibly delicious but super-rich pudding calling to you from the fridge for days.
It's a uniquely great cookbook. I look forward to working through the other recipes.
English is quite creative, and these recipes are mostly quick and easy. A great cook book.
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While many people understand organic gardening involves the use of raised beds, mulch, compost, and cover plants that enhance soil friability, retain moisture, and restore soil, few books discuss the ecosystem within which gardens exist. Cunningham works a large garden at the edge of fallow farmland (where the glaciers left very nice black soil), however, many of her ideas will work in a smaller and/or less fertile places.
Some of the more interesting sections of Cunningham's book cover "old-time" notions such as how to build row hedges that attract birds and act as wind breaks; how to identify insect friends and foes and cultivate the former while repelling the latter; why toads, moles, birds, dogs, cats and horses can be great garden companions. For example, Cunningham says moles have been given a bum rap and dogs and cats can actually help you ward off the bunny rabbits and other critters who might make a meal of your lettuce. Horses are a fabulous source of organic fertilizer-should you be so lucky to own one.
Cunningham uses virtually everything that is biodegradable to make compost. She stops by the side of the road to sweep up leaves and pine needles discarded by others. She rips newspapers into long strips and mixes them into compost piles. She buries composted material directly in the garden under straw and other coverings to decompose over the winter. These practices work. I have buried half-digested material next to my roses in fall and by spring produced fabulous flowers on 3/4 canes ordinarily measuring a third of an inch.
Regarding companion planting, Cunningham suggests mixing the members of "families (i.e. tomatoes, eggplants, peppers) in the same bed along with companion herbs and perennials. She suggests members of the same family have similar growing requirements and by combining like with like you will save work. This might be so, but many garden writers suggest the opposist--combining plants from different families as companions. These writers believe the pests and diseases that attack one member of a family are likely to attack another member of the same family and by separating them you confuse the enemy. In addition, authors like Riotte (CARROTS LOVE TOMATOES) suggest certain combinations produce synergistic results. I tend to agree with Riotte, but like much else in life, you will have to experiment with various combinations to find the answer for your garden.
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The major criticism that I have of this book is not content but the way it is put together. Ordinarily you would have an index in the front of the book. In this case the index is at the end and the stories are not in a systematic order to make it easier for the reader to find. I am surprised that there is not at least a one page introduction about the author to help put her work in historical perspective and introduce her to new readers. Those are the "major" technical flaws that I find with the book otherwise it is a must have volume to have in your personal library.
What you get nearly every time with Flannery is a story that drags you over broken glass and down red-clay roads and introduces you to some people with severe religious issues and sado-masochistic channels for expressing them.
Much is made of Flannery's Catholicism, mostly by ignorant secular reviewers who wouldn't even notice the discrepancy of a crucifix standing behind a black Baptist choir in a Madonna video. But in her fiction, O'Connor's Christianity is a bizarre, doctrineless ooze that characters absorb or battle with, but not in a way that most writers on religion would recognize. Flannery is too clever for that, combining scary medieval flagellent self-denigration with Bible-belt paranoia.
You can't even start talking about American literature until you've read Flannery.
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Lots of delicious gems in here for anyone who wants to see the other side of Flannery O'Connor's work. In a way it is a contradiction that this book was published at all, as the author felt that the obsessions writers have about how other writers work, what other writers think about writing, was pointless. She believed that all was contained in the stories themselves. Are we going to take her advice?
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Ms. Hill gifts us with everything we could ask for and more: lyrical writing, powerful emotion, tender romance and the kind of freshness and originality we rarely see in the genre these days. She also writes some of the best dialogue this side of Nora Roberts. Her characters are marvelously human, vulnerable, real people and their story will linger in your heart long after you turn the last page.
In my humble opinion, TWELVE DAYS should have won the RITA and Teresa Hill deserves a place on the hardcover bestseller lists. If you enjoy women's fiction by authors like Barbara Delinsky, Kristin Hannah and Anna Quindlen, you will love Teresa Hill.