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The editors' decision to use present-perfect tense on past events seemed, at times, disconcerting; as did the decision to handle events on a straight chronological basis rather than to follow a specific development through a multi-year transistion in a single section.
The book has an excellent bibliography at the end for further reading on key points of interest. It is good to be aware of this from the start, since the book does not use footnotes and, when read as a whole, there were times when I wanted that "hyperlink to more details."
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It's a story about a family who goes to Italy to redecorate a hotel. It's a very romantic lovestory between FLORA and PAOLO. It made me long for my own "big" family who have a cottage in Michigan(this is where the story begins) and my mother's homemeade Italian cooking.
It was just a wonderful story. I'd recommend this book to anyone who is hungry for a family adventure to the land of love, and more love. Amore, amore, amore...
Longing for another Stellini book! Ella H.
P.S. If Terry Stellini reads this, I just want to say again, "I LOVED IT!!!!!!!!!!!!!!!"
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Do not confuse this novel with P.S. I Love You by Barbara Conklin.
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The second and more interesting of the two books is the more well known -Awful Disclosures of the Hotel-Dieu Nunnery- by Maria Monk. This is a fictitious libel, but its seriousness is undermined by the fantastic story told. A warren of secret passages and other Gothic trappings honeycomb the convent. The nuns are there basically to serve as a harem for Roman Catholic priests. Bizarre religious justifications are urged on the sisters for this practise. Any children they beget are first baptised, then slaughtered, and buried in a secret cemetery in the convent. This lurid tale is better told than Reed's; Monk, or her amanuenses, were better writers than Reed's.
Monk's tale, of course, was a deliberate hoax, made to capitalise on the fame and market for anti-Catholic horror stories. Since Reed's book became a best-seller, an even more extravagant story had every good prospect of making money. Unfortunately, not for Maria Monk, who made little from her tale. She had apparently suffered a brain injury in her childhood that left her unable to distinguish fact from fantasy, and as such was a perfect and convincing patsy for her collaborators in creating this tale. She also died young in distressing circumstances.
Roman Catholics were an exotic species in early 19th century America. They were the subject of more or less traditional hostility from Protestant Americans. The secrecy of the cloister, and the exotic rituals and language of the Roman Church, made the Gothic literary style a good fit to write anti-Catholic fictions. Maria Monk's book is in fact largely in the tradition of -The Monk-, Matthew Lewis's lurid fictional tale of a priest who made a bargain with the Devil for carnal pleasure.
At this distance, when the right of Roman Catholics to practice their faith stands on a firmer foundation than it did in the early 19th century, those who take pleasure in lurid Gothic tales may also take pleasure in these as well. They are not great literature. They are, however, historically significant. And if you can put aside indignation --- excited either by the tales they tell, or the fact that they were ever published --- they are simultaneously sad, exciting, and ironically amusing, just like the best Gothic fiction.
The editor's introduction, unfortunately, seems to advance airy academic notions that are unlikely, but all too familiar. The hypothesis is ventured that the destroyed convent was a threat to Bostonians and their "patriarchy" because it represented a community of sexually independent and educated women. Toni Morrison is invoked to support this notion. Reading her introduction, you could almost forget that she's talking about nuns bound by oaths of obedience to a male hierarchy. Rebecca Reed's indignant descriptions of debasing penances seem more informed by a spirit of liberation than the introduction.
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excellent text for last minute review. It is not intense enough to study
for subject area boards, but is still useful when you don't have enough time
for a more expansive text. I used this and "Prescription for the Boards" as
my study resources and was able to increase my Step 2 score more than 20
points over my Step 1 score.
The pictorial discussions of disease processes is the best memory aid I have
found in texts like this one. I highly recommend this book for anyone about
to take the step. I can't find anything that compares to this book for
board
review. I give it 5 stars and 2 thumbs up.