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A warning to the faint of spirit: Do not venture into Finneran's Tender Land, unless you are prepared to open yourself to raw emotions.
Prepare to be stripped down to the bare essence of your being and know that you will experience life in all its unadorned forms. Your emotions will run the scales from deepest grief to glorious release. By the time you finish this slim volume, you will know and love the Finnerans -- each and every one.
Most of all you will know that the missing Finneran, Sean -- a suicide at age 15, still serves as his family's angel 18 years after his death.
Take a magical journey to The Tender Land. When you have reached your destination, you will know that you have experienced the rare privilege of being enthralled by a gifted storyteller, who generously has shared her life and memories of that portion of her life which helped forge her transcendent talent.
Read this book. It will clarify your spirit and validate the wonder of human connection regardless of individual backgrounds.
The author does an amazing job in detailing her struggle to come not only to accept herself, but also to accept her brother's death (by suicide). She slowly peels away layers of her family history and the details of what led her brother to commit such a desperate act. I found this very moving as it allowed me more time to feel I understood him and to question (as everyone does when something like this happens), "Why?"
I really cannot recommend this book enough. I hope you simply do yourself a favor and buy it.
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While this theme isn't new, Belli presents it in a manner that is very typical of Latin American authors. The book displays a very strong narrative, well-defined characters, and a touch of mysticism to make things seem slightly otherworldly. I did find the revolutionary angle of the text a little dated. But, that fact didn't detract from an otherwise magnificent book. It should be read by anyone who's either looking for an introduction to Latin American literature, or looking for a reminder about the universality of the human emotional experience.
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It is the only book I have found that deals with the issue from just the female point of view. So much is written about boys this is an excellent source for parents and teachers of girls.
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In addition, historically important works of art (engravings and paintings) are reproduced - although unfortunately none in color. The captioning is - for a work of this scope and size, and for illustrations of such power - inconsistent and therefore disappointing, though.
Because it's published by an academic press, I expected a more careful and rigorous treatment. Books of this scope and ambition are few and far between, and one treasures the illustrations - the historic visual record - in and of itself. It's dicey to criticize a collection that has as its focus such a compelling (and neglected) subject: the history of African American women.
The subject matter is terrific - but the book is less so. One wishes that the editors had had an editor. (Why, for example, is the "b" of "black" capitalized? To my knowledge this is not conventional usage, and it detracts.)
So what happened? At times the work seems rushed. For example, three people are photographed, two are identified by name, the third called "unknown." In fact, the writer means "unidentified." Accompanying a photo of a shoeless farm worker is the caption telling one, redundantly, that she is barefoot. A number of captions identify the subject as "Unidentified woman, [location, date.]" That seems lifted directly from states' historical societies' archives. One expects more - or less - but not words that merely interfere with one's experience. One does not need to be told that a photograph is a "photograph."
Occasionally, the editors engage in assumptions regarding the illustrations that, in my view, interfere with the power of the imagery, and reduce the value of this compilation. Guessing as to the subjects' activities in a photograph by Jack Delano, they write that a woman and several children are "possibly waiting for the husband and father to get his hair cut." In fact, one cannot know, and do not need to know, what the people were doing that day. The photo is about much more than that. Another incredible photo of a woman and a girl is accompanied by more guesswork as to the relationship of the subjects (mother and daughter?). There is wordiness to many of the captions. Worst case, there is sometimes unintentional patronization: subjects are identified as "lovely young women," (p. 81) or "fashionable," "attractive" (p.4). The end result is a sense that this book was rushed, and that - despite the impressive pool of archival material from which it was assembled - some corners were cut. The editors use interesting and illuminating quotations in places - but meagerly. There is brief index of names of subjects, and names of quoted women, omitting place names and more.
I wish that the authors of this work either done more, or less. Mostly, I wish that they had more convincingly respected the ability of these powerful and important illustrations to speak clearly to the reader, and had also trusted readers to make the connections between text and visual imagery that is so satisfying and essential to the meaningful experience of organized archival material.
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When two Polish Jews, Meyer and Manya, both 17, and their families decide to go into hiding from the Nazis, there troubles are just beginning. Manya and her 14-year-old brother, Chaim, decide to leave her family's dangerous hideout and go with her boyfriend, Meyer. Together, they go through various hiding places and worsening concentration camps all over Europe. Trying to survive day by day, they often wonder if they will ever be free again. Meyer and Manya survive, however, with their great faith and love for each other - but how? Will they ever see their families again? Can they ever be happy... and free?
This was a great, inspirational story, written by the couple's son. It can be read and enjoyed by a large age group, anywhere from middle schoolers, teens, and adults. It really helped me to see the true horror of the war, and I would highly recommend it!