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It starts with an insight into the legal area of accessibility and moves on to look at common myths such as having a text only alternative to a site. Then it shows you how you can present your content, navigation and data input in the most assessable way, and then shows you ways on how you test your site, making sure everyone can enjoy your online efforts!
What I love about this book is the explanation behind it. Not only does it show you the practices, it backs them up with clear and concise reasons on why these techniques can make your web site easy to use for anyone, including those who may have disabilities. It is a major eye opener and it will be a book that sits on my desk day in, day out, whilst I program web sites. I can't recommend it highly enough, and it is an absolute must read for all those who program on the web and those who use the web to display and gather information."
Usability really became an issue when Jacob Nielsen infamously denounced Flash as 99% bad. Accessibility became a priority for web developers working on government projects after Section 508 was brought into law in the United States.
Accessibility became an issue in Australia during Maguire vs SOCOG in 1999, when a blind man filed a complaint with the Human Rights and Equal Opportunity Commission (HREOC) that neither Olympic Games tickets purchasing information nor the souvenir programme were available in Braille. Most importantly he alleged that the SOCOG website was not accessible, and to make it so would have been well within budget. SOCOG was found to have discriminated against the complainant and damages were awarded against the organization.
Accessibility is now a civil rights issue. It is also not that difficult to implement on a website, once you learn how it can be done. This excellent book, Constructing Accessible Web Sites, teaches you all that and more. It is the first on its subject, and will not be the last, but it is damned a good beginning.
All eight co-authors have been pioneers in the field of accessibility, and Glasshaus deserves praise for having assembled such a team. They cover more than website accessibility - their expertise extends to the accessibility of web design tools themselves. An apt reminder that the web is as much about reading as writing, for writers as much as readers, a real medium of two-way communication.
All websites can now be made accessible to varying degrees, even Flash websites since Flash MX, as Macromedia Senior Product Manager for Accessibility Bob Regan demonstrates in Chapter 10. So there are no excuses for failing to add increased accessibility, and usability for that matter, to that new project you are just about to commence.
Ensure you have a copy of Constructing Accessible Web Sites at hand when you begin. And also take a look at another equally essential reference on the subject due out any day now, Joe Clark's Building Accessible Websites. Accessibility is the newest and most necessary website building skill. There are no excuses now.
The main UK legislation that specifically mentions web sites and accessibility comes into force in October 2004 which, at the time of writing this, is still over two years away. This means that there isn't a great deal of information and certainly no legal cases that we can draw on from our country, so we have to look elsewhere to see what is happening.
This book benefits in that, although it does cover Section 508 and other already in place legislation, it also gives a great all round understanding of the topic, and is very easy to read. Having chapters written by different authors means that you get a far greater depth of experience and information, which can only benefit the reader.
If you're going to buy one book on accessible web sites, this should be at the top of your shopping list.
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So I began trying to figure it out on my own, using my knowledge of the best current science. "Pleasures of Small Motions" is the result.
If you want gimmicks, don't buy this book. If you want hocus-pocus or psychobabble, don't buy this book. However, if you want a scientifically sound understanding of the mental game, have a look.
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I definitely connected with him when he wrote about cutting out pictures in the 4th grade -- his excellent eye/hand coordination as demonstrated by his superb cutting skills did not serve him well when he played baseball. How true!
I've heard Bob Smith perform a couple of times. He's as terrific in person as he is on paper. A truly funny, personable guy!
Way to Go, Smith, is a definite read - as are all of his books. I can't wait until the next one is printed!
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"Grandpa" is "hip" too. While many of the poems deal with personified animals, Tucker's most frequently used character is a snake that goes by the name of Sammy, a cool dude with a mischievous personality. Many holiday poems include Sammy getting in and out of trouble, or becoming hero for the day. Take for instance "Sammy, the Snickers Snake." Sammy dresses as a barber's pole on Halloween and saves his town from a vampire by holding his snake friends, Hiss and Hoss "dressed together like a cross," scaring the vampire away. And then the friends rejoice by giving themselves a "high one." Sammy is justly rewarded with a five-pound Snickers bar.
