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I come from a family where letter writing is a part of life, like breathing. We can look forward to letters from Mom weekly, and she has instilled in us the value of this dying art. If you can get your hands on a copy, consider yourself lucky!
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I don't think that many people will read this book because of its subject matter. It's a topic that many people want to avoid or deny. Regardless of this, Sven Lindqvist should be praised and recognized for this fascinating and enlightening book.
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The book is easy to follow even for a beginner. I bought the book when I got my first dog and followed it to the "T". People can not believe how well trained my dog is and ask if I had him professionally trained!
This book is a must have for all dog owners!
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As a final comment, my 7th grade son told me recently, "Mom, I have to admit, sentence diagramming is still hard, but I like it! It's like a jigsaw puzzle where all the pieces finally fit together." (Thank you, Dr. De-Vincentis-Hayes.)
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Julie Jensen McDonald pieces together the spirit of the Wood family during the demanding and daring times of the 1920s and 30s, capturing the substance that nurtured the talent, resourcefulness, and fierce loyalty demonstrated by Nan Wood Graham until her death in 1990 at the age of ninety-one years. Intriguing and enchanting details, garnered from the vast collection of Grant Wood memorabilia now held by the Davenport Art Museum, and other sources, profile the woman behind the face in American Gothic. Nan tells how she was wooed by her brother into posing for the painting by a promise that no one would recognize her. As the Gothic couple became one of the most celebrated images in art history, she speaks candidly of the joy as well as the vulnerability of "celebrity," including the innumerable parodies which depict a wide range of social conditions.
Joan Liffring-Zug Bourret, Penfield Press publisher, presents a pictorial documentary along with a"Passages in Time" of the Wood family, and rare insights from friends, acquaintances and admirers of Nan and her brother Grant Wood.
Essays by friends and close associates reveal the extent of Nan Wood Graham's devotion to the memory of her brother and to the places where they spent their early years. Personal letters and other commentaries provide a view of her fondness for time and place: early years in Anamosa, Iowa, growing up in Cedar Rapids, the generosity of friends in the Amana Colonies in times of great need, and the support of friends and mentors in the Iowa City and Davenport areas. Nan was often cast as a "fierce guardian of the truths of her brother's life." The Epilogue "Myths About Grant Wood," based on several years of research with Nan and other sources by the late John Zug, presents some truths to dispel many of the myths that often accompany notoriety.
This book adds a dimension to the woman in American Gothic. At age eighty three, Nan said the painting saved her life from being drab. Even though she didn't think the "painted" lady looked anything like her when it was first displayed, she had now decided that: "We look a lot alike. She's really become me."
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