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The rhymes helped her learn, A Homeopathic degree to earn.
About Homeopathy she really cares, This book is a gem quite rare.
I swear.
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The idea of art for art's sake is a relatively new one -- the idea of using art solely for aesthetic reasons is largely one of the modern age. Art was, in fact, an important medium of communication when the majority or at least a significant minority of the populace was illiterate.
Paintings and works of art that we see today as mysterious, or sometimes without mystery and think are fairly straight-forward presentations, are in fact hiding meanings that we, because we have not generally been taught to look for meanings in these places, easily overlook.
'To many educated persons, a museum visit is mystifying. There is Aristotle--we know who he is--but why is he crawling on all fours with a woman named Phyllis on his back? There is a group of gorgeously dressed persons. Each holds an object: keys, a sword, a small dragon on a leash, a little tower, a pair of eyes on a plate. They gaze into space. No one says a word. The title is Sacred Conversation. What can it mean?'
Some symbols, however, we take for granted that we do know. For instance, the halo -- a common symbol. But is it?
'Now and then a person simply glows. We have all seen it, or perhaps more accurately, felt it. In the Mediterranean world this experience found pictorial expression. It began, as we might expect, with the sun. The fan of beams splaying from the edge of a cloud became the rays that emanated from the garland on the head of the Greek sun god Helios.'
The Christian adaptation brought about an outward expression of an inward light (much in the way Christian sacraments were considered outward expressions of inward grace). Halos come in many forms, hollow or full, head-only or bodily encompassing, and, of course, square.
Square??
Of course (the title of the book had to have derived from something, after all). One image that is used is that of Pope John VII, who is portrayed in a mosaic in the Vatican Museums. A square halo is a symbol. It tells us that the wearer was still living at the time of the art work.
A circle is perfect; so is Heaven. Earth is imperfect; so is the square.
Thus, the person was considered blessed and saintly, but, as official sainthood cannot be conveyed until after the death of the person, an 'official' round halo would be inappropriate.
Often a person will be holding an object (like a church, a house, etc.). These objects are in fact things that they built, or caused to be built (the same mosaic shows Pope John VII holding a model chapel which he had built).
Biblical stories are played out in art work, often the entire story (or a significant portion) portrayed by the symbols on one canvas or panel, which would have triggered memories of the complete story in the viewer, and which we, in our modern 'literate' phase have forgotten.
We also learn of some of the quirkiness of art -- the apostle Paul, for instance, is sometimes portrayed on horseback, and other times not. Generally, the horsey Paul is a Catholic painting; the pedestrian Paul is a Protestant painting. How do we know this? Because in the Catholic world, Paul was considered a person of importance, and people of importance travelled by horse. However, by the Protestant era, with a more literal reading of the text, as no horse was mentioned, no horse was painted.
Fisher examines 150 works of art, grouped into chapters on The Old Testament, The Virgin Mary, The Life of Jesus, Earth and Heaven, Saints, and Rome Revisited (which looks at mythological influences in art).
This is a fascinating book, lavishly illustrated in wonder colour plates, well written and intriguing.
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by Sally V. Keil is a wonderful attempt at giving credit
to true heros of our nation. Today women compete in many
areas and mostly against other women. In the air, women
obey all the laws of physics that men do. And these women
were very special. On such women was the late great Aline Rhonie
Hofheimer who besides being on the first to sign up, she also
served in ther British Red Cross Ambulance Corp and flew also with the ATA. Prior she created a huge fresco/mural in Hanger
F of Roosevelt Field on Long Island. It is important that
todays youth understand that such women existed and if not
poisoned by our culture can rise to the top again. God bless
the WAFS and WASPS and all of those women who put themselves
in harms way and never asked for special consideration. Buy
the book.
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Highly recommended.
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Xuanzang wrote some eyewitness accounts of these gigantic statues around 630AD, and this book is an important starting point to finding out more about these monuments and what they originally looked like.
This is not an academic book but more a detailed compilation of events connected with a personage with whom the author has obviously felt a close connection. The text is well sectioned with good maps and useful information, notes and an extensive bibliography that makes the work substantive (e.g., it highlights the wider territory of ostriches in the past). Xuanzang becomes a portal through which we view the art and history of a predominantly Buddhist India before she entered a chaotic phase to re-emerge as a Mughal and Hindu civilisation later.
There is staggering insight into the mentality of the Chinese and Kings at the time and the art they bestowed on the world. The importance of the Chinese civilisation is highlighted at a time when Europe was in the grip of the dark ages.
The book contains minor errors, could have been more critical and Xuanzang's feet on the cover need alteration. Leaving this aside, there is a stunning picture from Bamiyan and we can see what was lost as well as related paintings and statues which are quite exquisite (at least one of them lost from the Kabul museum since the destructive episode recently).
A book worth treasuring as written by a professional, well travelled and strong minded author (and she found the time).
I just wish there were longer direct quotes from his original book, so you could get a feel for his own writing. Also wish there was more discussion of his own spiritual journey or experience with the abbot of the Nalanda university, and the Yogacara/Vasubandhu philosophy.
Great pictures of Nalanda ruins. The story of Nalanda is really interesting in itself and the book gives you a good feel for what was happening there at its height.
All in all makes you want to read XuanZang's original book.
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