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For educators, this book provides another angle for social contract theory, socio-economic systems, and synergy. For managers, this book provides a rationale for understanding and developing employee systems, including those in organized labor.
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The book opens with the protagonist on death row. A good place to begin a hot and heavy story. About to put to death for a vicious murder rampage through the American desert wastelands, Marjorie was once a speed freak involved in what became a deadly menage a trois. THAT is interesting stuff, and all the elements are there for a kicking ride through rebellion and counter culture insanity.
What brings the reader down from that high is the fact that Marjorie has found Jesus, and with the love of Jesus backing her, she maintains her innocense through interviews on trendy spots such as Oprah. The rights to her life story have been bought be Stephen King, who is interviewing her in prison before her lethal injection.
The story was powerful enough to hold its own without having Mr. King involved, which really makes no sense, as he is the king of horror, but not of real life debauch and devilry. Finding Jesus is lovely, but not in a thick plotted pulp or noir tale. Oprah is great, but Hard Copy would have taken the story first. The mainstream trendy references really distract from the meat of the story.
Real noir has no remorse, that is what makes is so fascinating to read or to watch. The author almost seemed fearful of letting go and living the thrust of the story.
This book would have been better had it just been the story of Marjorie, her husband Lamont and her lover Natalie riding high and nasty on meth amphetamine and a pipe dream gone up in smoke,
I loved the concept, but the final product was a bit weak.
It's totally worth having on the shelf, but as a skim read, not as a bible of bad girl.
Marjorie bluntly reveals the most intimate secrets of her love triangle, -between her, her girlfriend Natalie and her husband Lamont-, gives deep insight in what it is to be to be married to a car loving drug dealer, having a baby and living a life on speed.
The author's unique style of writing is a hallmark of this novel: song names, movies, books, drugs, local drive-thru restaurants and their menues - when reading this story the reader comes across numerous proper names, most of them only Stephen King fans, local citizens, junkies and car addicts have heard of. However, this does not affect the story negatively. The every-day language matches the story perfectly, yet it does not get too coloquial and after a few pages one quickly gets familiar with O'Nan's style and is introduced to the realistic world of Marjorie that is exciting, beautiful, strange and brutal at the same time.
"the comfort women had become sex slaves voluntarily..."
"the invasion of the Asian countries was for the liberation of Asia..."
So, there has never been a sincere apology from the Japanese GOVERNMENT but effort to omit some war crime facts in publishing high school history textbooks.
It scared me, as much as when I was ten (that's when I first read about it) as it does now, at fourteen, and probably will no matter how old I get -it's hard to forget the grisly eyewitness accounts, the gut-wrenching photographs, and to really think: it really happened. And even worse are the subsequent denials of the Rape. It's almost enough to destroy your faith in [man]'s inherant goodness.
A picture is worth a thousand words, and in this book there are PICTURES. With such blazing evidence, one would simply not be human to say this never happened.
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This book is a good introduction to Gertrude Bell and discusses a few, limited issues surrounding the centuries of unrest in the middle east. It truly focuses on the life of Gertrude Bell and should not be used as a primer on mid-east issues.
Shen prepared a corpus of 72 utterances. Each utterance consisted of a sequence of syllables all of the same tone. The utterances varied with respect to which tone was used, grammatical complexity, and sentence type (e.g. statement, yes-no questions, alternative questions, etc). This type of corpus offers several advantages, giving a sufficient range of data to draw broad conclusions, while being controlled enough to factor out phenomena such as tone sandhi from her broader account of intonation group prosody. Shen also used a number of informants, so that it is rather difficult to dismiss her conclusions as reflecting idiosyncrasies of an individual speaker. For those who wish to question her conclusions, Shen provides the fundamental frequency values in Hz for each of her informants at 4 points that she identifies as key to each intonation group: the starting point, highest peak, lowest trough, and ending point. Shen doesn't fall into any specific theoretical camp in this work, being content to summarise the data as she has observed it. She concludes that there are three "tunes" in Mandarin Chinese; that tone, stress and intonation interact in a complex way; that rising and falling endings are suprasegmental, not extrasegmental; and that pitch output may be separated into 5 strata.