I have only one complaint about this book: it would be better served with full page, color illustrations. All of the children's poems here lend themselves to pictures. The black and white sketches are well done, but I would like more drawings and in color to make the book more inviting for very young children.
Grandpa Tucker surely understands that the love of language shall, hopefully, ever remain the most endearing and enduring gift to be passed from parents and teachers to children. This book offers the most effective and charming way I have found to pass that gift along.
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Here, John has just heard the news that he is suffering from terminal lung-cancer. He doesn't know what to do so he goes out to try and find something or someone who might be able to help him, thereby caring little what effects his actions have along the way. On his desperate journey he visits about every magician and representative from Heaven and Hell he can think of. Meanwhile he's getting more sick every minute and time is running out fast.
Although the typical Ennis humor (like in Preacher) hasn't set in here yet, he IS already showcasing that he can write well. It's not as good as in the next trade collecting his issues ("Fear & Loathing") but that's not saying this one isn't worth your time. Story-wise it all fits and while the story may not be the best he's ever written, it's better than many things in comparable genres out there. The art is done by various artists, mostly by Will Simpson. Although it can't compete with Steve Dillon's drawings (the artist in the other Ennis Hellblazer trades and Preacher), it is clear, moody, maybe over-sketchy sometimes but fitting for the title. A nice book with no prior Hellblazer-knowledge necessarily required.
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The Content section contains seven pages, an appendix of Internet Resources is nine-pages and the index section is seventeen pages long making it user-friendly. On each cover is an extra "turn over" so you can "bookmark" where you stopped reading and as an added incentive, the book cover is plastisized so you can read and drink your coffee without fear of spillage!
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fat counting or excessive exercise - this is the book for you!
"Diets Don't Work" explains in simple language why diets
fail to help people achieve their weight loss goals. It includes
written exercises to help you crystalize your desires and reasons you
are overweight. By helping you delve into your inner self and by
teaching you the skills that naturally thin people naturally do, this
book can put you on the road to losing your excess weight and keeping
it off without dieting! The book covers topics such as how naturally
people stay thin, four things overweight people never do when they
eat, the main reason why you eat to much, the diet mentality and more!
This book is in its 14th printing and is the revised updated version
of the original "Diets Don't Work" book. It was printed in
1996. Another book by the author "Diets Still Don't Work"
was published in 1990 after the release of the original "Diets
Don't Work" book. The books cover essentially the same
information with only a few variations, so you really need purchase
only one or the other. I recommend this book if you are tired of the
diet roller coaster and want to live a naturally thin diet free life!
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of the living creatures that inhabit the planets of George Lucas's Star Wars saga. Rendered beautifully in color and formatted in the style of a naturalist's field journal.
the book showcases animals seen in the films and (finally) gives
images to other creatures formerly only described in print.
Mating habits, social interractions, hunting techniques, and
life cycles of Banthas, Dewbacks, Rancors,and Kadus are shown.
As well as others who only made brief appearances or just named in print such as: Womp Rats, Nerfs, or that trash compacter Monster (Dianoga) which I finally saw what that eye belonged to.
Fauna are represented planet by planet and each new world gives
a brief but informative introduction on the ecosystem.
This lavishly illustrated and beautifully rendered book makes a
excellent companion to the Illustrated Star Wars universe. As well as the books of the conceptual art. For any fan this is an
essential volume and a most welcomed addition to one's personal
library. A pity that George Lucas does have an introductory
statement printed to acknowledge or at the very least give kudos to the splendid work Terryl Whitlatch and Bob Carrau have done in giving form and life to the creatures that inhabit his universe.
If you're buying this book for yourself, it will stand out as the pride of your Star Wars library for years to come. If you're buying it as a gift for a fan of any age, prepare to be showered with gratitude. The book is so endearing that even people who may not necessarily be fans of the genre will certainly come to admire it. The Wildlife of Star Wars is well worth every penny.