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If you like mysteries a little on the dark side this would make a fine reading choice. I look forward to reading something by this author in the future.
... Monsour is a fine writer with an interesting story. Clean Cut reads very, very much like a John Sandford "Lucas Davenport" novel but don't believe for a moment that this is ripoff of Sandford's work. Monsour writes her own story with her own characters. Her main character is Paris Murphy, a St. Paul police sergeant chasing down a well-bred "clean cut" psychotic killer of hookers in MN. About a third of the book is told from the perspective of the killer. Monsour handles the change of views effortlessly and IMhO it makes for a more interesting book. ...There is sex and violence in the book but it's part of the story. Monsour does NOT play Paris Murphy as some sex obsessed bimbo, she gives all her character a suitable amount of depth.
... I really look forward to seeing more novels from Theresa Monsour. I'm sure she is going to get tired of being compared to John Camp but since I consider Camp to be the best of the best I hope she takes it as a compliment.
St. Paul homicide detective Paris Murphy doesn't realize at first that she is dealing with a serial rapist killer when she is assigned the case of the murdered prostitute. The case doesn't begin to take shape for her until a Catholic priest is almost murdered in the confession booth, holding the prostitute's cross in his hand. As the death toll mounts, Paris and Michaels are involved in a cat and mouse game that will only end when one of them is dead.
This is Theresa Monsour's debut novel but nobody reading this exciting police procedural would ever believes it. The characters are well developed to the point where the reader ever understands even the killer's motivation. CLEAN CUT is fast-paced and the plot is believable but the heroine is the star of this work. She is determined to find a way to bring the antagonist in so justice can be served even if it means putting her life on the line. She is courageous and spunky.
Harriet Klausner
The main plot is as follows: In the age of the Great Depression, the Federal Theater Project gave many U.S. people encouraging entertainment, and gave many actors and artists their jobs. The movement gave birth to Marc Blitzstein's masterpiece 'Cradle Will Rock' (directed by Orson Welles), but the play offended the reactionary congressmen. They made their soldiers lock out the theater. 'Cradle Will Rock,' can't the play see the light? Or...
In addition, the movie has the clash between Diego Rivera and Nelson Rockfeller over the Rockfeller Center's mural, etc. And the book has the detailed background notes of the movie. They are a great help for me. For example, I thought red-hunting movement was made by the Republicans, but it's my misunderstanding. And I learn that Harlem Renaissance (I like Zora Neale Hurston) wasn't an isolated and mutant movement. Etc, etc.
The movie and the book represent artists' courage. In the afterword, Tim Robbins says 'I believe threre are already too many artists who censor themselves.' I, too, think so. Bravo, Tim and his comrades ('gangs'?)! A toast to your brilliance, effort and bravery!
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Instead of picking up this particular book, I'd suggest that you pick up the pregnancy books that I recommend to the parents who sign up for my parenting courses: The Unofficial Guide to Having A Baby by John Sussman and Ann Douglas (for parents who want a highly comprehensive and yet very readable guide to pregnancy); The Pregnancy Journal by A. Christine Harris (for parents who want a journal that's packed with interesting facts about pregnancy); and A Child Is Born by Leonnart Nillson (for parents who want an illustrated guide to fetal development).
I and my husband both are very happy with this book.
It provides summaries, key points etc. which makes it easier to get to the core of the issue/problem in mind.
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Dintino manages to create the vibrant doggedness of Auriellia's character yet fails to give the reader the sense that she is a woman of another time. Her selection of the matriarical society of Minoan Crete to backdrop her message while intriguing was lackluster. I did not get a sense of the people or community. Mostly I would have liked to see more myth wrapped within the tale. Case in point, as the labyrinth is detailed within the story's structure as an intitiation ground, I would have enjoyed a reference to the minotaur myth. . . but, perhaps Dintino's tale predates this.
Overall this was an interesting spiritiual read; Auriellia's awakened feelings as a mother are right on the mark and beautiful to read.
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Anarcho-primitivism may not have the most useful prescriptive program, but its descriptive power is unparalleled. The anarcho-primitvist goal is certainly utopian, but that is a good thing. Without utopian goals, we can have no transcendent position from which to challenge the present order. The intermediate mechanisms of change, through which we must work toward the utopian anarcho-primitivist future, should be the true program of liberalism. The left has condemned itself to irrelevancy by ignoring its utopian strand in favor of technical tinkering. We must recover our utopian roots in order to bear anarcho-primitivist fruit.
Before I knew it, I was down in Eugene, OR, walking through the infamous Whitaker district - well known for it's vagrants and black-block anarchists - searching for Zerzan's co-op. He greated me at the door, and invited me into the small frontroom/study. It was filled to the brim with old ragtag books and zines, but otherwise well-kept and austere. After talking for an hour about anarchism, ecology, history, technology, society, permaculture, natural farming and ecovillages, we then went to a local coffee house to chat some more.
What struck me about Zerzan was his humility, patience, kindness, and penchent for critical thought. I mentioned my suprise that he had a telephone, and he agreed, in an ideal world he would not need a telephone. But, he said, he does not have a computer, watch, or any of the other things that weight us down and distract us more than they help us. And, he reminded me, a certain degree of compromise must be made for those who wish to stay inside civil society and reform it. Sure, he could pack up and go live in a commune, but how would that help? The global economy would still spin out of control, and people would continue to live in ways that destroy the planet. Aside from the phone, which keeps him connected to the larger movement as well as curious people like me, Zerzan purposefully chooses to live like as "primitive" (a word he esteems, although it is now used merely in the pejorative) as possible. In fact, for reasons outlined in his book, he prefers it.
I highly recommend reading RUNNING ON EMPTINESS even if you are an avowed progressive or technophile - if only for the sake of balance. As Zerzan shows in the book, progress is not a unilinear process of self-refinement. It has also alienated us and, as with the case of people like me, made us sick. For those who have already begun to notice that civilization is not all roses, this book is absolutely essential. There is perhaps no better perspective on this subject. Zerzan will enrich and deepen whatever nascent criticisms you already have. A must read.
The only down side of the book for me was the discussion of technology (as well as several rather malicious pokes at Peppers & Rogers). The authors clearly chose only to view computer technology as an insidious and poorly implemented medium that threatened to reduce front line "encounter" people to automatons (albeit mildly useful in relationship environments). Although no one will argue that IT practitioners often do not understand business, the fact is that technology today is evolving into a very powerful tool for augmenting customer relationships. Granted, we hear a lot of unfounded hype about e-business, CRM and ERP systems. However, used appropriately, emerging technologies will help encounter businesses understand the needs of individual customers to a far greater extend than has been possible up to now.
Overall, a very worthwhile read.
For example, Chapter One "looks at customer perceptions of some common practices that result from mistaken ideas about what constitutes a relationship." Chapter Five identifies several different types of encounter and then examines one specific kind: "when the individual service provider is replaced by a machine." In Chapter Ten, the final chapter, the authors bring the reader back to the central question (ie What are the basic causes of customer dissatisfaction and how can they be avoided or eliminated?), then discuss "the trends that will be important for success in the years beyond 2000."
As technological connectivity rapidly and extensively replaces so much of direct human interaction, it is imperative to understand the differences (as well as the implications of those differences) between an encounter with a customer and a relationship with a customer. Gutek and Welsh have made an invaluable contribution to our understanding of those differences...and to our understanding of how to achieve and then sustain enhanced relationships with those whom we are privileged to serve.