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The choice of translation matters. The older, Moncrieff translation comes across as precious and sentimental, while the newer Mayor/Enright/Kilmartin edition seems less so. Compare the title Moncrieff chose, Remembrance of Things Past, (a phrase lifted out of Shakespeare's Sonnet 30) to the literally-translated title used in the newer edition: In Search of Lost Time. Also compare, "I would ask myself what o'clock it could be" (Moncrieff) with "I would ask myself what time it could be" (Enright). Though the differences may be minor, I had a much better experience with the newer translation.
The cycle of seven novels in six volumes takes considerable TIME to read. I spent the slack year between early retirement and late graduate school reading it. Thus, I modestly propose that every American who has not already done so should quit his or her job immediately and carefully read all seven novels before proceeding any further with thier lives. Not that I'm an enthusiast. My proposal follows from an opinion that we Americans need to spend more time thinking and less time doing. That way we'd do less harm. Even so, readers should be prepared for a certain Proustian indifference to minor matters of proportion. They may find a single sentence that occupies an entire page, or a single paragraph that goes on for eight pages. A chapter of 300 or more pages may be follwed by a chapter of 25 pages. "Marcel" may go on for fifteen pages about what he experiences while trying to remember a name that's on "the tip of his tongue." But if you don't enjoy lengthy examinations of inner experiencings, you probably shouldn't be reading Proust. There were also occasional long stretches of such drek that I wanted to gag. "Marcel's" sojourn with soldiers in Doncieres in Vol. III was one such. Readers must be prepared to simply forge ahead when encountering these. It gets better.
Which leads me to Vol. VI, Time Regained, a tour de force, without a doubt. If the "tea and madeleine" segment in Swann's Way forms the left bookend for In Search of Lost Time, Time Regained forms the right one. I wouldn't want to give too much away about Proust's final volume. William Empson claimed to have expected an apocalypse and accordingly lamented (or pretended to lament) the apparent insignificance of what Proust actually provided. I'd hate to give away more than Empson did, but I think that by the final volume "Marcel's" fruitless pursuit of Madame Putbus' maid has been abandoned at last. Even the face of Mme de Guermantes, admired by "Marcel" through seven novels, has begun to resemble "nougat" with traces of verdigris and fragmentary shell-work on which grew "a little growth of an indefinable character, smaller than a mistletoe berry and less transparent than a glass bead." Volume VI shows "Marcel" at his funniest, and most misanthropic, as attached as ever to his own follies, yet as quick as ever to dissect those of his friends - a decidedly tragic vision. It made the long read worthwhile. After I finished Time Regained I went back to Vol. I and began all over again.
This is, as I expected, one of the most beautiful and exciting books I have ever read, as well as one of the most frustrating and irritating. What is most surprising, for a book claimed as one of the two greatest of the century, is how old-fashioned it is (compared to the still startlingly modern and socially relevant ULYSSES).
It has two types of narrative. One, about a young middle class boy who penetrates society, is a mixture of social comedy and tortured romance familiar to anyone who has read a great Victorian novel - there is the same social analysis of an outmoded caste, wide range of characters, poetic evocation of place.
The language, once you get used to the involved, elaborate sentences, is very accessible in a Jamesian kind of way, intricately psychological and analytical, yet supremely elegant and radiant, with a verve and lightness remarkable for such a heavy book.
The translation is, for once, remarkable - it can never be the original, I guess, but you rarely feel that you are getting only half the work like you usually do.
The second half is less satisfactory. As is appropriate to a book concerned with time, the book's forward progress is constantly impeded, by degressions, flashbacks, fastforwards, explanations. The book, like those of Anthony Powell (if you loved THE DANCE TO THE MUSIC OF TIME, you'll adore this) is less straight plotting, than a series of monumental set-pieces.
This novel is 450 pages long, but has only about three events - the narrator going back to the country to stay with friends; the first world war; a huge party. These are mini-novels in themselves and are extraordinary as social observation, character comedy and amusing incident, as well as profoundly moving meditations on the inexorable power of history and old age.
