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The book is written with a newspaper sensationalism kind of feel, but that shouldn't bother you too much.
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Kee just cannot refuse to help anyone in trouble - after all weren't all the Kincaid men raised like this? So, when he hears a woman's frantic screams - he rides to the rescue.
Right into the path of adventure with Isabel, a mysterious beauty who is not the only one seeking her grandfather's old gold mine. Kee and Isabel will come near death as they search for the gold using her 'special' map. They also scorch the pages with some sensual tension along the way and like the other Kincaids, once Kee is bitten by love he won't give up until he claims her.
It's a delight to reunite with the Kincaid family once again in this setting that takes place ten years after ONCE AN OUTLAW. Kee is another Kincaid hero to love from author Theresa Michaels, one of the best in Western Historicals.
Isabel de Cuervo needed Kee's help in the worse way as she was running from killers who were after a map of a gold mine her grandfather told her the whereabouts of. This gold mine involves the legend of the Lost Dutchman Mine. It is a place of mystery and death. As Kee helps Isabel search for the mine they are beset by all sorts of troubles with a capital T. One of which is trying to fight the explosive pull of passion they have for one another since Isabel has her mission in life and Kee has many trails and things to explore before he settles down. Between the sexual tension and living under the feeling they may be killed at any moment, plus the dangerous trails they travel you feel as strung out as they are. You hardly come up for air it's that exciting! I couldn't put the book down for a minute for fear I would miss something. The love story woven throughout the book is beautiful and endearing. Ms. Michaels does a fine job of building her characeters' relationship into one you won't soon forget. In fact, Theresa Michaels creates heroes that make a bee line right into your heart and soul.
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In the best traditions of good travelogues the book paints a sensitive and romantic portrait of traditional cultures; we are invited to feel a poignancy about the inevitable losses that changes through modernization brings. The author in describing her man says "he was a good man in a dying trade, a fisherman to the core of his soul. His boat, his nets, and the sea were his life."
Writing style and attention to culture - the hallmarks of a good travelogue being present - what then is the problem with the book? The truth is that the cultural practice itself is not one that we develop much sympathy for. MATTANZA, although certainly not a glorification of death, and steeped as it is in religious symbolism, nevertheless is shown up as a bloody ritual, and more unfortunately for the book, a rather senseless one.
Maggio describes the scene around the trap. "The net was drawn taught, and they skittered in front of us, half out of the water...The fish were as big as men...I remember the din, the thunder of falling water, and their frantic thrashing. They darted to the corners of the net, but there was no way out...when the thrashing calmed they were battered, bleeding and floating on their sides, but they were still alive...this killing went on for an hour, the blue square turned red. When the last fish was taken the currents cleared the square of the blood and milky water that clouded it." Not exactly a practice that has much to recommend it. Even if you wished to take a principled stand and say 'I can't pass judgement on other peoples cultural practices,' the book sets itself up for just this sort of criticism where, after the Mattanza, Maggio says "the tourists...were towed back to port." Now we see the reality. This ancient traditional cultural practice, steeped in religious symbolism, is not so precious afterall. It has allowed itself to be bastardized into a blood-sport tourist attraction in order to make a few dollars. This admission, and the failure of Maggio to contrast the traditional practices with even more exploitative, modern commercial fishing activities, leaves the spotlight firmly on MATTANZA; and unfortunately for the book wheras the writing style shines, the cultural practice it describes does not.
I loved her descriptions of these fisherman. Made me wish
I wasn't married. I'd go over there and get me one!
great descriptions!
Inspirational story-telling by an artist that paints through words and colors with the culture and rich tradition of a brutal ritual.
Thank You Ms. Maggio for giving my dreams substance and a sicilian fantasy.
jackie farrow
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