Imagine the narrator has a remote control as he is walking through the film of his life. He freezes the screen every three seconds and discusses in detail the tableaux vivants before him, bending time and experience back and forwards with ease as he does so.
In between these are ruminations on the art of writing. This is a remarkably self-reflexive book, the narrator suddenly starts talking about how he came to write it, what he intended to achieve and what tools he was going to use. The volume becomes less the conclusion of a vast work than the record of its inception; you have to go back then and read it again (believe me, 3700 pages won't seem enough).
This section, a book-length manifesto, is fascinating and thrilling, but also repetitive, difficult, frustrating, and sometimes obscure - it gets in the way of the brilliant descriptive passages - the meeting with Baron de Charlus is possibly the most extraordinary thing I have read, until the remarkable coup of the closing party, where people the narrator hasn't seen for years have grown horribly old and form a grotesque, funereal fancy dress party - you want him to shut up talking about Time and impressionism and get back to the fun.
Two other things: Evelyn Waugh was wrong - Proust is hilarious, both with subtle ironies and more obvious satiric abuse; with risible character traits and wider social events.
Secondly, the narrator is not some unbearable omnisicient know-all as those of Victorian novels - he is deeply unreliable - a prig, hypocrite, voyeur, homophobic, intolerant, puritan, snob, deeply contradictory and cripplingly ill; in earlier volumes he is apparently obsessional, jealous and brutal to the point of insanity. No wonder Nabokov adored him - he is, in his ravishingly aesthetic unreliability, the first Humbert.
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The price is right for what it contains. I'm a competitive racewalker although I'm currently training for a half marathon. Definitely try to market this product to health clubs--it's terrific!
I have found the pictures and descriptions of each exercise extremely easy to follow. I also enjoy how the fan is broken out by body part to help me focus on specific body areas.
Both women and men in my gym have noticed me using this new tool and I recommend they, and you, purchase The Training Fan.
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I would also recommend books by Lois Gilman, Lee Varon and Myra Alperson- the multicultural resource book
The book gives you comprehensive coverage of the necessary and vital information you'll need in order to decide if foreign or domestic adoption is right for you and if so how to go about it step by step. The information is up to date and presented in a sensible, concise, readable and applicable fashion.
I also felt the special features like: what to watch out for, moneysavers, timesavers and bright ideas were extemely pertinent and helpful. There is a very complete appendix in the back of the book with many valuable resources for both domestic and foreign adoption included.
I would definitely recommend this book to anyone considering or in the process of adopting a child.
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This book is a fantastic collection of traditions and ideas for welcoming our newborns into our lives and homes. While I plan to have a traditional Catholic baptism when my baby is born, this book gave me several additional ideas to help honor my child before this date. All family members are incorporated into the ceremonies, to give the child a sense of becoming part of a whole, who is eager to have them join into the family.
World customs are mentioned, and it was a treat to read what other countries do to celebrate their babies. We have become disconnected with the rituals that make up life, and this book is a wonderful way to help new parents develop a way to mark the huge step of welcoming a new child into the home.
I am a parent of two daughters, ages 4 & 6, and I am saddened that I did not have this book when they were born. Yet, I am also a parent educator, and hope to provide many pre-natal families information about this book and the value of traditions. I also plan to give this book as a gift to all of my friends & family who are or will be expecting a child---I feel that it is as important to them as the prenatal information they receive.
The illustrations are beautiful, the text and content inspiring, and the cost exceptional for a book that will/should be passed down generationally.
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Sincerly,
Julie Hanenberg
I have no doubt that Andrea's experiences go well beyond what she has written about, even as a child. She has made it clear that co-existing is possible without much effort on our part.
BE PREPARED! Where have we all seen those words written before?
Although "common sense" is not all that "common", I think this book makes clear to all of us what we can do to make our lives and the lives of the animals a much safer place.
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